Category Archives: Photographs: People In Landscape

Three Photographers, Dunes And Mountains

Three Photographers, Dunes And Mountains
Three photographers working the morning light atop a sand dune ridge, with desert mountains byond.

Three Photographers, Dunes And Mountains. © Copyright 2019 G Dan Mitchell – all rights reserved.

Three photographers working the morning light atop a sand dune ridge, with desert mountains byond.

Five of us went out together to photograph in the dunes on this morning. It was only after I arrived in Death Valley that I discovered that a group of photographers and friends was down from the Yosemite area and camped nearby. We made a loose plan to meet up the next morning before sunrise and head out into the darkness early enough to be well into the dunes before the first good light arrived.

We made it out there and went to work, photographing in the predawn light, then as the sun came up, and continuing until the light began to lose its early hour magic. One fun thing about photographing with other photographers is that when things slow down a bit… we sometimes make photographs of one another! A side benefit of this is that almost all of us have in our collections photographs of some pretty interesting and talented people, and a second benefit is that sometimes they share photographs they made of us. Here my three friends are set up on the spine of a dune, working the early morning light against a backdrop of tall desert mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Road And Fence, Carrizo Plain

Road And Fence, Carrizo Plain
A gravel road passes through a barbed wire fence, Carrizo Plain National Monument

Road And Fence, Carrizo Plain. © Copyright 2019 G Dan Mitchell – all rights reserved.

A gravel road passes through a barbed wire fence, Carrizo Plain National Monument.

My inclination is to approach photography in locations like the Carrizo Plain as photography of the “natural landscape.” However, the story is a bit more complicated here and, to be honest, in quite a few places in the areas of the American West where I photograph. I’m hard pressed to think of a place I’ve visited where the “hand of man” was not present in some way. In many places this influence is not obvious. For example, in parts of the Sierra backcountry I can entertain the illusion that I’m the only visitor. But in many places around the periphery of these wildernesses and in many other locations it is clear that such an illusion is hard to maintain.

In the Carrizo this is very clear, even though there is plenty of nature to see there. We could start with the obvious fact that access is by roadways that are, even at their worst, pretty decent. More obviously, this is a place where cattle are raised and, no doubt, have been for a long time. I drove out onto the plain at this spot to see vast fields of yellow and purple wildflowers and to find a long view of surrounding mountains. When I arrived I found a pair of the ubiquitous water tanks (this time nearly destroyed), and old windmill, a few other structures, and this barbed wire fencing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Two Hikers, Titus Canyon

Two Hikers, Titus Canyon
Two hikers descending the narrows of Titus Canyon

Two Hikers, Titus Canyon. © Copyright 2019 G Dan Mitchell – all rights reserved.

Two hikers descending the narrows of Titus Canyon.

Earlier this month I visited Death Valley National Park for a few days. I go there and photograph at least once each year — I’ve been visiting for a couple of decades and photographing the place seriously for about fifteen years. I often point out that there are few places where the effects of water are more obvious than in this unlikely location. Almost all features of the park are formed or sculpted by water, and these effects are very visible in the early bare desert landscape. I arrived only a day after extremely heavy rains, and the evidence was everywhere — flooded sections of roadway, wet and muddy washes, dunes that were still damp, large shallow lakes on playas.

Many park roads were closes, including the long dirt road through Titus Canyon. The road starts high in Amargosa Canyon, crosses the mountains, descends toward the Valley, and near the end passes through a section of very narrow canyon. Normally there is enough traffic there to interrupt the reverie of hikers, but the road was closed to vehicle traffic and we (some members of my family) and I enjoyed a long and quiet hike up the canyon. Here two hikers (my sister and her husband) are descending though one of the deeper and narrower sections of the canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Water Tanks, Mountains and Plain

Water Tanks, Mountains and Plain
Two abandoned water tanks at Carrizo Plain National Monument in spring

Water Tanks, Mountains and Plain. © Copyright 2019 G Dan Mitchell – all rights reserved.

Two abandoned water tanks at Carrizo Plain National Monument in spring.

These old and apparently abandoned water tanks sit over a small seasonal stream a good distance up above the floor of the Carrizo Plain. You would think that the purpose of the tanks would be obvious, but I’m not so sure. I did a bit of (less-than-diligent) research to try to discover their purpose, but what little I came up with seemed to have less of the character of being based on primary sources and more than of something reportedly heard by someone who was told something by someone who thought they remembered that… You get the picture. I can think of two possibilities. As some sources report, they could have been built to ensure a year-round water supply for cattle operations. It also seems possible that they could have been connected to resource extraction operations, such as those at Soda Lake.

The presence of the tanks is a reminder that this landscape (like most landscapes, to be honest) has a strong human element — it isn’t exactly wilderness! When people visit the Carrizo today they most likely come to see the natural phenomenon of the springtime wildflowers. But the place has been shaped by oil exploration and (nearby) extraction, cattle ranching, “mining” of various sorts, and more. All of that aside, the backdrop for these remnant structures, especially on a spring day when rain showers alternated with sunshine, is an immense and spectacular landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.