Category Archives: Photographs: Northern California

Photographs from Northern California

Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California, Photographs: Redwood National & State Parks

Redwood Forest, Morning

June 8, 2018 G Dan Mitchell Leave a comment

For many years I have, in a sense, neglected the far northwestern corner of California where the Redwood National and State Parks are located. While I have photographed coast redwoods closer to the San Francisco Bay area, my experience in this true heart of the great redwood country has been quite limited — I’ve driven through a few times, but I have done very little photography there. This past week I had my first real opportunity to begin the process of rectifying this omission, and during this visit I managed to photograph in four of the main park components of the area. I’ll have additional photographs beyond this one, and I’ll expand on my thoughts about the area as I share them here.

This late May and early June period seems like it just might be prime time for this area, at least from a photographic perspective. Things are still very wet in this temperate rain forest, and new spring vegetation is everywhere along with plenty of wildflowers. This lushness produces scenes that are both attractive and a challenge to photography. As differentiated from, say, the Sierra Nevada, here there are few singular iconic sights. Instead there is the rich complexity of the redwood forest. (Also, of course, there is the nearby coastline.) The redwoods themselves lend an almost obsessive verticality to these scenes, but those large forms contrast with the dense details of other plant life. This was one of the first redwood forests within which I photographed on this visit, and I enjoyed the challenge of finding compositional form within this complexity.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: Structures and Objects

Building 259

March 27, 2018 G Dan Mitchell 2 Comments

Building 239, Mare Island Naval Ship Yard

In mid-March I returned to the old Mare Island Naval Ship Yard to do night photography with some of my nocturnal friends, a group of photographers with connections through Bay Area night photography guru Tim Baskerville who has been photographing, teaching, and generally promoting night photography for decades. We assembled well before dark, and as I arrived I kept my eyes out for structures on the old ship yard that might be interesting to photograph after sunset. About a half hour before the sun went down we began to head out to start out night’s work.

I planned to photograph around the “historic core” of the facility, but I decided first to drive back along my arrival route to where I had seen these buildings and few others that caught my attention. I started with a building that I have photographed in the past, and the sun set as I worked that scene. The soft, blue early twilight changed the appearance of the buildings, giving the foreground building 259 a blue cast and altering the color of the further building. I’m intrigued by these “round” buildings (what I grew up calling Quonset huts), and here I wanted to contrast its shape and color with the squared and pinkish background building.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Mono Lake Basin, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Ship Yard Buildings, Crane

March 19, 2018 G Dan Mitchell Leave a comment

I recently had a chance to return to this ship yard facility near Vallejo, California to work on night photography. This is the place where I first tried that genre approximately fifteen years ago. It was more or less on a whim — I read that someone was inviting photographers to come up to Mare Island, in conjunction with the annual Flyway Festival, and find out about night photography. I knew almost nothing about it, but decided to give it a try. Since that time I’ve been hooked. I’ve returned to photograph here often during the intervening decade and a half, and my night photography expanded from that beginning to incorporate other subjects and places. (Recently I have focused on night street photography done with small handheld cameras.)

This photograph is an example of several things that intrigue me about photographing at night. Scenes that might seem mundane in daylight are transformed at night. Not only do many distractions simply disappear, but the light itself, especially in areas with varied artificial illumination, transforms these subjects. In many places LED lights have replaced the wild mix of tungsten, fluorescent, sodium vapor, and other sources today — an unfortunate development in the visual sense, as LED light is more or less like daylight. But in places like this one, the colors of the light become intense. Here the intense green of a large work light predominates. Another appeal of night photography is that it lets me make photographs of things that my eyes cannot see. In the ambient lighting I could only barely see the details of this scene. But with a long exposure there is enough light to reveal hidden features, a pure example of “seeing what the camera sees.”

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco

Museum Lobby

January 30, 2018 G Dan Mitchell Leave a comment

Visitors milling about in the lobby of SFMOMA

It has been a while, and I was more than due for one of my periodic walking days in San Francisco. As per the usual plan, I was out the front door of our house long before dawn, to the train station by bus, and then by train to San Francisco, arriving just before sunrise. There were clouds over the City to my north and west, so I headed to the edge of the Bay, where the skies were clear to the east and early sun shone through on the shoreline and the City. I photographed along the waterfront for a while, and eventually wanted past the Ferry Building and up into the City north of Market Street.

I had a plan to circle back to SFMoMA by late morning, since the expansive Walker Evans show ends there in about a week. I arrived and took a break from my own photograph to view his and that of his contemporaries. (To anyone in the SF Bay Area who likes this sort of thing, go now! There is a ton of work in this show, and it ends a few days into February.) Evans evokes a mixed response for me. I share an interest in some of the subjects that interested him, including certain kinds of shops and other urban structures. His photographs of common tools are exquisite, and the WPA photographs of sharecroppers are really great. Other work impresses me less, and some of the photographs of objects and buildings (though not all of the latter!) impress me at times as being snapshots. But still, there’s a lot of great work in the show, and Evans had a big influence on the ways that many of us see. Once I completed my time in the Evans exhibit, it was time to leave and head back to the train station. But before I left I made a few photographs inside the museum, where I saw for the first time the patters of these lights reflecting on the floor in many places.

G Dan Mitchell Photography

Category Archives: Photographs: Northern California

Redwood Forest, Morning

Building 259

Ship Yard Buildings, Crane

Museum Lobby

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.