Category Archives: Photography and Music

Photographs: Nature, Photographs: Sierra Nevada, Photography and Music

Shoreline, Sunset

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Shoreline, Sunset
The shoreline of an alpine lake at sunset, Yosemite Naitonal Park.

Shoreline, Sunset. © Copyright 2021 G Dan Mitchell – all rights reserved.

The shoreline of an alpine lake at sunset, Yosemite Naitonal Park.

We were camped at a backcountry lake in northern Yosemite. Our group of photographers were there for a long enough period of time to photograph the lake itself and to explore the surrounding terrain — other lakes, talus fields, high ridges, and more. On this evening we all had the same idea — to follow the inlet stream of “our” lake up a slope toward the next higher lake in the drainage.

I made this photograph near the upper lake’s outlet, where the terrain flattened out and wetter, almost swampy areas surrounded the water. This spot, being higher than surrounding country, was fully open to the west and the low angle sun sloped across these small trees, standing against a background of a late-season snow field and the base of a rocky slope.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Commentary, Ideas, Photography and Music

Music and Photography: Technique and Interpretation

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(I accidentally published this draft post earlier today while doing some site maintenance. Shortly afterwards a friend contacted me to say that he had composed a response… only to find that the article had disappeared when he finished writing. My apology! Even though the article is not perhaps final – for example, the title is not quite right for the content – I have resurrected it. I intend this to be part of a longer series of posts.)

There have been and are quite a few photographers who also have backgrounds in music, and in quite a few cases these individuals could have had – or actually did! – have careers in both fields. The story of Ansel Adams supposedly making a choice between being a photographer or a pianist is well-known, and there are plenty of other examples. I don’t presume to put myself in the same category as Adams, but I’m also one of these people.

When I talk with other photographers who either share this dual background or who are aware of the number of other photographers who do, the conversation sometimes turns to the question of why this is the case. What points of contact are there between the practice of music and the practice of photography? The differences seem to me to be quite obvious. Clearly one medium deals primarily with sound and the other with visual images. In addition – and I think this is even more significant – music uses the element of time in a way that photography rarely can.  Photographers almost never tell you in what order you must view photographs – though they may suggest – nor do they insist that you move on to the next image after some specified interval of time. While the photographer may intend for you to follow a particular path through some images, there is no way to ensure that you do… and you probably don’t! But the musical composer relies completely on controlling the flow of events in time. It is emphatically not OK to switch sections of a piece and so forth.

So, what is similar?

I think that there are several points of contact between music and photography. I have no illusion that I can say everything there is to say about this in one post, so let me start with a single very basic idea having to do with the relationship between technique and interpretation or expression. Continue reading Music and Photography: Technique and Interpretation →