You may have noticed that I photograph a lot of stuff like this, especially for someone who gets categorized as a “landscape photographer.” There’s a lot to say about that, but I’ll save it for the second paragraph. (Those who follow me on social media will have to click through.) This beautifully painted roll-up door and facade are on a small shop along a business street in Sevilla, Spain. That harsh light is seems fairly typical there at this time of day.
So, why does a “landscape photographer” photograph all of this city stuff? A full answer is longer than a paragraph, but here are a few thoughts. For one, like many photographers I am fascinated by the basic “material” of photographs — the textures, colors, shapes, form, composition, light, and so on. And these things are present everywhere, including in cities. I also do not limit my concept of “landscape” to the natural world. As such, these are “urban landscapes.” I’m also fascinated by what these scenes tell us about the people and cultures with which they are associated. To keep it simple enough for this paragraph, they illustrate both similarities among and difference between cultures.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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