Category Archives: Photographs: People

Cellist Louella Hasbun

Cellist Louella Hasbun
Cellist Louella Hasbun

Cellist Louella Hasbun. San Jose, California. May 17, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Cellist Louella Hasbun practices backstage during intermission at a performance of the Symphony Silicon Valley

I’m going to make this partial a story about photography and partially a story about musicians—but first some quick background. I have been an “embedded photographer” with two classical music performing groups since the fall of 2012 while working on a project that will continue through the fall of 2014. The nature of the project is a bit of a long story, so I won’t go into the details here, except to say that I am fortunate to have what must be nearly unprecedented access to the world of these wonderful artists. I like to think that the lengthy time I have had to work with them has let me develop a special affinity for them and what they do, and I think that it has also allowed them to come to trust me and what I’m going as I photograph them. There are few endeavors that regularly exhibit the same level of physical, mental, and aesthetic focus and energy as music. There is a raw power in watching this when scores of performers work together in an orchestral performance, but there is also a very special power in the intense inward focus on individual performers, too.

As I have worked with the orchestras I have learned a lot of practical things about how to photograph them. Some are simple and mundane—such as what equipment works well for my approach. Others are a bit more complicated to explain—such as how to anticipate and capture momentary expressions that come and go so fast that they are perhaps not seen by those who don’t know to look for them, or how to photograph musicians in moments of peak engagement, or how to use stage and backstage lighting to best advantage, or how to see a short-lived moment and quickly make a photograph in poor light and without intruding on that moment. This photograph perhaps illustrates the last two of those points. Over time I have learned to look for what I think of as “pools of light” in the backstage environment. Much of this environment is quite badly lit, both in terms of the levels and the quality of the light. But there are a few spots that I have found where a small area may fall under a work light or similar. I watch these areas intently, and any time someone “lands” in one of them I watch to see if a photograph develops. For a moment, this cellist sat in one of those “pools of light” and, focusing inwardly, practiced intently for a few moments. It is almost like photographing wildlife, and I had just an instant to find a composition and make a few exposures before the moment was over.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Family Portrait

Family Portrait
Family Portrait

Family Portrait. New York City. December 28, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Brandon, Jameson, Lia – Central Park

A “snap” of family in Central Park, New York City from last December, when we spent a week visiting relatives and wandering around New York City. This photograph was on a cold winter day when we joined throngs of New Yorkers (and, like us, temporary New Yorkers) in the park.

I was shooting mostly in a manner that is much different from the way I might shoot landscape. Using a very small handheld camera and (mostly) a single prime lens, I shot while moving from place to place. Especially in the case of photographs of people, I did not always necessarily try for perfect camera stability—and the resulting motion blur somehow can seem consistent with the experience of the place. This photograph was grabbed very quickly, as we emerged from an underground walkway into the edge of the outside light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Conductor Guillermo Figueroa

Conductor Guillermo Figueroa
Conductor Guillermo Figueroa

Conductor Guillermo Figueroa. San Jose, California. January 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Conductor Guillermo Figueroa directing a rehearsal of the Symphony Silicon Valley

This is one of the photographs from my three-year project photographing professional classical musicians. As part of the project, which is now in its second year, I have been “embedded” with the Symphony Silicon Valley (the descendent of the former San Jose Symphony). Most of my photography has been during rehearsals, when I can work fairly freely backstage, photographing musicians in ways that they are not usually seen. Most people have a limited familiarity with classical musicians, mostly seeing them from a distance in performances when they are formally attired. One of the goals of the project is to show aspects of their lives and work that are not seen as often – the rehearsals, what goes on backstage, even what they do between rehearsals and concerts.

There is a lot of photograph in this world! I’m fortunate not only to have the cooperation of this wonderful group of musicians (thanks SSV people!) but to be personally very familiar with this world. My training is in the field of music. At one time I played professionally, and at another point I worked as an orchestra stage manager. So I have developed some sensitivity to music and musicians that might be difficult for other photographers to achieve. Many interesting things happen so quickly that you might not even see them if you did not know to look. The work of the conductor is but one example. From instant to instant the conductor’s facial expression changes, sometimes radically, to both respond to and anticipate changes in the music. The position and motion of the hands and, for that matter, the whole body, conveys important but fleeting cues to musicians. I studied conducting a bit at one time, but I think I have learned more about it in the past two years by closely watching and becoming aware of the visual elements of the conductor’s work. Layered on top of that is the basic photographic need to be constantly aware of light, both in the technical and expressive sense, and how to place the subject in a context that “works” visually. This is a very different sort of work that photographing landscapes, but it is equally challenging and rewarding!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Two People, Railing, Walls

Two People, Railing, Walls
Two People, Railing, Walls

Two People, Railing, Walls. New York City. December 29, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Two figures seen through a gap in walls at the top of a stairway.

There is probably not too much to say about this photograph, though I could probably say a lot about it if I got started. During a rainy day visit to a New York City museum, I saw the gap between walls at the top of this stairway and the effects on color and luminosity of the various different sources of reflected light in this space. I lined up with the scene to leave a slender gap between the corners of two walls so that people passing by in the hallway would momentarily show up in this gap. I tried a variety of focus points – on the people, on the edges of the walls, on the railings… but in the end I liked the version that doesn’t really focus on anything specific.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.