“Alcove With Flowers” — Freshly-picked daffodils in a pot in a garden alcove.
This was a rather serendipitous photograph. We had been photographing in this large garden for an hour or two. The sun was getting higher in the sky, making the light less appealing for photographing foliage, and we decided it was time to move on. We were on our way toward the exit of the garden when I passed through a gate in a brick wall and just happen to look back… and see this little scene built into the wall.
“Open Door and Stairway, Night” — The entrance to someone’s Chinatown home, San Francisco.
Originally I contemplated adding this to the “Postcards From Pandemic” series — the mood and subject seem about right. In the end I did not, since I’ve decided that those photographs will all be made during the lock-down and whatever follows. This photograph is almost five years old.
There is, for me, a lot to ponder in this photograph. Let’s start with the obvious — it is not a pretty picture. Despite the fact that the scene is so gritty, I was attracted by the colors, textures, and all that stuff, apart from the underlying reality of the scene. But, obviously, we have to ask some questions about a scene like this: Who lives here? What must it be like to enter your home through such a portal?
Given its title, it should be obvious that this photograph is, at least in part, about the colors I found in this little downtown San Francisco scene. The specific location probably isn’t too important, though it is a central city area that is not one of great wealth and privilege, but which is perhaps under some pressure from the developmental forces currently bringing radical changes to the qualities that made this city famous.
Sometimes I just make photographs without analyzing too much, and you could look at a photograph like this in much the same way. But sometimes I do ask myself questions, such as “Why would I want to photograph something like this?” The answer is too complex for a two-paragraph web post — and I’m not sure that I know the complete answer — but I do know that I’m looking for order relationships among things that might not be objectively related. (Here those elements include the conjunctions of color and objects.) I’m also, I think, trying to see things for “what else they might be.”
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
A San Francisco doorway with an interior stairway, night
For me street photography is not just about people — though I photograph that subject, too. It is also about what I might call “street landscape,” and I’m as intrigued by this landscape as I am by any other. Even when my subjects are the people in the urban world, I’m virtually always considering them at least partly in the context of where they are. I’m no less away of this landscape background in the urban world than I am when photographing birds in flight against the background of their landscape. And sometimes here, as in the natural world, I like to photograph that landscape without its “wildlife.”
The urban world especially fascinates me at night, and simple things can take on a new appearance. This was almost a “grab shot” as I walked back toward my car from where I had spent an hour photographing with friends along the San Francisco waterfront. If such things appeal to you, there might be a lot to find and consider in this image. Or not. You decide.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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