Category Archives: Photographs: Architecture

Photographs: Architecture, Photographs: San Francisco, Photographs: Structures and Objects

Turret Bridge, SFMoMA

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Turret Bridge, SFMoMA
The bridge across the turret atrium at the San Francisco Museum of Modern Art

Turret Bridge, SFMoMA. San Francisco, California. January 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The bridge across the turret atrium at the San Francisco Museum of Modern Art

The San Francisco Museum of Modern Art (SFMoMA) is a fascinating architectural structure, in addition to being the home for a large collection of modern art, including that in the possession of the museum and addition work that travels there for exhibits. Since the recent remodel and expansion, the facility combines two components, the newer galleries and the shorter original building with its central open area. This atrium is the most prominent element of that space, extending from the ground floor to the iconic rounded skylight feature.

A pedestrian bridge crosses the upper reaches of the atrium. Its semi-transparent floor provides a bit of excitement — or terror! — for visitors who have the courage to look straight down. I’m fascinated by visual elements of the bridge and the space it inhabits, with light spilling down into the atrium’s well from that round skylight to flow over and around the curves and angles of the structure.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: Southern California, Photographs: Urban/Street

Door, Steps, and Window

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Door, Steps, and Window
The front of an urban Pasadena building at twilight

Door, Steps, and Window. Pasadena, California. January 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The front of an urban Pasadena building at twilight

Here I’ll interject an “urban landscape” into the stream of mostly natural landscape photographs that I’ve recently posted. This photograph comes from a visit to Southern California, mostly in the Pasadena area, just after the New Year’s Day Holiday. We were there for a family event, but there were plenty of opportunities to do street and similar kinds of photography in the characteristic Southern California environment.

We had been out walking in the afternoon, and as evening came on it was that time that is so magical for handheld street photography, the time just after sunset when there is still ambient light as artificial lights start to come on and take over the landscape. We continued to wander, taking a big look back into central Pasadena and past some residential areas where I found this little vignette.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Night, Photographs: Southern California, Photographs: Urban/Street

Apartments, Driveway, Dusk

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Apartments, Driveway, Dusk
“Apartments, Driveway, Dusk” — Security lights illuminate the driveway of an urban apartment complex, Pasadena

Landscape photographers are well away of the qualities of light during the short period leading up to sunset, and with the rapidity of the changes to that light. But something similar happens for photographers of the “urban landscape,” as well, though it tends to be most pronounced immediately after sunset rather than just before. There is a short period of perhaps a half hour or less when the ambient natural light is somewhat in balance with artificial light. During this period the natural light has diminished to the point that things appear more like night than day, but there is still enough natural light around to fill shadows and illuminate areas that are not covered by artificial light. (A bit later and the artificial lighting is virtually the only light source in most cases, and the range between light and shadow can be quite large.)

It was close to the beginning of such a time when I made this photograph of a parking lot and group of apartment buildings while walking around in Pasadena during the first week of the new year. A bit earlier and the lights either would not have been on or would not have been visible. A bit later and the foreground shadows would be completely black. It is a bit difficult to say precisely what attracted me to this scene — perhaps the bit of light spilling around the corner of the wall at left, perhaps the lovely yellowing light on the garage doors, maybe the geometry of the buildings… or perhaps the sum of all these things and more.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Architecture, Photographs: San Francisco, Photographs: Structures and Objects

Detail, Atrium

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Detail, Atrium
Architectural details of atrium of the San Francisco Museum of Modern Art

Detail, Atrium. San Francisco, California. January 3, 2016. © Copyright 2017 G Dan Mitchell – all rights reserved.

Architectural details of atrium of the San Francisco Museum of Modern Art

When I visit museums I often photograph them. I don’t usually photograph the displays, but I do photograph the architecture, people, and sometimes the structural abstractions I can locate. The San Francisco Museum of Modern Art is a favorite museum — for its collection, its temporary installations (Right now go see William Kentridge’s “The Refusal of Time!”)

The museum was recently remodeled and expanded, with a new wing added to the original structure. The original centerpiece of the interior architecture was the atrium, a tall central open space topped by a “turret gallery” with a catwalk. The atrium remains following the remodel, and the light in this space is often spectacular, ranging from shade to bright sunshine. During this visit the light was softened by rainy conditions outside, and the colors ranged from the warmth of electrical lighting to the cool blues of the cloud-muted light coming in through the windows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.