Tag Archives: annual

2025 (Almost) Favorite Photographs

G Dan Mitchell's 2025 (Almost) Favorite Photographs
“G Dan Mitchell’s 2025 (Almost) Favorite Photographs” — 16 photographs that almost made it into G Dan Mitchell’s 2025 Favorite Photographs.

Each winter I go review the year’s work and select a set of “annual favorites.”I enjoy reviewing all of my photographs each year, but it is difficult to winnow them down to a manageable 12 to 16 images. As I created my 2025 Favorite Photographs I had to make hard decisions near the end of the process, and inevitably some photographs I liked were left out.

So this year I’m trying something new: I have assembled this set of 2025 (Almost) Favorite Photographs, selected from those I like that did not quite make the cut for my the 2025 Favorite Photographs.

Why didn’t they make it? I photograph a variety of subjects — from landscapes to travel to street photography. Since I want to include multiple genres I must eliminate photographs of one type to make room for others. Sometimes the issue is that I have a lot of photographs of certain subjects. For example, this year I had many photographs of trees and desert landscapes, and I couldn’t include them all.

With this in mind, here’s a set of 2025 (Almost) Favorite Photographs that didn’t quite make it into the final set. Continue reading to view them individually below and then in a gallery at the end of the article, where you can click on an image to view the set as a slideshow.)

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2025 Favorite Photos

Here is a collection of some of my favorite photographs from 2025. Assembling annual collections gives me a opportunity to get a better overview of my work over the longer term. The project also jogs my memory and gives me a chance to relive memorable experiences from the past year.

Here is a set of thumbnails of the selected photographs. You can pick the image for a better view of the set, but continue reading to see larger versions of the photographs read more about each image.

2025 Favorite Photographs
A set of G Dan Mitchell’s favorite photographs from 2025.

I prefer the term “favorites” over “best” since I’m not really able to know which are best — that’s a subjective thing, its not entirely my decision, and it changes over time. But right now, I can say for sure that these are among my favorites.

Choosing the set is challenging! Near the end of the process I must eliminate photographs that are also favorites in order to keep the collection to a reasonable size. (Perhaps I’ll share some of the “(Almost) Favorite Photographs” in a separate post!)

I choose the final set from among all of the photographs that I shared on this website during 2025. The majority were also photographed during 2025, but a few are photographs “captured” earlier that I finished working on this year.

The final set includes diverse photographs since I photograph a wide range of subjects. Some of you who follow my landscape photography may not know that I also do travel and street photography, that I sometimes include people in my landscape work, or that I do some macro photography. So I select a set of favorites that includes examples from various genres. They also come from throughout the year and from many different places — the mountains, the desert, wildlife refuges, American and foreign travel, my local neighborhood.

Continue reading to see larger versions of the photographs and to read more about them. (Click photo titles below to see their original posts. Click on the photographs to view them larger.)

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2023: Favorite Photos

It is that time again — time to share favorite photographs from the past year. I am sharing “2023: Favorite Photos,” including a dozen representative images. I think it is a diverse set, and I hope you’ll enjoy it!

Below is a single image of the full set of twelve. Subjects include the Sierra Nevada (of course!), Death Valley (also of course!), the California coast, birds in California’s Central Valley, a macro photograph, an urban landscape from Manhattan, and several photographs from our 10-week visit to (mostly) Southern Europe.

It is a group of 12 images chosen from among my 2023 favorites — not necessarily my “12 Best Photographs” of the year. (See the difference?) The process of winnowing the set down to a dozen left out other favorites. I like all of those photographs, but I chose these because they represent a variety of work and cover some of the main experiences, places, and subjects of 2023.

I’ll post each photo separately below, too, adding a bit of narration to each image. I hope you enjoy them!

The individual photographs follow, in no particular order, accompanied by brief descriptions. Click the photographs to display them larger. Click their titles to see and read the original posts, which include more descriptive text. You may leave comments and questions at the end of this article.

Our long visit (ten weeks!) to Europe last summer was wonderful, but I missed almost the whole summer in “my Sierra Nevada.” (I haven’t yet figured out how to be in two places at once.) But once we returned to the USA I turned my attention to the mountains and made my first visit of the (tail end of) summer in mid-September. I was on the East Side on this stormy evening when the sky and clouds above Mono Lake lit up, providing a dramatic and spectacular light show.


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2016 Favorite Photographs

The task of selecting a small set of annual favorites is both a joy and a chore. It is a joy to traverse the year in photographs, recalling the circumstances of the creation of each photograph. This years photographic opportunities ranged across a spectrum. Photograph of the natural world included work from the Sierra, Death Valley, the Pacific Coast, and migratory bird habitats in California and Oregon. Photography of the human world included night photography done on both coast of the United States plus extensive travel in the UK, Paris, Germany, Italy, and a few other spots.

I started with nearly 40 photographs — way too many for a favorites list. With the help of social media friends who viewed photographs, rated,  and commented on photographs, I cut the set to about half that number. After a final round of comment and critique, I (brutally, it feels) cut the set to only ten photographs, with half from the human world and half from the natural world.

The diversity of my photography poses a challenge.

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