On a typical winter morning where migratory birds hang out, the cycle of early photography often follows a familiar arc. I arrive in near-darkness and start photographing right away, especially when the birds are very active. Rather than being selective about where and when… I follow the patterns that the birds present. If cranes are taking off from a pond, I go there. If a huge flock of geese is flying out, I photograph that. Despite arriving with a plan, these first moments are often about improvising with the conditions I find.
Then, around sunrise or just afterwards, things may slow down a bit. A bit more strategizing may be effective, and I take stock of the light and atmosphere, the locations of birds before figuring out what I’ll do next and where I’ll do it. On this morning I settled on near a large group of sandhill cranes that was still hanging out in and around a shallow pond. I stopped and waited, expecting that they would soon become restless and begin to fly out, a few birds at a time. And, indeed, that is what happened.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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