“Trees and Rising Sun” — The sun, slighlty diffused by clearing fog, rises behind Point Lobos trees.
Sometimes I arrive at a location with no specific plan in mind beyond “making photographs.” That was the case on this morning when I drove down toward the Big Sur area very early. Before Monterey I encountered thick fog, and I started contemplating fog photographs, perhaps at Point Lobos. The fog continued as I passed Monterey, skirted Carmel, and started down Highway 1 beyond Carmel Valley. It looked like I would get foggy conditions at Point Lobos… until a moment later when the fog inexplicably cleared.
“Morning Light On Wildfire Smoke” — Early morning light on wildfire smoke drifting among forest trees
For a day that I began with only a vague plan (photograph Glacier Point at dawn) that I managed to miss (distracted by dogwood trees), I ended up with quite a photographic haul before it was over. I have a very early morning photograph of a lovely forest scene with autumn colors, a series of photographs of beautiful and mysterious drifting smoke along Glacier Point Road, several photographs of the autumn scene in Yosemite Valley, and finally a small set of photographs of sunset light on snow-dusted granite along Tioga Pass Road. All told, it turned out to be a rather remarkable day!
The least expected subject also turned out to be the one that produced the largest number of photographs — the early morning wildfire smoke that had settled down in valleys and among the trees overnight. If I had arrived at Glacier Point when I originally planned I might have missed this in darkness. Yet again, I got lucky, and after a delay brought about by my inability to resist stopping to photograph another forest scene I arrived here at just the right moment. The air was still and the smoke was barely moving among the trees in this large valley below my location. I had a good long time to stand and take it in and then work the scene carefully, with photographs ranging from those including the full scene to others, like this one, that zeroed in on small elements of it. Several things attracted me about this particular scene: the beams of lighting the smoke drifting through the trees at the bottom of the frame, the zigzag pattern produced by forest and smoke, the tall and thin trees on the far ridge, and the bits of Yosemite granite domes barely visible in the distance through the smoke.
Last rays of sunset light illuminate the fractured summit of Fin Dome and the Sierra crest on a stormy late-summer evening
During a week of beautiful days in the King Canyon National Park High Sierra back-country, this may have been one of the most compelling. The day began with interesting clouds and light, eventually evolved into light showers mixed with sun shine, and as sunset approached it cleared enough to give us rainbows, dramatically dark storm clouds, and golden hour light on the surrounding upper peaks.
This dome is a familiar landmark for many who pass along a section of the John Muir Trail not far from where we photographing, though that familiar view shows the opposite side of this feature. Although I was very close to it during the many days we spent photographing here, the face of the dome was often no all that photogenic. During the day the flat light did not complement it, and it is difficult to see how to compose an effective image of the thing from very close and right below it. However, on this evening we had wandered off to another location not far away, where there were many lakes and ponds, beautiful small meadows and granite formations, and more expansive views of the surrounding landscape. Shortly after we arrived there it began to sprinkle on us and we could see heavier showers distributed around the wider terrain. As sunset approached, the clouds thinned a bit over our position and the sun began to occasionally slant in from the west below the clouds, casting light beams that traversed the landscape to our east. I missed a few moments of beautiful light on this dome before I finally realized that this was a situation likely to repeat itself – and I stopped and waited for the next illumination from the west to arrive, here contrasting the warm sunlight on the peak with the darker storm clouds further to the east.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The canyon of the Green River beyond a band of sandstone cliffs, Canyonlands National Park, Utah.
I was in this spot primarily to photograph the late afternoon and evening light on the canyons, cliffs, plateaus, and mesas around the Green River. (I’ve recently posted a couple of other photographs of that subject.) One of the many striking aspects of the geology in this park is the sudden cliffs that drop from the edges of large flat areas. The upper portion of Canyonlands park, called the “Island in the Sky” is such a place. It is a large and relatively flat plateau, and if you disregard the more distant surroundings it seems like a prairie or perhaps a high desert grassland. But when you venture to its edges you most often find, on at least three of its sides, that there is a sudden drop off where the river systems below have eroded the surrounding terrain up to the edges of giant sandstone strata. I’m not an expert on the area, but one thing I read pointed out, if I recall correctly, that there is an upper plateau (the island in the sky), a 1000 foot drop, another plateau marked by the White Rim, and then another sudden drop into the depths of the surrounding river canyons.
So this bit of vertical sandstone is the upper portion of part of that first 1000-foot drop-off, in this case with the White Rim plateau and then some additional canyons beyond. Shooting late in the day, I was pointing the camera almost straight into the light – something that I often like to do. This allowed me to capture the faint shadow in the atmospheric haze formed as the light passed between two buttes at the upper edge of the frame. It also created a bit of a challenge in retaining detail in the fully shaded dark-colored cliff face! I was able to capture this in a single exposure that tested the dynamic range of my camera, and then bring back a bit of the cliff detail in post. Now, if I had just had someone stand, or better yet, dance on that cliff edge… Any volunteers for my next visit? ;-)
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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