Jacqueline Kennedy Onassis Reservoir

Jacqueline Kennedy Onasis Reservoir
“Jacqueline Kennedy Onassis Reservoir” — The Manhattan skyline below Central Park from the Jacqueline Kennedy Onasis Reservoir.

Last fall we were in New York for family visits and to see a performance at the Metropolitan Opera. It was a lovely autumn day in Manhattan so we went for a long walk. We typically stay at a place a bit to the west of the Park, and our mornings often include walks there in one form or another. This time we headed further north from our usual routes and ended up walking around this manmade lake.

When I think of Central Park, this reservoir isn’t the first thing that comes to mind. To me it is more about lawns and trees and curving pathways, people enjoying what counts as the “natural world” in this city, and a steady stream of walkers, cyclists, runners, and more. But it seems to get less crowded up here by the lake, and views open up, unobstructed by trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Oaks, Meadow, Drifting Smoke

Oaks, Meadow, Drifting Smoke
“Oaks, Meadow, Drifting Smoke” — Smoke from a management fire drifts among autumn black oak trees in Yosemite Valley.

This photograph and the circumstances that led to it are a reminder about how things sometimes turn out differently than you might expect. I had left for Yosemite Valley hours before sunrise, planning to arrive in time to photograph in early morning light. Everything was going fine until I got into the lower Valley and discovered that smoke from a managed fire was blanketing the subject! I was quite disappointed as I drove along the south side of the Valley. But there I was, and there the smoke was, and I was there to make photographs — so I decided to see what possibilities might remain.

I crossed over to the north side of the valley, and looked back into the sunlight and these trees silhouetted in the drifting smoke, which was now glowing in the backlight from sunlight coming over the Valley rim. The backlight made the brown autumn oak leaves glow, and the slowly drifting smoke constantly altered the landscape, sometimes revealing and sometimes hiding features.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mono Craters, Evening Cloudscape

Mono Craters, Evening Cloudscape
“Mono Craters, Evening Cloudscape” — Dissipating afternoon storm clouds above Mono Craters.

I made this photograph at the end of a beautiful afternoon of aspen photography that was enhanced by the passage of impressive thunder storms. I had completed the day’s aspen photography and dropped back down into the high desert along US 395 in the Mono Lake area when the clouds began to thin and break up and glow in evening light. Here some lenticular clouds were forming over the Mono Craters.

The Mono Craters comprise an interesting bit of geology that we might not automatically associate with the Sierra Nevada. We tend to think of the range being built by the uplift of gigantic “blobs” of granite, with deeply eroded overlaying material above. But volcanic processes were at work out here, too. Mono Craters are a particularly obvious example that you cannot miss as you drive south from Mono Lake — and part of a chain of volcanic cones extending from the north short of the lake to south of Mammoth Mountain.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspen Slopes

Aspen Slopes
“Aspen Slopes” — Aspen covered slopes on the east side of the Sierra Nevada.

People new to the autumn aspen “scene” in the Sierra Nevada often ask, “Where is the best place to find the aspens in the Eastern Sierra?” My answer may sound facetious, but it is accurate — “In the Eastern Sierra!” Sure, there are particular places where everyone goes to look and photograph, and many of them are spectacular. But the trees are everywhere. Drive across any Sierra Pass (slowly!) and you’ll find them. Head up or down US305 and watch (mostly) to the west, and you’ll see tons of them. Head up into most any east side canyon and they will be there.

In some other places large swaths of trees change virtually at the same time — in New England, for example. But things are more varied in the Sierra, and the color sustains itself for almost a month. It starts at the highest elevations and more in the north than the south. Then, generally speaking, it works its way from high to low and from north to south — through there are some variations here and there caused by exposure and availability of water. The trees in this photograph are in the transition zone between the dry high desert terrain and the first conifer forests as the elevation rises.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.