Tag Archives: camera

Switching. And Patience. (Morning Musings 9/18/14)

Friday Night, Manhattan
Friday Night, Manhattan*

Today I’m going to muse about equipment, and how to respond to the ongoing and inevitable continuing improvements in the capabilities of photography gear. My primary context is the Canon DSLR gear that I use, though the issue that I’m “musing” about is a more general one.

I shoot mostly with a Canon 5D Mark II camera body, typically using four or fewer lenses. (I also use a Fujifilm X-trans camera for situations where small and light gear is more important than having a full frame sensor.) The 5DII is a 21MP full frame DSLR camera and can produce marvelous photographic results, including quite large high quality prints.

Recently Canon-using photographers have become acutely aware that full frame cameras from Sony (such as the A7r) and Nikon (the D800 and D810 models) incorporate important advances in digital sensor technology. These include greater photo site density (36MP sensors) and increased dynamic range (or “DR” in photospeak), and these cameras have gotten the attention of many serious photographers. (Today the issue came up in the context of a forum discussion of a vague and unsubstantiated rumor of a new Canon camera.)

Since photography relies on the technology of cameras and lenses, photographers are almost always interested in technological improvements. In fact, some folks can become so interested in this that the technology becomes more important to them than the photographs, and it be a challenge to keep things in perspective. Continue reading Switching. And Patience. (Morning Musings 9/18/14)

Urban Life, Manhattan

Urban Life, Manhattan
Urban Life, Manhattan

Urban Life, Manhattan. New York City. August 7, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A woman sits in the sun on a stone bench against the wall of an urban building and beneath the shadows of lights and a security camera

I often wonder at the urban environment and how some places seem completely disconnected from the natural world that is how home. (No, I’m not an anti-urban or anti-city person, and I really love visiting New York. But still…) The almost entirely constructed environment is, in many ways, a marvel. The noise, the people, the constant motion can all be energizing. But eventually, at least for me, I reach my limit and I need a quiet time out to recover. And from time to time I need to completely escape from places like this.

I was just below Central Park one morning, where I had gone with a plan in mind of walking the perimeter of the park and photographing. (I almost completed this goal before the day ended, but ran out of time just a bit short of where I had started, when I realized that I was to meet up with some other people.) Before starting up the east side of the park I first went south a bit looking for breakfast and coffee, and I found this small courtyard near when I ate. I saw several things here that drew me to make a photograph — the solitary figure on the bench looking out of the frame, how small the position of her body and her position within the frame makes here appear, the cold and lifeless nature of the space in which she sits, the slightly ominous lights and their shadows above, and the even more ominous small security camera at upper right, probably watching and recording everything… including me as I made my photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Concerning Megapixels

(This is another in a series of articles based on posts I shared elsewhere. This one is based on a reply to a post concerning how important it is to move to a newer, improved sensor with higher photo site density. The immediate question had to do with how often the improvements would be significant enough to be seen, and the writer had correctly pointed out that there can be advantages to higher “MP count” when making very large, high quality prints.)

It is useful to try for a realistic understanding of how and when a higher MP sensor may show its advantages. This post tries to not take a position on brands and models, but rather to lay out a comparison of some relevant technical stuff — from which we can all draw our own individual conclusions.

There is a point below which you would be hard pressed to tell the difference between prints made from 22MP and 36MP cameras and above which you might be able to.(1) For example, virtually everyone would agree that the difference is typically completely invisible in small web images, and virtually everyone would agree that it could be visible if you closely inspect a print that is six feet wide. Since we could debate just where the boundary is — and, frankly, it is somewhat subjective — you could pick any point on the print size scale that you want and the principles will be the same.

Some Comparisons

Just for fun, let me use completely arbitrarily use two print sizes and base the comparisons on the 22MP Canon 5D Mark III and the Sony/Canon 36MP sensor cameras. Continue reading Concerning Megapixels

Canon, Nikon, Sony Deals Ending

Since this is timely, I’m interrupting the “usual stuff” on the blog to share…

Site sponsor B&H reports that a number of Canon, Nikon, and Sony promotion/rebate offers are ending*… and that they will not be extended. There are also rumors floating about that Canon is going to try to return to enforcing MAP (minimum advertised pricing) on their photography equipment in April, and that this could make it more difficult to find bargains for a while.

*IMPORTANT: The B&H website will NOT accept orders between Friday March 28 at 7:15 PM EDT and Saturday, March 19 at 8:45PM EDT. For many of you, this may make TODAY the final day to order!

Follow these links for full details.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.