Tag Archives: Printing

Yosemite Valley Photography Workshops: Walklet and Frye

I see that the Ansel Adams Gallery has scheduled a couple of interesting winter season workshops.

  • Digital Printing and the Zone System With Michael Frye on January 19-23, 2010 – Michael Frye is both a well-known and highly-regarded photographer of Yosemite and other subjects and the author of the well-known guide book to photographing in the Valley.
  • Winter Light II With Keith Walklet on February 17-22, 2010. Walklet is a long-time Yosemite Park photographer whose experience and knowledge is extraordinary. (As I write this I have an mental image of him disappearing over a far ridge above upper Cathedral Lake last summer as he headed out to photograph some high, austere terrain.)

Both workshops take place during the beautiful winter season in the Valley and those trying to get “their shot” of Horsetail Fall may have a chance during Keith’s workshop in mid-late February.

News From Charles Cramer

I got an email from Charles Cramer last week, meant to pass some of his news along right away, and then became very busy and forgot. (My excuse is a combination of having a ton of papers to grade and about 40 prints to make!) Anyway, better late than never…

The Ansel Adams Gallery in Yosemite Valley is having a show of Charlie’s work through May 27th. You can see some examples of his work from the show here. (I’m fond of most all of his photographs, but the luminous photograph of an aspen grove found in this series is one of my favorites.) If you are in the Valley during the next week and a half, be sure to stop by the Gallery and linger for a while  – if nothing else it sounds like a great way to spend some time during the midday non-shooting interval! (It would certainly be more edifying than what I usually do in the middle of my epic One-Day Bay Area to Yosemite and Back marathons: nap for an hour in my car!)

Charlie does workshops. He reports that almost all of them are currently sold out, but that are still some openings for a workshop in Santa Clara, California on June 26-28. Highly recommended – more information online. I’ve been fortunate to have Charlie share some of his vast knowledge of photography and printing with me, and I know personally how well he explains important concepts and techniques and how insightful he is when it comes to seeing and critiquing your photographs. He also has a great – though slightly twisted – sense of humor as well. If you have a chance to read his Photoshop Techniques booklet, you know what I mean.

Printing is on my Mind

There are so many more opportunities to see so much more photography today, given the astonishing number new electronic ways to share photographs and to find the photographs of others. Through blogs, Flickr, the many photo web sites and discussion forums, photographer’s web sites, email, you name it, we all experience a flood of visual media. While not all of it is great stuff, quite a lot of it is interesting and the sheer variety is astonishing. I don’t know how much time you spend intentionally looking at photographs, but I suspect that I may look at over 100 per day. (I’m not counting the images that we are exposed to by don’t actually give attention to – add those to the mix and the total would be much, much higher.)

But one thing has perhaps been lost in all of this, and that is the appreciation for the printed photograph. Continue reading Printing is on my Mind

Luminous Landscape: Charles Cramer Workshops

Seen at the Michael Reichmann’s Luminous Landscape web site:

I am fortunate to count among my friends some of the top photographic instructors in the world. I list their workshops on my Workshops page, and from time to time feature something new that they’re doing.

Charles Cramer is one of America’s most famous landscape photographers and teachers. For years he and Bill Atkinson have been teaching printing workshops together, but now Bill has decided to retire from these and so Charlie is striking out on his own.

You can find out more about this new series of printing workshops here.

I’m also fortunate to know Charlie. Everything Reichmann says is true, and I can vouch for Charlie’s teaching skills, having been the grateful recipient of some individual time with him in his studio. I’ve also been through his booklet on digital post-processing – it distills more useful and practical information into a small text than anything else I’ve seen, and I regularly consult it.

If you are looking to learn from an outstanding photographer, master printmaker, and fine teacher I highly recommend Charlie’s workshops.