Tag Archives: lodgepole

Forest and River, Evening

Forest and River, Evening
Evening light comes to the Tuolumne River and surrounding forest

Forest and River, Evening. Yosemite National Park, California. July 13, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening light comes to the Tuolumne River and surrounding forest

A scene like this can be deceiving, at least when it comes to assumptions about how it might be photographed. It is a peaceful and tranquil scene, and that impression supports the idea that photographing such a subject might be a slow, contemplative, and measured process: explore slowly, consider compositions, set up the camera and fine tune, wait, then photograph.

Nothing could be further from the truth. At this time of day — unless one is photographing a subject that has been specifically planned and scheduled in advance — things happen with extraordinary speed, especially when it comes to the transitions of light.  For example, the last light coming through the forest to strike the central tree lasted only moments. Knowing this, as soon as I saw it I photographed more or less instinctively, working quickly and hoping that I would have time before the light was gone— which it was only a moment later.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Ridgetop Trees, Cloudy Sky

Ridgetop Trees, Cloudy Sky
A momentary break in a September storm lights ridgetop trees against a cloudy sky

Ridgetop Trees, Cloudy Sky. Yosemite National Park, California. September 15, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A momentary break in a September storm lights ridgetop trees against a cloudy sky

In a way, I sneaked up on this stand of trees over a period of several days. A small group of us camped at a backcountry Sierra lake for about a week back in September. The experience of photographing in one limited area for this long is quite different from photographing while actively backpacking or while moving around by vehicle. Each morning one wakes up in the same place, and each morning one heads out into the same landscape, looking for new views of it or for subjects and locations that were not immediately apparent. We also have the opportunity to return to subjects more than once as the conditions change — different times of day, different atmospheric conditions, and so forth.

These trees stand atop a glacially carved ridge above “out” lake and between it and another similar lake below. The rocky terrain limits the growth of trees and they tend to stand apart from one another, often revealing more clearly the shapes of individual trees. I first saw this area and it trees very early on during our visit, and I climbed the low ridge a number of times. Near the end of our stay a storm swept in and we had on and off rain for a couple of day. I went out on this somewhat soggy day, alternately walking around the landscape and using that very landscape to hide from the intermittent showers that passed through. I hiked up the hill in the rain, using a thicker bit of forest for cover, and I emerged into the open as the clouds thinned a bit and the rain momentarily diminished, and the landscape lightened as weak sunlight shone. This clump of trees stands resolutely near the very top of the ridge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Granite Ridge, Trees

Granite Ridge, Trees
Tall trees on top of a granite ridge, Yosemite National Park

Granite Ridge, Trees. Yosemite National Park, California. September 12, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Tall trees on top of a granite ridge, Yosemite National Park

This has been a period of unprecedented drought in California as a whole and particularly in the Sierra Nevada. In the fourth of this series of drought years the Sierra is showing the strain. Creeks have stopped flowing, lake levels are significantly low, trees are under stress and dying throughout the range. This summer the annual wildfire season began much earlier than usual, and many fires spread quickly and took longer to contain. We certainly saw all of these effects during our week-long photographic sojourn in the Yosemite backcountry. Until we had a couple of days of (welcome!) rain near the end of the trip, the smoke was a major factor. On many days we had smoke so thick that we were concerned about our health, and the pall often made photography somewhat challenging. Fortunately, even on the smokiest days there were times when it was clear, too.

However, it is possible to see how to make photographs even in smoky conditions. On the plus side, some smoke can soften the light a bit, and the haze can enhance the atmospheric recession effect, which can emphasize the distances between subjects in front of the camera. The haze in this photograph comes partially from wildfire smoke. Here it muted to sometimes-difficult highlights on the granite, and it softened and muted the distant forest across the valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Pine Trees, Morning

Pine Trees, Morning
A small grove of high elevation pine trees in morning Sierra Nevada light

Pine Trees, Morning. Sierra Nevada, California. August 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A small grove of high elevation pine trees in morning Sierra Nevada light

Although I visit the Sierra frequently, it has been some time since my last real backpacking trip and even longer since I last me up with my “Talusdancers” friends. The Talusdancers go way back — to a time about two decades ago when a loosely organized group of us began joining regularly for Sierra backcountry trips that ranged from a few days to longer than a week. In early August I had the opportunity to get these things back on track, with a three-day backpack trip in the eastern Sierra with three of the old gang. I arrived before the others, was on the trail by mid-afternoon, and had set up camp and was fixing dinner before the sun set. My friends apparently got to the trailhead much later and didn’t start hiking until about 6:00 PM. As the sun was setting I heard the “holler” of my friend Owen coming from across the valley, and I yelled back to let him know I as there. They soon arrived, and I can report that there are few things more wonderful that meeting up in the backcountry with good friends you have not seen for some time!

Our camp was on a rise above the shore of a sub-alpine lake, a very familiar Sierra Nevada setting. Beyond the lake to the west the terrain rises, past more lakes and thinning trees, into the alpine zone, and eventually to Sierra crest peaks and ridge lines. To the east there was a long valley with several more lakes, ending at a drop off between the descending canyon walls, and in the far distance we could see the high desert of Owens Valley and even further off the line of the White Mountains. We camped in the midst of an open grove of small, high-elevation lodgepole pines, common Sierra trees, but always beautiful in the early morning light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.