Tag Archives: full-frame

Quick Report on Canon EOS 5D Mark II Battery Performance

After four days photographing – in sometimes stunning conditions – in the Tuolumne Meadows area of Yosemite, it seems odd to make my first post about a technical issue. But, here I go.

People wonder about the LP-E6 battery performance of the Canon EOS 5D Mark II camera. While I haven’t conducted and “scientific” tests of battery performance, what I have observed thus far is quite encouraging. Over the past three and a half days or so I made 533 exposures plus a few more that I deleted in the camera. I do a fair amount of “chimping” and I used the live view feature just a bit. After all of that the battery life indicator still showed two our of four bars.

All in all, I think this seems like great battery life. Many 5D II shooters will find that one battery is sufficient, and very few  should need more than one spare. (I currently have one spare. Because of some unusual use patterns – including backcountry pack trips of one to two weeks duration – I’m considering one more spare.)

If you are purchasing a 5D II, an extra LP-E6 battery for your 5D II, or other camera gear, doing so at B&H Photo Video via links at this site helps support this blog.

Canon EOS 5D Mark II: Live View and Night Photography

I have shot a few thousand frames with my Canon EOS 5D Mark II now. I’ve photographed a variety of subjects including a few days of rainy professional bicycle stage racing, several landscape subjects, and a productive evening of night photography with The Nocturnes at Mare Island Naval Shipyard. I plan to eventually write up something resembling a comprehensive report on my experience, but so far there hasn’t been time. With that in mind, here is a short piece on one new feature in this camera and my experience with it.

Among the photographic subjects that interest me is night photography, often of urban and industrial subjects, but occasionally of wild landscapes also. There are a number challenges to shooting in very dark conditions, but one of the more interesting is getting good focus in conditions where auto-focus often can’t find a target to work with and where it is too dark to manually focus. (I wrote a bit about this in a recent piece: “Hints for Night Photography.”)

During my last Mare Island shoot I discovered that Live View provides a very useful option for focusing at night. On the 5D II, the Live View mode raises the mirror and lets you look at a “live view” of your scene on the rear LCD. In very dim light the trick is to find something that might provide a manual focus target, center the rectangular LCD indicator over that “something,” zoom in to 10x magnification on this object, and then focus manually on the LCD image. I was amazed at the low light levels at which this works quite well. A vertical line in a wall, the edge of a window, a bit of cyclone fence, or a small light – any of these become decent manual focus targets using Live View.

When I started my Mare Island evening shoot, using this camera for the first time at night, I mostly did things the old fashioned way. By the end of the evening, in any very dim situation I was successfully and much more quickly getting good focus using Live View. I’m confident that night photographers are going to find that this is a very powerful and useful feature.

Canon EOS 5D Mark II Announced

This evening I’m seeing quite a few links to the announcement of the updated EOS Canon EOS 5D Mark II. (Here is a link to a Canon press release.) Unlike some previous Canon updates that seemed rather trivial – e.g. 20D to 30D – this one includes quite a few compelling new and improved features, and I’m sure this will be a very popular camera.

Some highlights include:

  1. 21MP full-frame sensor
  2. HD video capture
  3. The expected sensor dust reduction/cleaning features
  4. Live view shooting
  5. Some interesting software additions – a “new creative mode,” “peripheral illumination correction” in jpg modes (sounds like compensation for vignetting), and “auto lighting optimizer” (seems to try to deal with recording details in high dynamic range scenes)
  6. Continuous shooting at 3.9 fps
  7. Larger and higher resolution LCD
  8. 150,000 shutter cycles
  9. Expanded ISO range
  10. Price: $2699

For many of us who are attracted to the 5D image quality, the 21MP sensor is a good thing – this camera should compete with the 1DsMKIII on an image quality basis as long as one has good enough lenses and uses careful technique. (I doubt if there will be much IQ advantage if one hand holds the camera in most cases.) It is interesting to note that the increased shutter life is competitive with 1-series cameras as well.

Video capture is quickly going to be a standard feature on DSLRs – though the usefulness of the feature is something that will perhaps only become apparent once these cameras find their way into the hands of those who know how to use the feature effectively and creatively.

The relatively leisurely 3.9 fps burst mode is no surprise. The 5D is not a camera optimized for fast action sports photography that relies on high speed burst mode shooting. But still, at nearly 4 fps it won’t exactly be unusable in this regard either.

The pricing is interesting as well. Whether due to the recent announcement of a $3000 25MP full frame Sony camera and the anticipated competition from a 20+MP Nikon camera or something else, it seems that the prices of full frame cameras – and very capable ones, at that! – are starting to drop.

Will I buy one? I had pretty much decided that I would not buy a 5D upgrade that only provided a 16MP sensor. However, at 21MP this body provides close to double the number of photosites – and such a doubling has been more or less my trigger for an upgrade. Of course, I’m not one to rush to be the first to buy. I’ll let those who are willing to pay any price to be “first on the block” get theirs right away, and I like to see what initial problems are discovered as the first units are released. All of that being said, I think there is a fair chance that I’ll do this upgrade within the next 6 months or so.

Also: Canon announced one new lens, an upgraded EF 24mm f/1.4L II USM. The previous version was thought by some to be less impressive than its 35mm f/1.4 big brother, so it isn’t too surprising that Canon updated this lens. There is also some thought the Canon will update some lenses in order to take better advantage of the higher MP count sensors – they can exceed the resolving ability of some good lenses. It will be interesting to see whether the new 24mm L is a significant improvement over the previous version… and whether it is worth the somewhat shocking (for a prime!) $1699 list price.

G Dan Mitchell Photography
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Canon 50D Announced: Competition is a Good Thing

News of Canon’s announcement of the new EOS 5D cropped sensor mid-range DSLR is all over the web today – well, at least all over the photographic portion of the web. The new body updates the X0D line from the recent 40D, primarily by updating the 1.6x cropped sensor to 15 megapixels. According to Canon this was done while increasing the performance at high ISOs, keeping the burst rate almost the same as that of the 40D, and maintaining image quality by the use of “gapless microlenses” that can capture more light than would have been the case with older designs. There are other feature updates as well, and it looks like the price will be roughly but not precisely in the same ballpark as that of the 50D… at least once the prices drop a few months after the introduction of the new camera.

What does this mean for the DSLR buyer? The answer is, “It depends.” Continue reading Canon 50D Announced: Competition is a Good Thing