Category Archives: Photographs: Photographers

Photographs: Photographers, Photographs: Structures and Objects

Detail, Wildcat Hill

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Detail, Wildcat Hill
Detail, Wildcat Hill

Detail, Wildcat Hill. Wildcat Hill, California. September 28, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Detail of a building at Wildcat Hill

This is the third and final (for now, anyway) photograph from my visit to the historic Wildcat Hill home of Edward Weston and other members of the Weston family, today including Kim and Gina Weston. I suppose that visiting the Weston compound is something of a photographer’s pilgrimage, given Edward Weston’s influence and the work of the other photographers in the Weston family. (I believe there now may be as many as five generations of Weston photographers.)

The place is fascinating in many ways. Given its location, today not far from a very busy tourist byway, it is especially intriguing to think about what the place must have been like many decades ago. The main building is maintained in much the way it must have been many years ago, and it is a rather humble structure. Inside are many fascinating artifacts — Weston prints, paintings, sculpture, objects from the home, the small Edward Weston darkroom, and more. Over the years the place seems to have picked up a large number of small bits and pieces of “stuff” that is found everywhere — on shelves, attached to walls, scattered around the grounds. These things make fascinating subjects for almost any photographer.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Photographers

Working the Red Rock Landscape

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Working the Red Rock Landscape
P”Working the Red Rock Landscape” — Photographers at work in Utah’s red rock country

A group of us assembled in the outback of southern Utah in October for a few days of landscape photography — and I was perhaps the odd man out as the person least familiar with Utah subjects. Not that I haven’t shot there before… I’ve actually spent perhaps a month and a half photographing in the state in the past few years, all told, and I’m becoming more and more familiar with the visual quality and the rhythms of the place. However, the others were mostly from the Southwest, and they have the same sorts of instincts for this land that I have for the Sierra.

We spent a few days in this red rock landscape of domes, hills, gulches, and canyons. On this evening we went to a location where red sandstone hills rise above the flatlands and stretch into the distance, and are filled with a seemingly infinite variety of textures and shapes and plant life. Here we stopped to photograph an old cottonwood snag in the middle of an expanse of sandstone.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Photographers

Photographer David Hoffman

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Photographer David Hoffman
Photographer David Hoffman

Photographer David Hoffman. Capitol Reef National Park, Utah. October 21, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Photographer David Hoffman works the late afternoon canyon light at Capitol Reef National Park

Capitol Reef National Park is, of course, a spectacular place to make photographs, with a wide variety of potential subjects ranging from the obvious icons to things that are possibly not as immediately obvious. I’ve had the good fortune to photograph there on perhaps four occasions now. Each time I visit I discover new aspects of the park that I had not previously known. My first visit was largely to the popular and accessible tourist areas near the Fruita district. A second visit took me to another side of the park over gravel roads. A third visit went beyond those roads to investigate some less known areas that required some advance knowledge and hiking.

The fourth visit was a bit different from each of the others. After photographing alone elsewhere in Utah, and before meeting some other photographers to “work” a more remote area, Dave and I met up for a few days in Capitol Reef. Since it was his first visit to the place, we combined photography of some accessible areas with visits to a few of the areas that are a bit more off the beaten track, and we visited some of the familiar areas at odd times when few others were there. Here, Dave is photographing the rocks and walls of one of the many canyons in the park.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

History, Photographs: Photographers

Holding an Artifact

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Holding an Artifact
Holding an Artifact

Holding an Artifact. Wildcat Hill, California. September 28, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Holding a Brett Weston negative — “Brooklyn Bridge, New York, 1946”

During our visit to the Weston Home at Wildcat Hill in late September, Kim Weston shared a wide range of photographs and photographic objects , and accompanying stories, with us in his studio. (That’s him at the lower right of the frame.) He shared and talked about work by many of the Westons, from Edward Weston to himself. He even passed around various photographs and objects for closer inspection, including this negative of a very important Brett Weston photograph, “Brooklyn Bridge, New York, 1946.”

And — no surprise! — he has a lot of stories to tell. If I have this one correct, it goes sort of this way. Brett Weston’s photographs are very much about the print and the initial image in the negative served as source material for the final interpretation. That interpretation was the thing — not the negative. As I understand it, he wanted the prints, not the negatives, to remain as his legacy, and he had announced that we was going to destroy the negatives for many great photographs. He discussed this with Edward (?) Weston, who did not feel the same way about limiting editions and who apparently convinced Brett to let him pick a few negatives to save. Brett agreed, Edward chose, Brett went and brought back the selected negatives… which he had defaced with a hole punch. (You can see the holes near the four corners of this negative.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.