Tag Archives: photographs

First Light: Five Photographers Explore Yosemite’s Wilderness

So, you like landscape photography, right? And you are aware that some of the most beautiful photographic subjects can be found in the back-country of California’s Yosemite National Park, right? And you very much enjoy looking through and absorbing the work of photographers who know the place especially well, right?

You need to pick up a copy of First Light: Five Photographers Explore Yosemite’s Wilderness, published by Heyday Press.

The book features the wonderful photography of a group of photographers whose experience in the park is extraordinary and varied: Charles Cramer, Karl Kroeber, Scot Miller, Mike Osborne, and Keith S. Walklet. Right now copies of the book autographed by all five photographers are available from the Ansel Adams Gallery.

(For the record, I have no financial interest in this book and if you purchase through the links in my post I receive no compensation from the sale. I just like the book and the photographers a lot and think you might, too!)

Keeping an Eye on Eastern Sierra Weather

Those of us spending time in the eastern Sierra this time of year as we chase aspen color (and other subjects) need to pay a bit more careful attention to the changing weather, for photographic reasons and for safety reasons! October is a transitional season in the Sierra, and it can be warm and sunny one day and winter-like and snowy on the next.

Right now there are some question marks in the forecast for the upcoming weekend. I think we are still a bit too far away to get a truly precise forecast, but it does seem likely that the eastern Sierra will feel some effects from a passing weather system by late Saturday or on Sunday.

Some resources for those tracking the weather include:

  • The MammothWeather.com Dweeb Report. This is a private site that is really useful, especially if you learn to read between the lines a bit. To paraphrase (and read between those lines…) it is getting very cold in the eastern Sierra right now, will warm a bit later this week, and then “something” is passing through during the weekend.
  • For slightly geekier (as opposed to dweebier?) weather trackers, the California Forecast Discussion page at the NWS often gives some good hints about how the weather may develop. Currently the sum of the reports here suggests that a) it is going to get colder this weekend, b) a front is going to pass through, c) there is some chance of light snow in the eastern Sierra starting Saturday night, and d) there could be some windy conditions.
  • The NWS Sierra Nevada from Yosemite to Kings Canyon 7-Day Forecast covers a good chunk of the higher portion of the range in short form. Current forecast suggests cloudiness from Saturday evening through Sunday with some chance of precip.

What does it all mean to aspen hunters? A few thoughts cross my mind:

  • If you want reliable sun light in the very early morning hours this weekend, Saturday will be your day. Get up early and be in place before the sun rises.
  • There is some potential for interesting cloud formations and effects as the front approaches (if we get lucky, perhaps close to sunset on Saturday?) and then clears (later in the day on Sunday?).
  • There is a good chance that you’ll be shooting in at least some cloudy conditions. This can be a good thing! Photographing the aspens up close in cloud-diffused light can provide some wonderful saturated colors, though you’ll probably want to do some color adjustments in post. (The light will tend to be a bit blue.)
  • Think of light snow as a positive thing for photographs. There are tons of aspen photographs – but not nearly so many that combine the colorful leaves with a fresh dusting of snow.
  • Dress warmly. If you plan to camp be prepared for wet and cold, and probably give yourself a bit more time to get set up and so forth. Consider camping at a lower elevation if you aren’t prepared for the cold. Think about how you’ll manage your gear as you continue to shoot in cold and damp.
  • Watch out for difficult driving conditions. While a dusting of snow is not usually a major problem, falling snow and dark conditions can make things more difficult – and while you may not find this challenging, keep in mind that quite a few other drivers may not be as secure about this as you are. Also, even a little snow can temporarily close some Sierra passes – the NPS is notorious for closing down Tioga Pass for tiny bits of snow.
  • Wind may be an issue – in several ways. It is not uncommon for a front with strong winds to suddenly bring down some of the most colorful leaves. If you have a higher elevation grove in mind, go Saturday! The wind can also compound the problem of light diminished by clouds – the leaves may be moving a lot. Look for more sheltered areas, wait for a pause in the wind, increase ISO and use a faster shutter speed… or embrace the blur and make it part of your shots. And don’t forget that wind increases the effect of the cold.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs in the queue

I know that some may wonder what sort of life I live that lets me (forces me to?) go online every morning, 365 days per year, and post a new daily photograph at 4:00 a.m. Pacific.

While I do post new photographs here at a rate of one per day – which does mean that I create new photographs at a fairly steady rate throughout the year – I don’t really get up at 4:00 a.m. every day to post the next one. Fortunately my web site has a queue feature – but you knew that already, right? (Sorry if I am disappointing anyone. :-)

Sometimes when things get busy I may actually find myself shooting and and then post-processing in the evening a photo that will appear on the site the next day. Yes, there have been a few occasions when I did not actually know what photograph would be posted 24 hours later! But more often I have at perhaps a week’s worth of photographs already in the queue and scheduled for automatic publication.

I’m thinking of this right now because it is a very good feeling to know that there are enough photographs in the queue right now to carry me all the way through the month of September! That’s right, while I’m out shooting the autumn aspens of eastern California nearly a month from now the photos that I posted today will be appearing here. (Between how and then you’ll see more work from the Sierra, additional photographs from San Francisco, and a series of night photography images shot at the Mare Island Naval Ship Yard at the end of August.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photography and Freedom of Speech… and War

Taking a break from the usual landscape stuff you’ll find here – don’t worry, it will be back soon! – I’d like to draw attention to a New York Times article posted today:  “Images, the Law and War” (You may need to “join” the site there to see it.)

I’m not going to take sides here – not at the moment, anyway – on the question of whether President Obama is right or wrong to withhold the release of additional photographs that reveal painful truths about our treatment of captives in Iraq and Afghanistan. I have an opinion, but I’d rather you consider the article and the underlying issues it illustrates for yourself. The article, in my view, does an admirable job of laying out the complex and conflicting values that collide in questions like this one.

It also provides clear evidence of the power of photographic images and their ability to affect those who see them.