Tag Archives: digital

How to photograph… baseball?

OK, I know that seems like a very odd post title for this blog! (Though I do photograph certain sports from time to time and I always carry my camera when I go to Giants games – come to think of it, sometimes the photography is more interesting than the game. But I digress…)

I mention all of this because I just read through a very informative post at the Digital Photography School blog. The post (“How to Photography Baseball”) by Darren Rouse contains almost more information than I can absorb – well worth bookmarking if you think you’ll be doing this sort of thing.

News From Charles Cramer

I got an email from Charles Cramer last week, meant to pass some of his news along right away, and then became very busy and forgot. (My excuse is a combination of having a ton of papers to grade and about 40 prints to make!) Anyway, better late than never…

The Ansel Adams Gallery in Yosemite Valley is having a show of Charlie’s work through May 27th. You can see some examples of his work from the show here. (I’m fond of most all of his photographs, but the luminous photograph of an aspen grove found in this series is one of my favorites.) If you are in the Valley during the next week and a half, be sure to stop by the Gallery and linger for a while  – if nothing else it sounds like a great way to spend some time during the midday non-shooting interval! (It would certainly be more edifying than what I usually do in the middle of my epic One-Day Bay Area to Yosemite and Back marathons: nap for an hour in my car!)

Charlie does workshops. He reports that almost all of them are currently sold out, but that are still some openings for a workshop in Santa Clara, California on June 26-28. Highly recommended – more information online. I’ve been fortunate to have Charlie share some of his vast knowledge of photography and printing with me, and I know personally how well he explains important concepts and techniques and how insightful he is when it comes to seeing and critiquing your photographs. He also has a great – though slightly twisted – sense of humor as well. If you have a chance to read his Photoshop Techniques booklet, you know what I mean.

Wherever We Are Headed, We Certainly Are Not There Yet

Contrary to those who feel that with the introduction of multiple reasonably-priced 20+MP full frame DSLR camera there isn’t much room left for advancement and change, I think that the camera market is still truly dynamic.

One assumption that many make is that the high photosite density full-frame DSLR cameras will “take over” the part of the photographic world previously occupied by medium format (MF) film cameras. Several observations seem to support this notion. The resolution available from carefully used high end DSLRs with the best lenses certainly can compete with that of medium format film, and the arguable advantages of the larger format in terms of image quality would not be enough to convince many to give up the conveniences and lens choices of the best DSLR systems. Even those who might prefer to shoot medium format digital back systems – and I count myself as among those who are interested – are often not in a position to be able to afford the stratospheric cost of the best medium format systems, despite the fact that they compete with large format for image quality.

Some have argued that the costs of the high end systems cannot possibly come down. Some argue (falsely, I believe) that the high costs can not drop because, unlike the costs of computer memory, they are determined by factors that are not subject to scaling. Some argue that the market will never be big enough. However, these folks made the same arguments about the very types of cameras that are now becoming available in the DSLR market – the 20MP and higher full frame sensor camera. Not long ago these cameras cost roughly $8000 and were available from only one manufacturer. They now cost a third of this and are available from at least three vendors.

If you think this cannot happen in the medium format market, perhaps you need to watch a bit more closely. Recently Mamiya introduced a basic medium format digital system (admittedly not one defining the high end of this market segment) at a cost of around $14,000 if memory serves. This week Phase One announced 40 MP medium format backs at cost in roughly the upper teens ($15,000 or thereabouts) range. There are certainly higher priced backs available, but it was only a year or two ago that the 35MP MF backs were the high end – and cost perhaps two or three times this much.

It seems to me that these developments are moving toward bringing MF digital systems to a price point where some who might now get a high-end DSLR system may be able to instead think about going MF.

(Note added later: I just want to acknowledge that I do understand that there are reasons besides pixel dimensions – e.g. number of photosites/MP – to choose MF, and that I also understand that there are reasons other than cost to choose a DSLR. :-)

Article Offers Four Basic Tips for Photographing Wildlife

Joe Decker offers a short list of tips for photographing wildlife, “Four Tips for Better Wildlife Photography,” at the Digital Photography School web site. I’m sometimes skeptical about short “4 tips” type articles, but each of Decker’s suggestions offers good advice that will be useful to folks trying to get better at this genre.