An old cottonwood tree towers about streamside trees at the bottom of gigantic sandstone cliffs.
This is a well-known and heavily traveled location in Zion Canyon along the Virgin River in Zion National Park — yet a place that I’m unable to resist visiting when I’m in Zion NP. It probably isn’t necessary for me to name the spot, since most anyone who has been there likely recognizes it.
Here there is a bend in the path of the Virgin River, which flows along the base of a very tall section of the canyon, tight against the outside of the bend where the river continues to work on carving the sandstone deeper. Trees grow along the creek at the base of the red rock wall, and the curve of the canyon creates a feeling that might be described as being almost cathedral-like. The light is often subdued, at least during the seasons when I have visited, since the canyon walls are so high that the sun only rises above them for a short time each day. In the particular spot where I made the photograph, one massive old cottonwood tree towers above the rest.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
This is another multi-photograph post — in this one I share four photographs from the Grand Staircase-Escalante National Monument that feature trees in various back-country landscapes ranging from the canyons and rock formations to one otherwise perhaps un-notable stop near a campsite where I stayed.
Colorful autumn foliage on a cottonwood tree next to a creek at the bottom of a deep sandstone canyon
This stout cottonwood tree grows in the wash at the bottom of this deep canyon, at the base of huge sandstone walls that tower above and wrap around curves in the canyon’s path. I had stopped here to photograph a different tree — it is among those shared in this group — and after finishing with that tree I looked over here to see this one standing against the worn and curving rock shapes at the base of the canyon walls.
Fractured and sandstone canyon walls arch above a cottonwood tree with fall foliage
This is one of two photographs of this tree that I like. (The other is a in portrait orientation, and may give a better sense of the trees size and the relative scale of the huge sandstone canyon wall.) The tree grows in the bottom of the wash and right up against the canyon walls, with several arch shapes in the sandstone creating a sort of frame for it.
A solitary oak tree grows from a crack in Utah sandstone
This photograph comes with a bit of a personal story. In the morning we (a group of six photographers) had departed our camp on foot to hike down a nearby wash and drop into a deeper canyon. Although the morning began well, with a pleasant walk down the wash, followed by some exploration as we tried to find a good way to drop into the deeper canyon, I suddenly developed a knee problem — I decided to remain behind as the group went on. I walked back to camp, making photographs along the way, and then drove to some other places along our gravel road looking for other subjects. In the late afternoon I returned to camp, though no one else had yet returned. So I decided to do a bit of exploring near camp, and I ended up at the base of a sandstone face as the sun dipped behind mountains to the west — and I photographed this tree in the low light before heading back to camp.
On our first night together as a group in a back-country area of Utah we set up camp and then headed out to photograph something as the evening approached. We drove, ending up at a spot where large sandstone formations are backed by an even larger area of smooth sandstone surfaces, interrupted by potholes and other features. At one point we were in one of those locations where the number of obvious photographic subjects was limited — basically, there was a beautiful pothole with a true and there was this old snag. With six photographers, interesting questions arise. Do we all shoot the same subject? If one person shoots it first, is it OK for the next to photograph from the same angle? How could we each take this common subject and do something different with it? I initially resolved to not shoot this snag, but a bit later I came back and gave in to temptation! ;-)
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Not wanting to string this out too long, I’m grouping some photographs together in single posts. This set includes three from Zion Canyon, near the road’s end and the beginning of the route into the Narrows. (My hiking on this visit was largely limited to this short walk, as I had messed up my knee a few days earlier.)
I find the juxtaposition of canyon trees, especially when the foliage is taking on fall colors, and the sandstone cliff walls to be irresistible. Here the trees are mostly cottonwoods — including some very large and old specimens — and perhaps a few box elders. The coloration of the sandstone in this part of the world varies, sometimes in obvious ways (such as the contrasting red and white layers higher in the park) and sometimes more subtly. Here the contrast is subtle, with some of these rocks picking up an almost purple quality, which is then further modified by the color of light reflecting down from canyon walls high above.
And old cottonwood tree towers over streamside autumn foliage deep in a sandstone canyon
This giant and magnificent tree stands near a trail junction in a curve of the canyon, from some angle forming an impressive centerpiece of this amphitheater-like location.
Box elder trees with autumn foliage along the base of a sandstone cliff
The box elder trees provide much the same fall color as the aspens, but they have a more delicate form, with thinner branches that seem to more likely bend and drop toward the ground.
Autumn color along a canyon stream at the base of sandstone cliffs
These colorful trees are just a few of many that grow along the edges of the Virgin River as it flows right along the base of this sandstone cliff at the bottom of the canyon.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Cottonwood trees with autumn foliage fill the bottom of a red rock canyon near Boulder, Utah
After a week or so of camping out in a range of Utah locations, one of which was rather remote, I emerged from this backcountry of gravel roads and red rock and canyons and came back to the (relative) civilization of Escalante, Utah. Gas stations! Espresso! Restaurants! Even better, I had an appointment to meet my cousin and her husband over in Boulder, Utah… and dinner was on the calendar!
I arrived in Boulder a bit early, and having a bit of extra time I decided to use it by traveling out on the Burr Trail. I’ve been on that road a few times in the past, so I figured that it would be fairly easy to find red rock canyon walls and perhaps more cottonwood color. As I arrived at the first narrow section of canyon the road traversed the side of a ridge and offered overhead views looking down into the canyon and up a larger nearby wash. While elsewhere in the state I had seen a combination of green cottonwoods and other trees that were just about at peak color, here is seemed that the cottonwood color had already peaked, and instead of a wall of gold I saw a mixture of a few intense golden trees and many others that had lost leaves and exposed their trunks and branches. In this spot the trees lined up against canyon walls, and a nearby they marched off down the canyon.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
