Road And Fence, Carrizo Plain. © Copyright 2019 G Dan Mitchell – all rights reserved.
A gravel road passes through a barbed wire fence, Carrizo Plain National Monument.
My inclination is to approach photography in locations like the Carrizo Plain as photography of the “natural landscape.” However, the story is a bit more complicated here and, to be honest, in quite a few places in the areas of the American West where I photograph. I’m hard pressed to think of a place I’ve visited where the “hand of man” was not present in some way. In many places this influence is not obvious. For example, in parts of the Sierra backcountry I can entertain the illusion that I’m the only visitor. But in many places around the periphery of these wildernesses and in many other locations it is clear that such an illusion is hard to maintain.
In the Carrizo this is very clear, even though there is plenty of nature to see there. We could start with the obvious fact that access is by roadways that are, even at their worst, pretty decent. More obviously, this is a place where cattle are raised and, no doubt, have been for a long time. I drove out onto the plain at this spot to see vast fields of yellow and purple wildflowers and to find a long view of surrounding mountains. When I arrived I found a pair of the ubiquitous water tanks (this time nearly destroyed), and old windmill, a few other structures, and this barbed wire fencing.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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