Tag Archives: light

Museum Atrium

Museum Atrium
Museum Atrium

Museum Atrium. New York City. August 11, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Light patterns on the atrium wall at the New York Museum of Modern Art

I think I end up visiting the Museum of Modern Art (MOMA) every time I visit New York City. It may be partly out of habit, but it is also because there are always things there to see. MOMA always features photography — though the work on display this time was not quite my cup of tea. There are special exhibits, and we were especially surprised and please by the Lygia Clark show. It is always hard to resist — we inevitably fail — visiting the regular collection of famous work in the main galleries.

For me, the space itself is an interesting photographic subject. To some extent it is a good place to photograph people, and I did a bit of that in one particular gallery displaying work that did not particularly impress me — though I noticed one particular museum attendant keeping a very close eye on me. She never said a word, but it seemed like she was always watching me, to the extent that she shows up in perhaps half of the photos I made in that exhibit! The building itself is fascinating, in terms of its own architectural details, how people inhabit the space, and how light plays on its shapes and surfaces. This photograph features the central atrium, which I have photographed in the past, crisscrossed by light patterns stretching down from the roof.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Basin and Range, Monsoon Clouds

Basin and Range, Monsoon Clouds
Basin and Range, Monsoon Clouds

Basin and Range, Monsoon Clouds. Between Winnemucca and Elko, Nevada. July 30, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Evening monsoon thunderstorms dissipate above the basin and range terrain of Nevada

This simple photograph necessarily leads to a long story. It starts many, many years ago when I was a child. My family moved to California from Minnesota when I was four years old, and every few years we took a long trip back to the Midwest to visit my mother’s family in Sioux Falls, South Dakota. (Although I have not been there for some years now, I still have fond feelings for the place.) Sometimes we drove, with my parents figuring out routes that would take us through national parks and monuments — Yellowstone, Rocky Mountain, etc — along the way. Several times we took the train, which in those days was the famous California Zephyr. We would get on the train in Fremont, California and travel all the way to Omaha, Nebraska, arriving very early in the morning and then getting to South Dakota by (usually) rental car or (occasionally) a plane. To a young kid, the California Zephyr was an amazing thing — somehow we got “Pullman” sleeper cars, ate in the dining car, and — if my memory is correct — passed hours in the vista dome car watching the terrain roll by.

Jump forward to the new millennium. Patty’s brother and sister-in-law, and two of our sons and their girlfriends live in Brooklyn, so we find excuses to go to New York City every year or so. This time we went not only to visit family, but also so that Patty could attend the International Double Reed Society conference at NYU. We’ve flown plenty of times, so this time we decided to give the train a try. (We did fly back home at the end of the trip — a good choice in my view.) So on this last day of July we went up to Emeryville, where the Zephyr’s trip starts these days, and embarked on our adventure, nostalgic for me and brand new for Patty. There is much more to say about train travel than I have space for here, but I’ll share just a bit about the first day. The route begins along the shores of the San Francisco Bay and then up the delta to Sacramento, the historic end point of the continental railroad. From there the train crosses the Sierra above Truckee Lake, an absolutely beautiful route that often reveals perspectives on this part of the Sierra that are quite different from what we know from driving Interstate 80. As we crossed the crest, the clouds thickened and we rolled through a hail storm as we descended to Truckee. Not long after that we stopped briefly in Reno, Nevada, and then continued on to the northeast across Nevada. After we passed through Winnemucca (from which I departed some years ago on a grand bike trip across the Black Rock Desert and into Northern California) the train continued on through the Humboldt Basin as evening came on and beautiful light fell on the rangeland and the monsoon clouds overhead as the day came to an end.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cove, Haze, Evening Light

Cove, Haze, Evening Light
Cove, Haze, Evening Light

Cove, Haze, Evening Light. Big Sur Coast, California. July 24, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Hazy sunset light on a small cove and successive ridges along the Pacific Coast Highway

The California Big Sur coast along the Pacific Coast Highway is a place of extraordinary beauty, but also light and conditions that change on a scale ranging from daily to seasonally. Summer often brings a lot of fog — enough fog to sometimes perplex and disappoint visitors who have seen photographs of beautiful summer vistas and imagine that they are the norm. They aren’t. Summer is the season of almost daily fog here. Fall and winter are more likely to provide those vistas, especially between the passage of great Pacific storms that sweep the atmosphere clear of fog and which may bring dramatic clouds. The “off-season” is also the time of the most impressive seascape, as those same winter storms can bring very high surf.

The foggy time of summer does have its attractions, especially when you become aware of the daily cycles. It is often foggy early in the morning, but the fog usually clears back to and beyond the coast later in the day. Photographing in the fog is special, though it can require you to look at the landscape in quite different ways. But as the fog clears you can follow the edges of the fog and light and discover all sorts of interesting and dynamic conditions. Once the fog does clear, the atmosphere often remains somewhat hazy. I know that some people think they want perfectly clear air, but I’ll take a bit of atmospheric haze over perfect clarity almost any day! This was a day of such haze, and very late in the day it began to glow in golden hour light and obscure the farthest parts of the seemingly unending series of Big Sur ridges dropping to the sea.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Western Horizon

Western Horizon
“Western Horizon” — Thin clouds above afternoon sunlight reflected on the Pacific Ocean

This photograph begins a series from recent photographs of the Big Sur coast along the Pacific Coast Highway in California. After a week of being cooped up at home (which construction work was underway) I was itching to get out into the (more) real world, so I took a day for a long, all-day trip down this coast and back to make photographs. The trip reminded me of a lot of things, but among them was how wonderful it is, on a day of terrible inland heat, to be able to hug this coast where it remained cool and damp!

I’m one of those who is fascinated by the brilliant sunlit ocean surface and the way that it can recede towards an almost invisible horizon when the combination of light and atmospheric haze is just right. The high bluffs along this route can be excellent places to observe this and more.* At times the surface of the ocean takes on the appearance of molten metal and is almost too bright to look at. I always watch for these conditions when I am in this area, and I was not disappointed on this visit. In this scene, a group of passing thin clouds provides a visual counterpoint to the brilliant reflection on the ocean’s surface.

  • The “and more” I’m thinking of refers to an unbelievable California coastal experience that I shared with a number of other visitors at the end of this day. There are few other places in the world where you can pause at the top of cliffs hundreds of feet above the open sea at sunset, and watch for perhaps a half hour as a pod of gray whales assembles to feed, periodically breaching.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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