A busy conjunction of characters on a Manhattan street.
Photos are temporarily being shared without additional commentary. Watch for commentary to resume in late summer.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
People crowd the streets of Little Italy on a warm summer evening in Manhattan
For some reason, I too often find myself in New York in the middle of August. Not that I dislike New York — actually I love the place, for wandering, for photography, for museums, for food, for many things. It has been almost six months since I was last there and I already feel like I’m overdue for a visit. The issue is with August. As my sons, who live there, have told me, August is perhaps the least comfortable time to visit. it tends to be hot and muggy, and this is why many New Yorkers pick this time to be somewhere else.
But even though I know this I have probably made half of my New York visits during this month. It has become almost a standing joke in our household. On this 2014 August day we had been in Chinatown looking for food, and afterwards we walked up and into Little Italy, where on summer evenings like this one the streets are filled with people, looking for espresso and gelato.
A child playing with a toy car on the sidewalk of a busy Manhattan street
I made this photograph on my first real day of shooting in Manhattan. We had arrived the night before, late enough that we only had time to take a cab to where we were staying, have a bite to eat (thanks, Timothy and Margaret!), and fall asleep. The next morning we went over to NYU, where Patty was participating in a music conference for the next five days, and after she got registered I was on my own in Manhattan, and on the prowl with a camera for a good part of the next few days. I often started out with very general plans, but then mostly sort of followed my intuitions as I wandered up and down the island. On this first morning I simply headed uptown toward Grand Central Station with my camera at my side, and began to get in the flow of photographing this busy, dense, and compelling place.
When shooting street I often think a bit like the landscape photographer than I am. This means that I find what I think is a visually interesting place, consider how to compose a shot, and then wait until something or someone interesting enters the frame. However, this shot worked more or less the opposite way. I saw this child, incongruously pushing his combination play car and stroller on a section of this very busy urban sidewalk. Fearing that it might be more than a little creepy to walk up and point my camera at this interesting child, I moved closer to the building wall so that I could instead include him near the edge of a shot of the overall street scene. Placing him so close to the lower left corner obviously made for an unusual composition, though I think it is somehow interesting to see him in a position that seems so peripheral to the rest of the scene. I watched to see if he would do anything interesting, and I made the exposure when he leaned over and looked in my direction. Initially I thought that the photograph might be in color, and as I worked with it the bright colors of taxis seemed to complement the cooler tones of the shaded sidewalk area. But there were problems — that interesting yellow also distracted from the child, and his little “car” was a dark shade of blue. In the end, I had a lot more control over the relative tonality of different parts of the scene with this black and white conversion.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Looking down the Haupstrasse of Heidelberg, Germany from the Heidelberger Schloss
The “Altstadt” (old town) of Heidelberg is packed together in all of the interesting ways that seem so very different from what we typically find in the USA, where many towns, especially in the west where I live, mostly evolved in the post-automobile era. Heidelberg is, to say the least, considerably older than that! Very narrow streets (what Americans might call “alleys”) twist and turn and the buildings are packed closely together and right up to the edge of the street. Where the “road” portion of the streets is (barely) wide enough to let a vehicle pass, the sidewalks have been reduced to little more than a foot or two wide.
I made this photograph from the hill above the town where the famous Heidelberg Castle sits. We had walked up there for the obligatory tour of the castle – and an impressive thing it is! – and afterwards we walked along the hillside beyond the castle to where there is a park and some clear overlooks of the town and the Neckar River. For this photograph I put a long lens on the camera and focused on the hauptstrasse (main street) that runs the length of the old town, here running from near the Heiliggeistkirche (Church of the Holy Spirit) and on towards the newer portion of the street.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
