Tag Archives: taxi

Photographs: Sierra Nevada

Back Country Taxi Service

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Back Country Taxi Service
Pack mules waiting to carry photographers into the Sierra Nevada back country

Back Country Taxi Service. Onion Valley, California. September 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Pack mules waiting to carry photographers into the Sierra Nevada back country

Mules like these are the delivery trucks and taxis of the backcountry, something that I didn’t always appreciate. There was a time some years back when I was simply annoyed by them, and felt that having to move to one side to let a string of animals pass was an affront. Then I found myself using pack animal support on a couple for long photography trips into the Sierra, and I was forced to modify my thinking a bit. There are places that the beasts shouldn’t go, but they also have a very long history of supplying and supporting back-country travelers. I started backpacking long enough ago that I even recall occasionally seeing a lone backpacker leading a mule.

This trip was the first and only time that I’ve actually ridden a mule into the backcountry. It was, as those who have tried it probably know, and “interesting” experience. I don’t have the space here to relate the whole story. I made this photograph on our first morning, when we went to the pack station to load up our gear before hitting the trail.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: New York City, Photographs: Urban/Street

New York Street, Child with Toy Car

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New York Street, Child with Toy Car
New York Street, Child with Toy Car

New York Street, Child with Toy Car. New York City. August 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A child playing with a toy car on the sidewalk of a busy Manhattan street

I made this photograph on my first real day of shooting in Manhattan. We had arrived the night before, late enough that we only had time to take a cab to where we were staying, have a bite to eat (thanks, Timothy and Margaret!), and fall asleep. The next morning we went over to NYU, where Patty was participating in a music conference for the next five days, and after she got registered I was on my own in Manhattan, and on the prowl with a camera for a good part of the next few days. I often started out with very general plans, but then mostly sort of followed my intuitions as I wandered up and down the island. On this first morning I simply headed uptown toward Grand Central Station with my camera at my side, and began to get in the flow of photographing this busy, dense, and compelling place.

When shooting street I often think a bit like the landscape photographer than I am. This means that I find what I think is a visually interesting place, consider how to compose a shot, and then wait until something or someone interesting enters the frame. However, this shot worked more or less the opposite way. I saw this child, incongruously pushing his combination play car and stroller on a section of this very busy urban sidewalk. Fearing that it might be more than a little creepy to walk up and point my camera at this interesting child, I moved closer to the building wall so that I could instead include him near the edge of a shot of the overall street scene. Placing him so close to the lower left corner obviously made for an unusual composition, though I think it is somehow interesting to see him in a position that seems so peripheral to the rest of the scene. I watched to see if he would do anything interesting, and I made the exposure when he leaned over and looked in my direction. Initially I thought that the photograph might be in color, and as I worked with it the bright colors of taxis seemed to complement the cooler tones of the shaded sidewalk area. But there were problems — that interesting yellow also distracted from the child, and his little “car” was a dark shade of blue. In the end, I had a lot more control over the relative tonality of different parts of the scene with this black and white conversion.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.