I have a somewhat embarrassing confession to make about this photograph. I know that I made it in a church in the Belgium town of Ghent… but I failed to record which church it was! In my (weak) defense, this is a town of many churches — I don’t think I’ve seen many others with so many steeples. And after a few weeks of visiting Various European cities it is possible that I was starting to suffer from an overdose of church architecture.
Continue reading Church Interior, Ghent
Alcove and Wall. © Copyright 2023 G Dan Mitchell.
An alcove, a weathered wall, a door, and a sidewalk — Florence, Italy.
This photograph comes from Florence, Italy. Anyone who has been there, especially in the busy tourist season, knows that the place is incredibly busy and crowded, at least during the hours when visitors are out and about. We escaped the most intense crowds on this morning by heading “the other way,” into a neighborhood that lacked the usual tourist attractions.
Like almost any photographer visiting this part of the world, I cannot resist the colors and the old, weathered surfaces and shapes of the buildings. Back home, old buildings just took… old. But here the Latino of time and wear somehow seems more attractive.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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This was a rather serendipitous photograph. We had been photographing in this large garden for an hour or two. The sun was getting higher in the sky, making the light less appealing for photographing foliage, and we decided it was time to move on. We were on our way toward the exit of the garden when I passed through a gate in a brick wall and just happen to look back… and see this little scene built into the wall.
Continue reading Alcove With Flowers
Blue Stairway. © Copyright 2018 G Dan Mitchell – all rights reserved.
A blue stairway in a softly lit alcove
In contrast to much of what I have recently shared, this photograph is not a landscape. Or perhaps it is. OK, it is. I think of photographs like this, at least to some extent, as being “urban landscapes.” In many ways (but not all) I see them in ways that are similar to how I see landscape. I’m looking for form and composition, color, effects of light, some sense of the feeling of the place, and often a quality of stillness. I also think that these photographs, like some of my personal favorite landscape photographs, attempt to look at a familiar place in an unfamiliar way. For example, there is almost nothing in this photograph to tell you that it was made in San Francisco, not far at all from some rather iconic views.
Despite the similarities to my landscape photography, there are also some obvious differences. The distinctly non-natural subject is one obvious clue. Perhaps less obvious is that these photographs are not made in the usual natural landscape manner, relying on tripods, remote releases, and sometimes plenty of time to think and consider. Instead, these are virtually always shot handheld with a small camera. I’m generally on the move when I photograph these subjects, typically pausing only long enough to frame and trip the shutter, and then I continue along. In fact, I barely broke my stride as I passed this scene and made this photograph.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.