Tag Archives: prime

Travel Photography Lenses

je suis bleu
Sidewalk, graffiti, and women, virtual and real, on a Paris street. © G Dan Mitchell 2016.

Note: I originally published this article under the title, “Thinking About Travel Photography Gear.” Since I’m planning a separate article about travel photography camera options, I have renamed this article to acknowledge its focus lenses.

Recently I’ve noted people trying to determine what gear will work well for photography while traveling, and especially wondering about what lenses to take. I do a fair amount of travel photography, and I’ll going to summarize a few approaches that can work.

But first, since what follows will mostly focus on lenses, let me say a few things about cameras, while recognizing that this will be far from an in-depth consideration.

Cameras

What is “the best” travel camera? That is a tough question, and it might be better rephrased as “what is the best travel camera for me?” Is photography your main reason for traveling, do you simply want to record the experience, or something else? Are you traveling alone, with other photographers, or with others whose interest in photography doesn’t match your own? Do you prefer to travel “heavy” — multiple bags and checked luggage — or you an ultra-light traveler who prefers to stick to carry-on only, even for long trips? Do you think of yourself as a scenic photographer, a people photographer, a street photographer, or something else?

With all of these possible variations, the right answer could be anything from your smart phone camera to a large, multiple lens system with tripod, or any of a number of intermediate options.

Chinatown, New York City
Chinatown, New York City

As a photographer, I’m not ready to give up good quality equipment that allows me to shoot my preferred subjects and make large prints from the images I bring back. Yet I also prefer to travel light, going “carry-on luggage only” even for multi-week overseas trips. The best solution for me has turned out to be a 1.5x cropped sensor mirrorless body with a small selection of lenses, mostly primes sometimes augmented by a zoom.

There’s a lot more to say about camera choice, but here I”m going to focus primarily on lenses you might use with a full frame or cropped sensor system. (Watch for another article focusing on camera options.)

Lenses for Travel

Rather than trying to answer the “what lens should I bring?” question, I’ll suggest a few approaches and briefly describe some pluses and minuses of each.

One zoom lens

A single zoom lens that covers sufficient focal length range, preferably with IS and a f/2.8 aperture might be all you need. While such a lens is not small, it is quite versatile. Especially if the lens — or your camera body – has image stabilization (IS) it will work in relatively low light in many situations, and it can work for everything from casual portraits to wide-angle photographs in constrained spaces. A “mid range zoom” lens can do the trick, whether it is one of the ubiquitous “kit zooms” or a more expensive f/2.8 zoom.

Pluses

  • One lens stays on the body all the time.
  • IS helps with handheld shots in low light.
  • The lens covers focal lengths most often needed.
  • Good image quality. Weight and bulk are less of an issue if you stick on only one lens.

Minuses

  • These lenses are not small.
  • You will give up some ultra-wide and telephoto options.
  • A big lens can make you look like a “photo tourist.”
  • Largest apertures not as big as you could get from primes.
  • No backup lens if this lens has a problem.
  • If you will only use one lens, you could get a smaller camera with a built-in zoom
Woman, Smoking Cyclist
A woman walks into an alley past a smoking bicyclist, Florence/Firenze, Italy

One zoom lens with large focal length range

Some zoom lenses cover a very large focal length range (18-300mm!) with variable aperture. As with the first option, this provides a great deal of versatility for folks who want a larger selection of focal lengths, but who don’t want to mess with multiple lenses.

Pluses

  • One lens stays on the body the entire time.
  • Decent (but probably not stellar) IQ.
  • Excellent focal length coverage for diverse subjects.

Minuses

  • Not the best lenses in optical terms, though may be good enough for many purposes.
  • Lenses can be relatively large.
  • Poor low light options. (Use flash?)
  • Big lens can make you look like a “photo tourist.”
  • No backup lens if your lens has a problem.

A single prime

Before the era of zoom lenses, it was not unusual for photographers to head out with only a single prime lens with a decently large aperture. (This could be an interchangeable lens camera with a single prime or a rangefinder style camera with a fixed focal length built-in lens.)

Pluses

  • The ultimate in simplicity and light weight.
  • Excellent image quality.
  • Good low light coverage with a large aperture.
  • You may look less like a tourist.

Minuses

  • No focal length flexibility. (Though some systems allow add on telephoto and wide angle converters.)
  • No backup lens if your lens has a problem.
Bubble Man
A man making soap bubbles for the crowd in London

A few primes

Pluses

  • Can be small and light.
  • Good low light coverage.
  • Excellent image quality.
  • You may look less like a tourist.

Minuses

  • A few small primes may add up to the weight/bulk of one zoom.
  • Need to switch lenses more often.
  • Less focal length flexibility than a zoom.

Multiple zooms

Pluses

  • Lots of flexibility.
  • Good zooms provide excellent image quality.

Minuses

  • System quickly balloons in size and weight.
  • Probably need speciality photographic bag or backpack.
  • You not only look like a tourist…  you look like a tourist carrying lots of expensive stuff, which is not always ideal.

Zoom(s) augmented by a large aperture prime

One zoom can cover ranges where flexibility is desired, and a smaller prime can provide a larger aperture option.

Pluses

  • You get the flexibility of a zoom.
  • You get the large aperture of a prime.
  • Fine image quality.

Minuses

  • Do you take a prime in the focal length range of your zoom (for low light) or a different range (covering different uses.)?
  • Multiple lenses to juggle.
  • Weight and bulk increase a bit.
Altstadt-Heidelberg
The Karl Theodor Bridge, the old bridge, the Heiliggeistekirche, and portions of Altstadt-Heidelberg, Germany

Primes augmented by (most likely one) zoom.

