Reflections in new windows during reconstruction at the World Trade Center site, New York City, 2011.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
A man chiecks his phone while statnding in an angular urban landscape.
This is a little slice of urban life. I suspect that in another 100 years people will look at photographs from this era and find it odd that we area always looking down at little handheld devices. At least I hope that this is a passing obsession, and that we eventually start to look up again and interact with the world around us rather than just with the virtual world on those little screens.
The person is, of course, the central thing in this photography. But the surroundings are also, I think, rather interesting. The image has an almost cubist quality, being full of rectangular shapes of various sizes, shapes, and colors. Some of them are almost geometrically perfect, but others — like the plastic attached to the cyclone fence — are off-kilter. Even the foreground is composed for rectangles, though they are distorted by perspective effects.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
A study in right angles, MOMA courtyard, Manhattan.
This is a photograph from nearly a decade ago, made on one of our semi-regular visits to New York City. For some reason I ended up in the archive of raw files from that visit recently and I ended up working on this photograph. It turns out that it is quite similar to another I made at this same spot, but there are some subtle but important distinctions that convinced me to work on this version.
The camera position is a window facing this courtyard, a spot that most people probably walk right past on their way between floors at the Museum of Modern Art. I think I may first have been attracted by the elevated viewpoint, looking down into the courtyard where people may sit or walk. I also was fascinated by the dense cubic forms of the buildings and the strong perspective lines that they form.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Afternoon shadows fall across buildings and a narrow street in Tuscany.
This photograph is the second half of a pair similar photographs I made during this visit to a vineyard in Tuscany a few years back. The location (Castello de Ama) features a small central area of stone buildings, amounting to a very small village, surrounded by vineyards. As you can guess, that it was pretty much “typical Tuscany,” which is a very good thing.
Arriving towards the middle of the day, the light was intense during our entire visit, aside from a very few passing clouds. To this Californian there is something both familiar and different about Tuscan light. The intensity is similar, especially at midday during the summer, and stark contrasts between light and shadow are common. But the Italian light seems to me to be softer, or perhaps more accurately the atmosphere seems softer, perhaps as a result of humidity. This photograph and the one I posted earlier both feature stone buildings, a bit of a narrow street, and dark midday shadows.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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