East Side Morning

East Side Morning
“East Side Morning” — Early morning light on the eastern escarpment of the Sierra Nevada near Parker Pass.

There are few sights more beautiful and spectacular than a shoulder-season sunrise on the eastern escarpment of the Sierra Nevada. Believe me, it is well worth getting up long before sunrise and putting on all of your warm clothes! Many of the best views on these mornings are from a distance away from the base of the mountains, where you have a clear view that stretches from the high desert at the base of the range right on up to rugged, snow-covered summits.

While my main goal for heading out there in late September and early October is to photograph the changing fall colors, the light and atmosphere change, too as summer fades and autumn arrives. When I went there on this visit I had just returned from two-and-a-half months of overseas travel, and I was missing “my Sierra!” I headed into the high country to set up camp, and from there I wandered on foot and by vehicle — and on this morning my wandering took me out into the high desert east of the range before dawn.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Black Oak Trees

Autumn Black Oak Trees
“Autumn Black Oak Trees” — Autumn black oak trees in a Yosemite Valley meadow.

When we think of fall colors, most often trees like maples or (in the West) aspens come to mind, not oak trees. But in the right light the black oaks of Yosemite Valley can put on quite an autumn color show. While the leaves tend more toward brown than yellow, when backlit they glow and the yellow tones predominate. I photographed these trees in soft backlight, and the color shift is clear.

Oaks are common all over California and the Sierra foothills, but there are some special circumstances in Yosemite Valley that enhance their appearance. Obviously, simply being in this place has some advantages! But because its cliffs are so tall, beams of sunlight appear and disappear as they move around the Valley, highlighting the trees in fascinating ways. Here a bit of light from the top of the background cliffs illuminates these trees, while the more distant forest remains in the shade.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mono Lake Shoreline, Morning

Mono Lake Shoreline, Morning
“Mono Lake Shoreline, Morning” — The Mono Craters rise beyond the shoreline of Mono Lake on an autumn morning.

Sierra Nevada autumn photographs often feature the colorful leaves of aspen trees, but this is what fall looks like at the base of the eastern escarpment of the range. The grasses have turned golden brown, there’s often a bit of haze in the air, and things seem to be quieting and slowing as the seasons change. I made the photograph on a fall color trip to the Sierra, but I also ended up spending a lot of time in spots like this.

The Mono Basin is a fascinating place and an interesting contrast to the Sierra Nevada. It is dry, even though gigantic Mono Lake stretches across much of it. It is also a place where the geology is laid bare, unlike parts of the Sierra where much of it can be hidden by trees. A string of old volcanic vents and craters begins near the north shore of the lake, includes two islands in the lake, and then continues south through the Mono Craters and on to points below Mammoth Mountain.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Aspen Grove and Pond

Aspen Grove and Pond
“Aspen Grove and Pond” — Autumn aspen trees on the shore of a small Eastern Sierra Nevada pond.

I came to this spot rather late in the day, though that was partially intentional. I knew that rows of aspens here can glow in backlight in the late afternoon, and there is a short window of opportunity between the time that the sun moves behind them and when it drops behind the surrounding peaks. I arrived and quickly went to work, since I had my eyes on several of the groves.

These trees grow in a row on the far side of a beaver pond. You wouldn’t know it from the photograph, but it can be a bit difficult to find a camera position with a clear view across the water — lots of stuff grows along the near shoreline, and much of it is so wet and muddy that it isn’t easy to get to the water’s edge. When I made the photograph the far slopes of the upper valley had already fallen into shadow, and before long the light would disappear from these trees, too.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.