All posts by G Dan Mitchell

G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.

Halal Cart

Halal Cart
Sidewalk Halal food cart, New York City

Halal Cart. Brooklyn, New York. December 21. 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Sidewalk Halal food cart, New York City

This is another photograph that I have had sitting on my computer desktop for months, since shortly after we returned from New York on the last days of 2015. There probably isn’t a whole lot to say about this photograph. (Or is there?) These food carts are everywhere in New York, day and night. And I hear that they are soon coming to the San Francisco Bay Area, too. It must have been a slow day for the vendor, since he seems to have plenty of time to sit at the front of the cart and watch the world go by.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Desert Canyon Hiking

Desert Canyon Hiking
Hiking down a narrow desert slot canyon

Desert Canyon Hiking. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Hiking down a narrow desert slot canyon

We (Patty and I) spent some good time in Death Valley earlier this spring, hiking and photographing in many interesting places in Death Valley. This trip brought some, uh, “special” weather on almost every day: huge dust storms, strong winds, rain, you name it. On a couple of days we escaped into narrow desert canyons, where the steep walls cut off most of the wind and produce the stillness and quiet that are so special in these places.

The hike into this canyon began along the upper edge of one of the giant alluvial fans that spread out into the valley from the lower ends of almost all canyons at the base of the desert mountain ranges. We hiked across to a wash, dropped in, and headed up into the canyon, replacing the expansive views of the giant valley with the constrained and intimate views of the interior of the canyon. In a few spots this canyon became quite narrow — never close to a squeeze, but narrow enough that we could not see beyond the next bend.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Pinnacles, Searles Valley

Pinnacles, Searles Valley
Trona Pinnacles, Searles Valley, Desert Mountains

Pinnacles, Seamless Valley. Near Trona, California. March 27, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Trona Pinnacles, Searles Valley, Desert Mountains

These remarkable pinnacles stand just off to the side of a route I often use to get to Death Valley National Park, and that’s where I was reading on this day back in March. The pinnacles are just outside of their namesake town of Trona, a rather isolated and seemingly decaying old town whose main business seems to be extracting minerals from the playa holding Searles Lake. A drive through the town reveals that it is still alive, but that it is suffering the malady of so many isolated desert towns depending on extraction industries, namely an eventual decline. There are many buildings that have clearly just been abandoned.

The pinnacles are visible a few miles away from Trona, out in the valley just south of the lack. They appear as a long row of huge, tooth-like formations. I understand that they are ancient tufa formations, related to but much larger than the similar formations in some other well-known California locations. I have been contemplating photographing them for years, and from time to time I stop and drive out there. The main challenge has always been the lighting, and every time I’ve been there the light has been the stark, clear sky light of desert day, which is not always conducive to photography. This time that light was softened a bit but a few high clouds and some haze, and as we explored the pinnacles I saw this juxtaposition of near and far towers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Bluffs and Morning Fog

Bluffs and Morning Fog
Coastal bluffs lead away into the fog along California’s rugged Pacific Ocean coast

Bluffs and Morning Fog. Big Sur Coast, California. May 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Coastal bluffs lead away into the fog along California’s rugged Pacific Ocean coast

I am still astonished by how widely variable the appearance of a single scene can be along this Big Sur coastline. On a winter day this area could be raked by monumentally powerful Pacific storms, raising winds and surf. On a quite summer evening it could be warm and peaceful with sunset light bathing the cliffs. On another summer evening everything could be socked in completely by thick fog.

On this spring morning the light coming over the ridges of the coastal mountains was still casting shadows along the shoreline, while the tops of the bluffs were in sunshine. Oddly, on a morning that began clear, fog was beginning to form down low, hugging the coast just above the water. Despite the bright morning sun, along these bluffs the principle color was blue — the blue shades of ocean water and the subtler blue of haze and fog and shaded rock, with the landscape and water eventually disappearing into the distance, muted by the fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.