Exterior surface of a Chicago building, including distorted window reflections
This is another small bit of Chicago urban landscape, this time a detail of a downtown building that contrasts the very regular and geometric shapes of textures of the vertical and horizontal features against the wildly random and distorted patterns in the windows.
This is another of my architectural detail photographs from our summer 2014 visit to Chicago. We decided to cross the continent the old-fashioned, slow way — we took the train from the San Francisco Bay Area to New York City. The first leg was on the venerable California Zephyr to Chicago, and we decided to take a few extra days in Chicago before boarding the Lakeshore Limited (also apparently known as the Late Shore Limited…) to Manhattan. We stayed right in downtown Chicago, just a few blocks from Millennium Park, so there was plenty to see and do. One morning we took the architectural tour up the river, something that I had not done before.
I enjoy Chicago. Part of it appeals to my long-ago midwestern roots, I think. But it is also a cosmopolitan big city with a quality all its own. While the buildings are as huge as those of any other big city, the urban center sprawls in a way that is quite different from, say, New York City or from our familiar San Francisco. It seems like views of the architecture are a bit more opened and varied, and much more light seems to get down to street level. I’ve long been fascinated by close-in photographs of building details, especially when they include windows like these. When I look at them initially I see a big, sturdy building. But looking more closely I see that most of what I’m looking at is not-the-building, but instead is a series of reflections and reflections of reflections in the windows, and the whole structure starts to take on a more insubstantial quality.
Recently I have been revisiting some urban photography from nearly a year ago, when we spent time in Chicago and then in New York City. Expect a few more of these photographs over the next few days, a number of which may focus on small details of the urban landscape.
Walls, doors, gates, conduits, signs, trash containers, peeling paint, reflections along a San Francisco street
I’m indulging my fascination with street scenes once again today. This photograph comes from a morning spent walking across San Francisco late last week. I arrived early in the City by train, got off, and walked by an unplanned and mostly spontaneous route across downtown, across Chinatown, through North Beach, and almost to the touristy Pier 39 before looping back to my starting point on The Embarcadero to catch a train back home.
This is a familiar sort of San Francisco scene, especially to those who wander though the City of foot, though I could find similar spots in many other urban areas. In a world where we often see things that have been carefully designed and unified, spots like this seem to occupy the opposite end of the spectrum. It would be easy to walk past and not see it — I’ve certainly done so many times — but once I stop and look I’m often amazed at the density of visually dissonant elements that are thrown together. Almost everything seem like it was initially utilitarian, but gradually a sort of near randomness seems to have crept in, and now the colors are wild and contrasting, paint is peeling, textures are varied, a few signs intrude, trash cans lean against doorways, and the sidewalk tilts.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
