Category Archives: Photographs: Architecture

Stained Glass, Eglise de Notre-Dame Des Victoire

Stained Glass, Eglise de Notre-Dame Des Victoire
“Stained Glass, Eglise de Notre-Dame Des Victoire” — Columns and stained glass windows in the Eglise de Notre-Dame Des Victoire.

We came to the Eglise de Notre-Dame Des Victoire midway rhrough a very long walk in Brussels, last year. The idea was to go beyond the busy central old district where we were staying to see some other parts of the city. (That central district has a lot to offer, but it is not the whole of Brussels.) We came to the church, walked around it outside, then entered. We were almost the only people there, probably because it isn’t on the tourist map.

It is a beautiful church, full of light from its extensive and tall stained glass windows. In some ways it brought to mind La Chapelle of Paris, though here you could just walk into it. (Accessing La Chapelle is trickier due to its location and security concerns.) I made this photograph along one side of the church where morning light was gently streaming through those beautiful windows.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Eglise de Notre-Dame Des Victoire Interior

Eglise de Notre-Dame Des Victoire Interior
“Eglise de Notre-Dame Des Victoire” — The interior of the Eglise de Notre-Dame Des Victoire, Brussels.

During our visit to Brussels near the beginning of June, we stayed near the old central part of the city, an area of remarkable architecture, many places to eat… and a whole lot of tourists. In many ways it was a good location — we could easily walk there from the train station, and food options were abundant. But eventually we decided to take a very long walk out of this area.

That eventually took us to quieter neighborhoods and districts and past the Eglise de Notre-Dame Des Victoire, a beautiful older church. Like so many similar European churches, it is architecturally impressive, and I enjoyed photographing it. The light is often beautiful — soft and diffused, with spots of color and direct light coming through stained glass windows.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Chicago Towers

Chicago Towers
“Chicago Towers” — Chicago towers on a cloudy autumn day.

We spent almost a week in Chicago in late November. We went for a long walk inside “the loop” on this overcast day, first visiting the opera house (where we had tickets for a performance later on) and then following the river back to the east before looping toward our hotel. I’ve long been fascinated by comparisons between Chicago and Manhattan, and while I love Manhattan, Chicago comes out ahead in many ways. For one thing there is more space between buildings, providing more light and more ways to photograph them.

Why in the world, you might wonder, would we go to Chicago in November!? It tends to be cold and windy then — though still not as cold as a few weeks later. We originally had plans to meet up with other visitors to attend some concerts, visit museums, and enjoy meals. Unfortunately, their plans changed, but since we had tickets and reservations we decided to go anyway — and it turned out to be an enjoyable trip.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Rectangular Patterns (Horizontal)

Rectangular Patterns (Horizontal)
“Rectangular Patterns (Horizontal)” — Patterns formed by light, paint, shadows, and structure on an urban building.

This is one of a pair of photographs of the same structure. I’ll bet you might not be surprised to hear that the companion photograph is called “Rectangular Pattern (Vertical).” Working on this pair got me to thinking about a series that I might call “Urban Geometries” featuring such photographs, both from my existing archives and from some new work. You can look at this as a photograph of a real scene or, if you work at it, you may be able to see it as an abstract composition of forms and colors.

The location is an area that was acquired by a (very) big company for a huge future corporate campus. Then came the pandemic. Now their plans appear to be on hold, though they still hold rights to the properties. I suspect, but do not know for certain, that they did some “sprucing up” of the area to avoid charges that they are allowing it to degrade. Right now it is largely a sort of urban dead zone… though it has nice paint.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.