Category Archives: Photographs: Desert

Creosote Bushes, Dunes At First Light

Creosote Bushes, Dunes At First Light
First light on sand dunes and a pair of creosote bushes, Death Valley

Creosote Bushes, Dunes At First Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

First light on sand dunes and a pair of creosote bushes, Death Valley

I made this photograph during that short, beautiful period when the day’s first light arrives in the desert. I had spotted these clumps of creosote plant earlier, when the light was still pre-dawn blue. I made a few photographs at that point which, of course, have an entirely different feeling than this one. I think I had begun to move on to another subject when I decided to instead stick with this one as the sun rose behind distant mountains. The first light struck the top of dunes to my left (not visible in this photograph), and as the angle of the light increased with the rising sun it began to sweep across nearer dunes beyond the plants.

The color contrasts here are, I think, quite something, even with the overall soft quality of the scene and the light. That one band of dune just beyond the plants is very colorful in the early direct light. Beyond the sun is just beginning to strike a few other dunes. In the far distance the hills and washes at the east side of Death Valley are still in the blue morning twilight shadows. The creosote plants are still in shade — but not for long — and silhouetted against the more colorful den.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Toward the Valley

Toward the Valley
Reflected light in a twisting desert canyon as it approaches Death Valley

Toward the Valley. © Copyright 2018 G Dan Mitchell – all rights reserved.

Reflected light in a twisting desert canyon as it approaches Death Valley

To walk into a canyon like this one from a huge valley such as Death Valley is to walk from an overwhelming, immense space into a smaller, more intimate place. In the canyons distances are often measured in feet rather than miles, and long distance views are most often cut off entirely. This is especially true when entering such canyons where the route often begins in a wide wash above the Valley, then constrict through the mouth of the canyon, and soon begins to wind back and forth in a serpentine manner between hills or cliffs.

The trip back out often seems to have a different feeling. It usually takes less time, partly due to the downhill slope and even more because one is now retracing familiar terrain rather than discovering it for the first time. In many cases, the closer one gets to the outlet of the canyon the more that signs of the valley below appear. The canyon walls become shorter, and views over the nearer walls being to reveal blue sky and distant mountains instead of more canyon walls. Before long the light changes and the route leaves the canyon confines and is again back in the huge, open space.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Hiker, Natural Bridge Canyon

Hiker, Natural Bridge Canyon
Hiker passes beneath a thick natural bridge spanning a narrow Death Valley canyon

Hiker, Natural Bridge Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

Hiker passes beneath a thick natural bridge spanning a narrow Death Valley canyon

With the exception of a couple of very accessible and popular canyons, many Death Valley Canyons are not visited all that much. Even canyons that are a short distance from major iconic locations and roads are often uncrowded. Canyons that are more remote can be wonderfully lonely places, locations to find the solitude that the desert supplies in such abundance. They are magical places though, to be honest, if you have experienced the red rock sandstone canyons of the Southwest, many of the canyons of Death Valley are more subtle. The canyons are also an undeniable reminder of the tremendous role of water in forming this landscape, odd as that may seem in what is now a desert.

While many Death Valley sights are arguably at their best during or near the golden hour period around dawn and sunset, the canyons can be good a bit later in the morning and earlier in the afternoon. In fact, too close to the sunset/sunrise times and the canyons can be quite dark — perhaps too dark for most photography. But when the sun is a bit higher in the sky the light can strike upper canyon walls and bounce and diffuse down into canyon depths. This light can be soft, gentle, and take on the colors of the canyon rocks. You can see some of that light on the massive bridge that crosses this canyon, and if you look closely you may see a small hiker providing a sense of scale.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

St. Madeleine Church, Trona

St. Madeleine Church, Trona
The stark architecture of St. Madeleine Sophie Barat Catholic Church, Trona, California.

St. Madeleine Church, Trona. © Copyright 2018 G Dan Mitchell – all rights reserved.

The stark architecture of St. Madeleine Sophie Barat Catholic Church, Trona, California.

I have a bit of history with the California town of Trona, but it has mostly been superficial. I may need to consider changing that. The town is in the far reaches of San Bernardino County, in the desert region between Ridgecrest, California and Death Valley National Park. The entire reason I even know of the place is that it is on the route that I almost always follow into the park. The town has roots that go back to the 1800s, and it seems to be supported almost entirely by the mining/extraction operations that go on there. To this outside, Trona has that utilitarian, dusty, sad, potential ghost town look of so many remote Western towns. I’m sure that some of that impression is the result of my own ignorance, but still…

I’ve passed through Trona annually for about two decades. However I rarely stop, mostly because Trona is either the last step on a very long drive to Death Valley (and I just want to get to DEVA and get to work without delay) or the first step on the long drive home (and I feel little need to stop yet). There isn’t much there for travelers — a drive-in, a restaurant on a side street, a market, a gas station or two. However, with each visit the feeling grows that there is something worth looking at and photographing here, especially in an increasingly urbanized age where fewer people have any experience with such places. So this time, on the way out of the park, we paused briefly and drove around just a bit. I noticed things that I have missed before. (For example, not all of the homes here are abandoned or unloved.) Our final stop before moving on was the parking area next to the St. Madeleine Church. In fact, this was one of the features that first suggested photography here to me some years ago, even though I had not previously stopped. It is a remarkable building, and its brutalist concrete construction and unadorned square shape somehow seem appropriate in this stark desert landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.