After sharing a lot of color photographs from Death Valley (along with one or two in monochrome), this one seemed to work best in black and white. It might seem counterintuitive to those who associate black and white with old-school “realism,” but monochrome often allows and even demands greater levels of “manipulation” than color and is even further removed from that illusive concept of realism. (Hint: The world is not monochromatic!)
Working in monochrome allowed me to produce a high key version of the subject, a layering of dune lines and curves leading toward the highest peak. Overall the image is rather light, but I was able to emphasize some of the darker textures, too. (Because the image is light, gray can almost imply black.)
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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