Category Archives: Photographs: Fall

Photographs of fall color

Eastern Sierra Sunrise, Autumn

Eastern Sierra Sunrise, Autumn
First light on rugged, snow-dusted ridges above aspen-covered Parker Bench

Eastern Sierra Sunrise, Autumn. Eastern Sierra Nevada, California. October 11, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

First light on rugged, snow-dusted ridges above aspen-covered Parker Bench

This is a special place, high along the eastern escarpment of the Sierra Nevada and open to the first dawn light from the east. It is also just far enough off the beaten track and difficult enough to access that it is usually not very crowded. (Don’t worry if you can’t get to it, there are thousands of other places where you can have a similar experience in the eastern Sierra.) We recently got up early enough to drive here and arrive well before sun rise. To this day, despite seeing many sunrises, I still often am surprised at how quickly the light comes and how silently. Living in a culture in which every spectacular thing, or thing that we are supposed to regard as being spectacular, is pumped up with loud music and lots of action, the sunrise comes often comes in complete silence and with little warning — you look up and notice that the light has already struck some small element of the scene, and soon you discover it moving across the landscape and quietly lighting more and more bits and pieces. I made this photograph when this first light had hit the rugged upper slopes above this aspen-covered bench, but before it had worked its way down to the trees.

This photograph also illustrates something I finally figured out about this strange eastern Sierra fall of 2015. This year the season began oddly, with very early first color in many places. In addition, many groves simply did not have leaves — either they lost them so early that I never saw them or perhaps they did not put out leaves this year. In other groves the leaves went almost straight “from green to gone,” with little or not brilliant color phase. Where this happened, I think it was the result of the four-year drought creating tremendous stress on the trees. At the same time, other climate factors thought by some to be associated with the drought also had the effect of delaying the color change of trees that were not as stressed by the shortage of water. Instead, these trees are changing later, likely due to overall warming temperatures. So far, this has been a season not quite like any other I’ve experienced. In this photograph you can spot examples of almost all of these conditions — completely bare groves, groves that have turned and already dropped leaves, some that are going straight from green to having no leaves, and even some trees that are still very green.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Basalt Columns, Lichen, Autumn Plants

Basalt Columns, Lichen, Autumn Plants
Autumn plants and lichen lend color to basalt columns, Devils Postpile National Monument

Basalt Columns, Lichen, Autumn Plants. Devils Postpile National Monument, California. October 9, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Autumn plants and lichen lend color to basalt columns, Devils Postpile National Monument

Quite honestly, this photograph was at least partially the product of laziness! We were recently in the eastern Sierra Nevada for a few (more) days of autumn color photography. We had driven up late the previous day, and by the time we got settled in to our lodgings the idea of getting up again at “oh-dark-thirty” to head out and make dawn photographs was not appealing. Rather than overtly cop out, we sort of agreed to maybe not set alarms and instead just sort of see when we might wake up. Needless to say, on the morning after a very long drive that ended late at night… we did not get up at the crack of dawn! In fact, we wandered out for breakfast at perhaps 7:30 or so, and only then returned to our room to get ready for photography.

With no prior planning at all, we made  a more or less spontaneous decision to visit Devils Postpile National Monument, which was convenient to our lodgings at Mammoth Lakes. I’ve been in that area many times, but always in conjunction with backpacking trips, and most of those simply headed out from Agnew Meadow. We finally got down there in the middle of the morning. It turns out that this is actually a very good time to photograph this geological structure, as the sun is behind it, producing beautiful soft shaded light on the details of the basalt columns. To make a series of photographs from which this image comes, I used a very long lens, which allowed me to isolate and compose photographs out of small areas of the much larger wall of basalt columns. (Update — December 2015: Patty Emerson Mitchell reminds me that I almost left my camera in the car on this morning, claiming that I was really just there to let her see this location!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Round Valley, Autumn Snow

Round Valley, Autumn Snow
Sun shines on autumn-dry pastures and cottonwood trees in Round Valley as early autumn snow falls on Mount Tom

Round Valley, Autumn Snow. Eastern Sierra Nevada, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Sun shines on autumn-dry pastures and cottonwood trees in Round Valley as early autumn snow falls on Mount Tom

After a few early October days and nights photographing fall subjects in Bishop Canyon, on my final morning in camp I woke up to temperatures in the middle thirties and snow pellets, with the surround peaking shrouded in clouds that occasionally parted to reveal new snowfall. I got up, headed out to make a few photographs, and worked for a couple of hours before the storm arrived in earnest, with rain and snow up higher. At this point, photography was becoming a less attractive and even possible project, so it was time to bail out and start my long drive home. I stopped in the town of Bishop long enough to get coffee and breakfast, and then I was off on what would be a rather long drive home — multiple trans-Sierra passes having been closed by the storm.

My plan was to move along efficiently and not stop too much, but nature had other ideas. I had hardly gone ten miles before I looked to my left and saw these beautiful cottonwood trees in the middle of golden-brown pastures, with a huge storm brewing over the flanks of Mount Tom and the rest of the Sierra. I pulled over and found a high spot and waited for the right conditions of light and clouds — enough clearing to make out the shape of the mountain with its crown of newly fallen snow plus some light on the pasture and the trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aspen Forest and Hills

Aspen Forest and Hills
Ranks of autumn aspen trees ascend the slopes of the Eastern Sierra toward the crest in afternoon light

Aspen Forest and Hills. Sierra Nevada, California. October 2, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Ranks of autumn aspen trees ascend the slopes of the Eastern Sierra toward the crest in afternoon light

This is a photograph of brilliantly colorful eastern Sierra fall foliage… in black and white. Because I can! The location is along US 395 as it passes along the eastern escarpment of the range, and in this spot the hills are terraced upward toward the Sierra crest, high above and out of sight in this photograph. Aspens grow in abundance on these lower slopes, interspersed with grasslands, and leading to more aspens up higher and eventually to conifer forests.

I like to photograph in this area in the late afternoon, when low angle sun light comes streaming over the top of the mountains and backlights the trees and accentuates the effect of haze. While the close trees probably first got my attention, it was the little row of trees in the far distance, seen near the upper margin of the photograph, that eventually intrigued me the most. Why black and white? To be honest, one reason that I thought of this at the time I made the exposure was that, frankly, the colors were not yet at their peak. As I though about that it became clear to me that this photograph was not so much about fall color as it was about fall atmosphere — that softening and warming of the light, the gentle haze that mutes the details of more distant subjects. And I thought of this as just a little bit of a personal challenge. Frankly, it is probably easier to make a photograph in color that says “autumn.” But I know that black and white photographers have been able to accomplish the same thing, and I thought it would be interesting to give it a try myself.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.