Tag Archives: urban

Parking Structure

Parking Structure
Parking Structure

Parking Structure. New York City. August 14, 2010. © Copyright 2014 G Dan Mitchell – all rights reserved.

Parking structure and urban scene near the Highline Park in New York City

When in New York City… visit the Highline Park, as we did on this 2010 summer visit. For those who may not know, the Highline Park is a novel New York location, a park high above the streets that occupies the right of way of an old elevated railway. It is widely regarded as one of the most innovative public spaces in this city, and it really is a remarkable place.

It is also a great place to do photography. There are plenty of people subjects there, and there is all of the other stuff that is worth shooting in New York, plus the elevated perspective provides a lot of views that are different from those seen from street level. We’ve all seen this urban parking structures, which stack cars up several deep in order to make more efficient use of limited space. But we don’t often see them from above, where the metal framing suggests planes that aren’t visible from below but which connect in interesting ways with the angled lines and planes of the other nearby buildings.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

New York Sidewalk, Evening

New York Sidewalk, Evening
New York Sidewalk, Evening

New York Sidewalk, Evening. New York City. August 19, 2010. © Copyright 2014 G Dan Mitchell – all rights reserved.

A busy New York City sidewalk in dusk light

We are fortunate to be able to visit New York City from time to time — perhaps once a year and occasionally more often. To anyone who thinks of me a “that landscape photographer guy,” it might seem a bit odd that I also love the intense urban environment of such a place — but I do. Although it can become overwhelming eventually — as almost everyone says, “I love to visit, but I couldn’t live there.” — it is also energizing. There is so much to see and do, whether or not it involves photography.

I always photograph when I visit New York. I photograph in a different way than I do when I’m out in the American West. For example, I work with handheld cameras and tend to work while on the move. But I think that I also see the place at least a bit through the eyes of a landscape photographer, and I think of the city as a place to photograph the “urban landscape.” Although I’ve done night photography for more than a decade, recently I’ve gotten more interested in handheld urban night street photography. This photograph of a little evening street scene with pedestrians walking in and out of the light pools cast from business windows is one example.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

The Lake, Central Park

The Lake, Central Park
The Lake, Central Park

The Lake, Central Park. Manhattan, New York. August 14, 2010. © Copyright 2010 G Dan Mitchell – all rights reserved.

Summer boaters on The Lake, Central Park, Manhattan

After watching a friend take on the task of posting a continuous string of black and white photographs during the holiday season this year, I have posted more monochrome photographs than usual, with a number of them coming from a backlog of older work that sits in the raw file archives. This has provided a bit of a necessary nudge to go back and revisit some of those older photographs. I haven’t taken a very systematic approach to this nostalgic review of the older work, instead almost randomly dropping in on the files from different years and subjects. A recent look at some older Sierra Nevada photographs took me back to 2010, and it wasn’t a long trip from there to a collection of photographs from a summer 2010 visit to New York City.

I think that 2010 was the first time I visited New York City in August. New Yorkers are perhaps rolling their eyes, knowing all about August weather there, but I was innocent. Now I know. (And, strange as it seems, I actually chose to go back this past August! I’m starting to get used to it and to perhaps even embrace the heat and humidity.) The Central Park location of this photograph is probably fairly obvious — we wandered through portions of the park and ended up near The Lake, where park visitors rowed slowly and serenely within sight of Manhattan’s urban buildings.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dissipating Structures

Dissipating Structures
Dissipating Structures

Dissipating Structures. Chicago, Illinois. August 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Distorted reflections of a crane and Chicago buildings

Every so often I wonder about architects. For the most part we think of them — or at least I do — as folks who are as much about logic and structure as they are about design and form, and when they are about design they don’t usually seem to be particularly whimsical. (With notable exceptions.) Whimsical doesn’t fit the image or the expectations of the typical big business clients who might commission such towers as those found in an urban center like Chicago — these see like people who are more interested in cultivating an image of stability and wealth and power.

But then I look at the window reflections that are the inevitable result of placing plexiglas covered buildings in close proximity to one another and I have to wonder. Are these folk aware of the almost hallucinogenic shapes and forms that appear on the sides of these buildings? In fact, how many people on the streets are away of the abstract and bizarre visual show that is often going on overhead? Here, against the clean and mathematically perfect face of this building, neatly divided into equal grids of alternating shades of blue, appear bizarre visual monstrosities. A red construction crane warps upwards and leans precariously to the right as its upper elements simply fall apart into twists and curlicues. Sections of the reflected buildings are alternately minimized and expanded to gross degrees, and if you look closely at the resulting patterns you might find anything from aerial fish to faces to whatever else you want to imagine.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.