Category Archives: Photographs: Central California

Pacific Horizon, Weather Front

Pacific Horizon, Weather Front
Cloud shadows on the surface of the Pacific Ocean as an incoming storm front darkens the skies above the horizon.

Pacific Horizon, Weather Front. © Copyright 2019 G Dan Mitchell – all rights reserved.

Cloud shadows on the surface of the Pacific Ocean as an incoming storm front darkens the skies above the horizon.

This is a familiar scene to me, as I’ve have been visiting this section of the California coast for decades. The location is along the Big Sur coast, though it could be any number of places where it is possible to get up high and find an open view toward the horizon and the sun. On this day there was a thin overcast from the leading edge of an incoming Pacific weather system, and it did a fine job of casting shadows on the water and muting the brightest reflections.

For me these scenes always encourage a certain kind of stillness and thoughtfulness. As a person who has spent next-to-no time on the ocean, looking across these immense distances toward the horizon causes me to ponder the scale of the Pacific Ocean. Lower down at the waters edge, my attention goes to sand and surf and rocks — but up higher it extends much further outward.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Two Trees, Big Sur River

Two Trees, Big Sur River
The trunks of two trees lean outwards over the Big Sur River

Two Trees, Big Sur River. © Copyright 2019 G Dan Mitchell – all rights reserved.

The trunks of two trees lean outwards over the Big Sur River.

My typical route down the Big Sur coast when I head out for a day of photography there takes has me primarily focusing on the coast itself — the headlands, bluffs, cliffs, beaches, sea stacks, and surf found along the Pacific Coast Highway. Partway down, perhaps a half hour or so below Carmel, the road jogs inland and follows the Big Sur River for a bit before rising over a saddle and starting a long descent back towards the ocean. I generally don’t do a lot of photography along this inland section… though I do know a few good places to stop for snacks, meals, and espresso!

This visit was a bit different. The light and atmosphere along the coast were affected by an incoming Pacific weather system. There was quite a bit of haze, and the light was interrupted by high clouds. Those conditions are typically less conducive to shooting “big landscapes,” but they can be very wonderful for photographing on a smaller scale, especially in forested areas where the light would otherwise be too contrasty. So I pulled off the road along the Big Sur River, walked a few feed down and embankment, and found a lovely and quiet section of the river when the water flowed smoothly over rocks and trees leaned over the river.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Autumn Pond, Tree

Autumn Pond, Tree
Autumn colors on a small tree in a wetlands pond

Autumn Pond, Tree. © Copyright 2019 G Dan Mitchell – all rights reserved.

Autumn colors on a small tree in a wetlands pond.

Central Valley landscapes such as this one often cause me to stop and consider what this area was once like. Today it is mostly agricultural land, marked of into neat squares with water coming from extensive irrigation systems, cut through by roads and highways connecting the increasingly populous cities of the area. But not much more than 100 years ago it was a very different place. One reminder for me is a description that John Muir wrote in the 1800s, remarking on vast fields of wildflowers that he saw as he walked (!) to the Yosemite Sierra. Historically, many parts of the Valley were also quite wet places, with marshy lowlands fed by many rivers and creeks draining from the mountains. (Much of this water is now captured, channelled, and devoted to agriculture.)

Fortunately, some remnants of the old marshlands (and even the original grassland prairie) have been protected. Many of the marshlands were protected, as I understand it, as part of the wildlife refuge program. One of the reasons for this is that hunters did not want to see all of the waterfowl disappear. Recently I read that there is yet another practical benefit to these places — birds that stay in them are less likely to feed on winter crops! In any case, these places now help protect remaining migratory bird populations… and they provide beautiful reflections for landscape photographers!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Three Trees, Fog

Three Trees, Fog
Three trees on a foggy Central Valley late-autumn morning

Three Trees, Fog. © Copyright 2019 G Dan Mitchell – all rights reserved.

Three trees on a foggy Central Valley late-autumn morning.

This group of trees, and especially the central one, have gradually become “old friends” of mine when I photograph in California’s Great Central Valley each winter. (If you photograph frequently in a favorite location, I’ll bet that you have some similar personal favorites!) Every time I pass by here, coming around a particular curve in the road, I spot the first tree and begin considering how it relates visually to the elements behind it, primarily including the other two “mirror image” trees.

The conditions in the photograph are fairly typical of late-autumn up and down this great valley, which stretches hundreds of miles from the southern end (where roads lead over mountains to the LA Basin) to the north (where Mount Shasta looms). When the conditions are right (or “wrong” if you live out there and it is the thirtieth day of them!) the damp air is very still and tule fog forms. This fog is dense but not deep — you might not be able to see more than a hundred feet in front of you but you can look up and see the sun or stars. The fog completely transforms this landscape, eliminating the sense of grand space and scale and instead producing a sense of intimacy and mystery.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.