Tag Archives: trees

Dormant Trees, Granite

Dormant Trees, Granite
A granite cliff towers above dormant trees along the Merced River, Yosemite Valley

Dormant Trees, Granite. Yosemite Valley, California. February 25, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A granite cliff towers above dormant trees along the Merced River, Yosemite Valley

Winter can produce a softer and subtler Yosemite Valley, one that can sometimes be just a bit tricky to photograph. Perhaps the most obvious subjects in the winter are found on days when there is snow, or when storm clouds and mists shroud the cliffs and ridges. As a matter of fact, those are the things I’m usually hoping to find when I visit the Valley at this time of year.

But the true nature of the Valley in winter includes some subtler subjects, sometimes nearly devoid of the greens of spring and summer or the colors of fall. Truth be told, the meadows are brown and trees lose their leaves, the clouds can block or filter the light, and many sections of the surrounding cliffs can be in shadow. This photograph is such a scene — winter dormant trees along the banks of the Merced River, brown meadows underneath and stretching beyond, and the steel-gray colors of shadowed granite above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dense Brush, Morning Light

Dense Brush, Morning Light
Morning light falls on dense brush at Pinnacles National Park

Dense Brush, Morning Light. Pinnacles National Park, California. March 17, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning light falls on dense brush at Pinnacles National Park

Today’s photograph is another from my recent re-introduction to Pinnacles National Park in the mountains to the east of California’s Salinas Valley, following a gap of decades since my last visit. Despite being a place that I regularly visited when I was much younger — back then I rode a bike there to camp, went there to rock climb, hiked the trails and caves — it had somehow slipped off my map of places to visit. For the past few years, since its conversion from National Monument to National Park status, I’ve been planning to finally return.

If your experience with National Parks is mainly with the big, iconic parks such as Yosemite or Yellowstone, this park is going to surprise you with its intimacy. It is a relatively small place, and even its primary visual feature, the High Peaks, doesn’t present a single, focused identifying image in the way that, say, Half Dome or Old Faithful do. It seems more the sort of park that is about subtle and small things and the overall experience of the place — mostly California chaparral terrain that can evoke a sense of near desert at times. I made this photograph earlier in the morning when I paused along a route through a canyon when I came upon dense, back-lit foliage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Mixed Forest, Brian Head

Mixed Forest, Brian Head
Mixed aspen and conifer forest, autumn

Mixed Forest, Brian Head. Brian Head, Utah. October 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Mixed aspen and conifer forest, autumn

Back in 2012 we made our first serious autumn photography foray into Utah, spending several October weeks traveling around the southern part of the state. Among other things, this was the first time I started to understand the differences between the patterns of California fall color that I know so well and the patterns in Utah and similar places. For me the biggest annual fall color event is the turning of the eastern Sierra aspens, which typically reaches is peak by or perhaps a bit before the middle of October. We began this trip with a much earlier than usual visit to those California mountains and, sure enough, we arrived for the very beginning of the serious color in the locations I would typically visit a week or more later. After spending just a couple of days there — I did not want to completely miss the California aspen season! — we headed east across Nevada to Utah.

Our first stop in Utah was in the Brian Head vicinity. (One draw was that the off-season lodging prices were extremely good.) I had not been here before and did not really know what to expect, though I knew that Cedar Breaks National Monument was nearby. We soon discovered that here, unlike in the Sierra Nevada, the big, high elevations aspen trees had already reached and passed their color peak, perhaps even by the end of September. Lesson learned! (We subsequently did learn that there are plenty of other fall color opportunities in the state at lower elevations, and that they can extend all the way into November.) This ridge of mixed conifers and aspens is just outside of the Brian Head area.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees and Stone

Trees and Stone
Trees, a boulder, cliffs and towers — Pinnacles National Park

Trees and Stone. Pinnacles National Park, California. March 17, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Trees, a boulder, cliffs and towers — Pinnacles National Park

Visiting Pinnacles National Monument last week presented me with an unusual experience. Typically I photograph in two kinds of places. To simplify a bit, one sort is the places that I have photographed repeatedly over long periods of time, and which I have gotten to know intimately. The other type would be places that I don’t know at all, and which I come to with an almost “blank slate,” discovering their character directly as I encounter them. “The Pinnacles,” as I’ve referred to the place for years, doesn’t quite fit into either category. When I was much younger I frequently visited the place, starting with my parents when I was quite young and continuing into my twenties when I was a rock climber. So some memories and sensations from the place a deeply embedded in my memory and experience. But they I stopped going there and has been decades since I was last there.

With that in mind, it is no surprise that my first visit included quite a few “I remember this!” moments, combined with about as many “This is new!” moments. We mostly visited the east side when I was young, but this time I arrived from the west. I had hiked the high peaks trail, and even climbed some of its pinnacles, but I was surprised to (re)discover just how narrow, steep and exposed it is. So my approach to the place was a combination of working with what I know and discovering what was new. In the end it felt like I was sort of “feeling my way” back into familiarity with the place. I could not yet quite see how to photograph some seemingly obvious subjects, such as the high peaks area, so I focused on many non-iconic subjects, such as the scene of gray and red rocks and trees in this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.