Tag Archives: brick

Photographs: Nature, Photographs: Northern California

Ivy-Covered Wall

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Ivy-Covered Wall
Thick, green ivey covers and old brick wall.

Ivy-Covered Wall. © Copyright 2023 G Dan Mitchell.

Thick, green ivey covers and old brick wall.

I am a sucker for soft light and green leaves, especially if the light is somewhat varied and the leaves have a bit of texture and good coverage. This bit of ivy, covering a wall at a San Francisco Peninsula garden, fit the bill. It was tucked away on the shady side of building, with trees overhead, but some slightly more intense light coming from behind me through openings in trees.

I’m often tricked by subjects like this one. When I see a bed or wall of overlapping leaves it often seems like I could just point the camera that way and produce some kind of picture. But when I do and I look more carefully, there are almost always little bits of imperfection and unbalance that distract me… and I end up taking much longer with these subjects than I expect to.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Structures and Objects

Switch Box

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Switch Box
An old, weathered outdoor switch box on a brick wall.

Switch Box. © Copyright 2023 G Dan Mitchell.

An old, weathered outdoor switch box on a brick wall.

Ever since I can remember I have photographed odd bits of “stuff” like this — old fences, door handles and hinges, electrical boxes, anything that has the worn patina of age, rust, and weathering. The first time I recall doing this must have been in middle school or early high school — I went around the back side of my parents’ house and found an old wooden fence with a chain lock, photographed it, and made black and white prints.

On the day I made this photograph we were at a very large garden, with the plan being to photograph spring flowers and foliage. We certainly did that, but I’m easily distracted by things like this, and I came back with this photograph along with others of old signs, door knobs, windows, and similar non-garden stuff.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: New York City

Mural, Caution Tape

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Mural, Caution Tape
Caution tape and a few cones witha giant street mural on the side of a brick building, Manhattan.

Mural, Caution Tape. © Copyright 2022 G Dan Mitchell.

Caution tape and a few cones witha giant street mural on the side of a brick building, Manhattan.

I’m not sure how others see and react to murals like this one in Manhattan, but I respond in several different ways. Sometimes I just see them as what they are — essentially large paintings (or equivalents of painting) displayed outdoors — and I think of them as, essentially, not part of their surroundings but as things that stand alone. At other times I do see them in the context of their surroundings, and when I do the result can be carrying. This one feels more like the latter case to me.

The mural, by Emmanuel Jarus, is near the UN Building in midtown Manhattan. I think it is supposed to produce a sort of uplifting response in viewers, and I’m certainly fine with that. But I saw it more as an element in a complex scene of shapes and colors that includes the intrusion of the sunlit balconies at the right and the odd color and context juxtaposition with the “emergency colors” of the pylons in front of the two benches.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Woman on Telephone

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Woman on Telephone
A woman sits against a Manhattan brick wall to talk on the telephone.

Woman on Telephone. © Copyright 2022 G Dan Mitchell.

A woman sits against a Manhattan brick wall to talk on the telephone.

Yesterday’s photograph came from the same trip that produced this photograph. Before we headed off for a family event in the green mountains of Vermont we spent four days in the concrete “mountains” and canyons of Manhattan. New York City is definitely not back to normal yet, but it feels far less oppressive than when we visited last winter during the height of one of the covid variants. Back then the streets were largely empty; now there are people out and about once again. We took advantage of this to wander the areas around the lower half of Central Park and some distance south of the park, where I made this photograph.

To some people it seems strange that a supposed “nature photographer” would want to spend time in a busy urban center like Manhattan, much less take a small camera into the street and make pictures of that life. But I like the contrast — the speed and immediacy of street photography, the necessity of making quick and intuitive decisions, and more. I grabbed two frames of this woman crouched against a brick wall and talking on the phone as we walked by, barely breaking stride to make the exposure.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.