Category Archives: Photographs: Architecture

Chicago Towers

Chicago Towers
“Chicago Towers” — Chicago towers on a cloudy autumn day.

We spent almost a week in Chicago in late November. We went for a long walk inside “the loop” on this overcast day, first visiting the opera house (where we had tickets for a performance later on) and then following the river back to the east before looping toward our hotel. I’ve long been fascinated by comparisons between Chicago and Manhattan, and while I love Manhattan, Chicago comes out ahead in many ways. For one thing there is more space between buildings, providing more light and more ways to photograph them.

Why in the world, you might wonder, would we go to Chicago in November!? It tends to be cold and windy then — though still not as cold as a few weeks later. We originally had plans to meet up with other visitors to attend some concerts, visit museums, and enjoy meals. Unfortunately, their plans changed, but since we had tickets and reservations we decided to go anyway — and it turned out to be an enjoyable trip.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Rectangular Patterns (Horizontal)

Rectangular Patterns (Horizontal)
“Rectangular Patterns (Horizontal)” — Patterns formed by light, paint, shadows, and structure on an urban building.

This is one of a pair of photographs of the same structure. I’ll bet you might not be surprised to hear that the companion photograph is called “Rectangular Pattern (Vertical).” Working on this pair got me to thinking about a series that I might call “Urban Geometries” featuring such photographs, both from my existing archives and from some new work. You can look at this as a photograph of a real scene or, if you work at it, you may be able to see it as an abstract composition of forms and colors.

The location is an area that was acquired by a (very) big company for a huge future corporate campus. Then came the pandemic. Now their plans appear to be on hold, though they still hold rights to the properties. I suspect, but do not know for certain, that they did some “sprucing up” of the area to avoid charges that they are allowing it to degrade. Right now it is largely a sort of urban dead zone… though it has nice paint.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

House with Blue Trim

House with Blue Trim
“House with Blue Trim” — A white hour with blue doors, Casals de Loivos, Portugal.

This past May we spent a week on a walk through the hills, villages, and vineyards of Portugal’s Douro Valley, completing a large loop that began and ended in the town of Pinhão. We walked every day, and stayed each evening in various local accommodations. The last of those was in the remarkable little village of Casals de Loivos, perched high above the Douro Valley.

On the final morning we were scheduled to do the short, pleasant (and entirely downhill!) walk from there to Pinhão, where we were scheduled to catch a train back to Porto. Before setting out from Casals de Loivos we wandered around the small village for a while. I found this striking little building on one of its streets.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Lisbon Rooflines

Lisbon Rooflines
“Lisbon Rooflines” — A succession of rising rooftops against a cloudy sky, Lisbon.

On one level this photograph is about the forms and colors of the buildings in this Lisbon neighborhood. The color palette is more typical of Southern Europe — from here to Italy and beyond — with the earth tones and the red tile roofs. The angle relationships are compressed, in part because the buildings are so close to one another.

It is also about the “atmosphere” of the place — the light of this region seems to me to have a particular quality. On one hand it can be sharp edged, I suppose due to the southern location and the high position of the sun. But there can also be a softness to the atmosphere that isn’t like the harsh quality often seen in, for example, the American Southwest.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.