Blue Window

Blue Window
A blue window and a reflective wall, Manhattan

Blue Window. © Copyright 2020 G Dan Mitchell – all rights reserved.

A blue window and a reflective wall, Manhattan

The circumstances of making this photograph are a bit… unusual. We had the opportunity to enter a building in Manhattan that probably not too many people visit. (I’ll keep the identity anonymous for now. Don’t worry, nothing conspiratorial or anything…) It is an old structure not too far from Grand Central Station. Of course, I had my camera with me, and I took the opportunity to photograph some of the classic architectural features inside. At one point I, uh, had to visit a “very small room” in the building for a moment. This very small room was illuminated by the quite blue light coming from outside. So, naturally, I had to make a photograph. Yes, I was the only person in “the very small room.”

There are lots of ways to look at a photograph like this one, and it could be “about” any of several things. It is about blue, transmitted through glass, reflected on walls, and fading from light to dark. It is about texture — of “obscured glass,” of painted wall, and of reflective tile. I enjoy defocusing from the literal scene and letting the the actual windows and their reflection combine into a larger shape, and create an imagined virtual object on the wall.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Geology Lesson #2

Geology Lesson #2
Complex patterns of strata and erosion, Death Valley National Park

Geology Lesson #2. © Copyright 2020 G Dan Mitchell – all rights reserved.

Complex patterns of strata and erosion, Death Valley National Park.

This photograph is #2 because I have another photograph of this same scene, framed a bit differently. It is called “Geology Lesson” because… well, just look at it! There are so many layers — the literal layers of strata themselves, and the temporal layers of the effects of things that happened on extremely long time scales (the colorful layers of material laid down long ago and then twisted and bent) and more recent layers created by erosion.

Despite having a character that I find quite impressive, this particular spot is not one that usually rates more than a glance from park visitors, even though it lies between some very accessible and well known locations. In fact, I was driving past it on my way to another spot on this evening when I happened to look this direction and spot the juxtaposition of patterns. I quickly turned around and came right back, took out my gear, set up, and made a few photographs as soft evening light began to fade.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Yellow Doorway

Yellow Doorway
Yellow light in a doorway along a Manhattan sidewalk at twilight.

Yellow Doorway. © Copyright 2020 G Dan Mitchell – all rights reserved.

Yellow light in a doorway along a Manhattan sidewalk at twilight.

As we walked south from midtown to lower Manhattan on this winter day, afternoon turned to early evening, and down along the streets of the city, in the valleys between tall buildings, the light began to feel more and more like evening. As we walked I photographed, looking for light, color, and people that stood out to me. I made most of the photographs on the move, barely pausing long enough to make and exposure and then moving on.

I now barely remember making this exposure. I’m pretty certain it was somewhere in the vicinity fo Chinatown, and it may have actually been within the rough boundaries of that district. I de recall being fascinated — as I often am — by the patterns and textures of the roll-up doors on the closed shops, and by the warm yellow color of the doorway and the light emerging from it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Avocet and Geese, Fog

Avocet and Geese, Fog
An avocet crosses a marsh in front of a flock of geese on a foggy winter morning

Avocet and Geese, Fog. © Copyright 2020 G Dan Mitchell – all rights reserved.

An avocet crosses a marsh in front of a flock of geese on a foggy winter morning.

The two types of birds in this photograph could hardly be more different that those in this photograph — geese (Snow geese, if I recall correctly) and a solitary American avocet. The snow geese are annual visitors on the west coast of North American, migrating down from the arctic each winter. Avocets, as I understand it, a permanent residents of wet areas like this one. These migrating geese almost always flock together in very large groups, while I typically see avocets alone or possible in very small, loosely bound groups. And while these geese appeared to be mostly… just hanging out, this avocet was quite busy at feeding.

Of course, the birds aren’t the only story here. Winter brings wetlands fog, and on this morning it was thick. It had been even thicker when I started photographing just before sunrise, so much so that I really wan’t able to photograph much until it began to thin a bit, allowing in a bit more light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.