For example, take primes for core use, but add a zoom telephoto.

Pluses

  • Good image quality.
  • Small and light system with primes for most photography.
  • You look less like a tourist when using the primes.
  • Focal length flexibility in range covered by the zoom.

Minuses

  • Not as small and light as primes-only system.
  • The not-a-tourist impression is lost when you attach that zoom!

The Answer

I know you’d like The Best Answer… but there isn’t one! No solution is perfect, and each photographer will likely balance the pluses and minuses in a different way.

What I do

Even though I use a full frame Canon DSLR system for most of my non-travel photography, these days I always rely on a smaller mirrorless system for my travel and street photography. This system mostly is built around primes of moderately wide to moderately long focal lengths, with lenses that are fairly small. In some cases I augment this with a single longer focal length zoom. The entire kit, plus my small laptop and a few other items, fits into a medium-size messenger bag that goes under the seat on flights.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Reminder: Fujifilm X-Series Discounts

I recently posted an article about  the Fujifilm X-Series camera system that included a list of some impressive price reductions that are part of a current Fujifilm promotion. These prices are still available, making this a great time to acquire a Fujifilm X-Series camera or lenses. Here is the list once again.

X-Pro1: Fujifilm’s innovative interchangeable lens camera combining an optical rangefinder design with an electronic viewfinder.

X-T1: Fujifilm’s flagship interchangeable lens mirrorless camera

X100T: Fujifilm’s compact rangefinder fixed lens camera. Street photographer’s love it.

X-T10: A less expensive but very capable camera modeled on the X-T1.

X-E2: A very compact interchangeable lens mirrorless camera. (I use the X-E1, the predecessor of this model.)

X-30: A very compact mirrorless camera with a smaller sensor and a zoom lens.

Fujifilm lenses for X Series interchangeable lens cameras

Summary: Based on my own experience with a number of the lenses and confirmed by many other reports, the Fujifilm lenses provide first-rate optical performance. The range from very small prime lenses up to large aperture zooms that are competitive with the best from the DSLR manufacturers. I have marked lenses that I own and use with asterisks — *.

This list was compiled carefully, but errors could occur, so verify all prices and other information directly with the linked vendor(s).


Taking Stock of the Fujifilm X-E1, X-E2, S-T1 Mirrorless Cameras — My article with more information about the X-trans cameras from Fujifilm.


Links go to site-affiliate B&H Photo, and purchases through these links return a small percentage of the sale price to support this website. Your price will be the same as if you clicked directly on the vendors own links. Thanks for your support!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

For Sale: EF 24mm f/1.4L II and EOS 5D Mark II Body

I am selling some equipment that I no longer use:

Canon EF 24mm f/1.4 L IICanon EF 24mm f/1.4 L II lens – This is the newest version of Canon’s wide-angle, large-aperture 24mm prime lens, known for its excellent image quality and performance at large apertures. This lens is in “like new” condition — no scratches or blemishes, as it was purchased for a particular project and only used minimally for that purpose. Includes lens, both caps, hood, pouch, and original box. Reduced to $1050.

Canon EOS 5D Mark II DSLR body-only — This is the 21.2 MP full-frame DSLR body that I have used to make the great majority of the photographs you see on this website and elsewhere. I am selling it now that I have acquired a 5Ds R DSLR body. This is a “well used” camera body — it is not in new condition, but everything works well and nothing is broken. It includes a body cap, several batteries (not new), the charger, the original box, and a few other small odds and ends. This is a fine body for someone on a budget who wants a solid full frame camera. $900. Does not include a lens. Camera SOLD 7/1716


I prefer a person-to-person cash sale in the San Francisco Bay Area — that way be both know what we’re getting. Leave a comment on this post or email me if you are interested in either item.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Lenses for Landscape Photography (Morning Musings 1/12/15)

This isn’t exactly a regular “morning musings” post, but I wanted to share this stuff and it seemed like a good pretext! This post concerns two related articles at the website:

From time to time I share new posts in my “Photographic Myths and Platitudes” series. These articles deal with common ideas about photography that range from “open to question” to quite wrong. I try to look at these issues from a perspective that is both objective and based on actual photographic practice.

I wrote the first of these two articles about lenses for DSLR landscape photography back in 2010 after reading one too many claims that wide-angle lenses are landscape lenses and that longer focal lengths are not good ‘landscape lenses.’  It shouldn’t be a surprise that I disagree. The first article goes over reasons to consider a wide range of focal lengths for photographing landscape.

When I wrote that first article I realized that there was another notion about landscape photography that needed a closer look, a belief that prime lenses are better than zoom lenses for landscape photography. This long-cherished idea probably has its roots back in an earlier period of photography when all photography (not to mention all landscape photography) was done with prime lenses, and in a somewhat later period when early zoom lenses had some serious shortcomings. But things are a lot different today, and most of the excellent contemporary DSLR (and a great deal of medium format) landscape photography that you see and enjoy today was done with zoom lenses.

Knowing what a sensitive issue this is for some photographers, I delayed writing part II for over four years! I’ll acknowledge in advance that there are some reasons to shoot landscape subjects with non-zoom lenses, and that my perspective is not The Truth about landscape photography lenses. However, I’m certain that the majority of landscape photographers will be best served by today’s excellent zoom lenses.

In any case, part II deals with this issue, and it is available now. I hope you’ll enjoy it and perhaps learn something new.

Morning Musings are somewhat irregular posts in which I write about whatever is on my mind at the moment. Connections to photography may be tenuous at times!


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.