“Wildflowers, South Death Valley” — A flower-covered landscape with a hill and the lower panamint Range.
Is this a so-called “super bloom” year in Death Valley? The term seems subjective, and there does not seem to be a clear demarcation between a really great bloom (which this season is certainly providing) and a super bloom. From what we saw in late February, I think there’s a case for calling 2026 one of the exceptional super bloom years.
There were lots of wildflowers where I photographed this scene at the southern end of the valley. Extensive fields of desert gold stretched across gravel fans and up hillsides. Pinkish sand verbena covered lower, sandy areas. (It is subtle, but if you look closely you can see the pink-purple color between the foreground yellow flowers and the shadowed hill.) Colorful clumps of purple phacelia were everywhere.
Light beams shine through breaking storm clouds onto the surface of the Pacific Ocean, Northern California
I remain intrigued by ocean horizons, which take on an amazing range of appearances depending on the effects of light and atmosphere. The horizon might be a distinct line, it could be (and was on this day) broken by distant swells and breakers, it fade in fog and mist to the point where it is almost invisible, or it may actually be invisible the obscured by fog or rain.
On this afternoon almost every one of those conditions appeared at one time or another. As rain squalls moved onshore, the view of the water and horizon was periodically blocked, only to be lit by brilliant bands of sunlight moments later as the clouds opened. Late in the afternoon, as the sun lowered toward the horizon, the atmosphere became back-lit and began to glow, especially in spots where the rain was still falling. At times beams of light (“God Light,” to use the common photographic description) came through the clouds, passed though slightly opaque mist and rain, and lit the surface of the water.
Morning sun shines through atmospheric haze and clouds above Death Valley
Death Valley is a very big place, and getting to locations sometimes requires a lot of driving. Photographing there often requires a very early wakeup call, and I’m often on my way to some location in the park well before first light. Leaving during darkness, often for a place very different from where I’m staying, means I have to make some educated (and not so educated) guesses about what conditions might be like many miles away and at sometimes very different elevations. As result, I often do not know precisely what conditions I’ll find when I arrive at an early morning location.
Such was the case on this morning. The destination was more than 6000′ feet higher than where we were staying and many miles away. In the past I’ve arrived at this spot to find very strong winds and very cold temperature. This time the temperature wasn’t so bad but we did have winds. Just before arrival at the final destination the sky lit up briefly, so we halted and photographed from that location before continuing on… and watching the light die as the sun rose. We consoled ourselves — we had caught a brief bit of good light and it was a beautiful spot to be in, photographs or not. Since we were there we went ahead and made a few photographs, and as we did so the conditions began to improve in somewhat dramatic fashion. The earliest hint of the afternoon’s upcoming dust storm appeared in the distant milky haze through which beams of light passed. Higher clouds began to collect, and dramatic light cut across the face of the arid mountains below us.
Light beams shine between redwood trees, Muir Woods National Monument
During essentially the entire month of July, in what is typically my prime time for being in the Sierra and other wild places doing landscape photography, we were instead traveling in the UK, Germany, and Austria. It was a great trip – and I’d do it again in a heartbeat! – but I’ve missed my natural world here in California, and it was about time to return to it. So I marked the first day of August by getting up well before the crack of dawn and heading north across the Golden Gate to spend a morning in the cool and quiet of redwood groves. (To those who have been to Muir Woods when it is, as is too often the case, overrun by tourists from San Francisco, I’ll just say that if you go very and on the right day, you can briefly have the place almost to yourself.)
I was the first or perhaps second person to arrive at Muir Woods, well before the gates were open and the kiosks manned, so I loaded up the camera gear and ambled slowly into the park, taking in the cool air, the quiet, and the soft early morning light. I had to particular photographs in mind, so I just took the time to go slowly and look around. In the end, I came back with perhaps four that I like – which is a pretty good haul! – and the others might be just a bit less iconic than this one. I made this photograph at just about the time I had decided that my work for the morning was done – the sun was getting high in the sky and creating the hard-to-photograph “pizza light” and more visitors were starting to show up. As I turned around to start back I saw this small grove above on the hillside, with some light beams passing through the branches, so I switched lenses and made this photograph.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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