Wendell Rider, French Horn

Wendell Rider, French Horn
Wendell Rider, French Horn

Wendell Rider, French Horn. San Jose, California. May 17, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Wendell Rider, French Horn, performing with Symphony Silicon Valley

Today, another photograph of musicians. Anyone seeing a theme here yet?;-) This is a recent photograph from my three-year project photographic classical musicians. I virtually always work in low light, backstage, and during rehearsals and concerts. While working to be discreet, I often photograph through gaps in the orchestra shell, between music stands and instruments, and in very dark backstage areas.

Over time I have found some ways to accomplish this often challenging photography. I use long lenses to isolate subjects against a blurred version of the often complex backgrounds of the orchestra environment. I look for juxtapositions of performers, instruments, and perhaps other on-stage objects. I almost always shoot wide open, allowing backgrounds to blur. And much of the shooting is work of opportunity—I see a momentary opportunity and then I work quickly to capture it. Here I found that I had a decent view of the French horn section through a gap in the orchestra shell wall. A long lens allowed by to isolate the main subject and a large aperture threw the background out of focus.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cymbals

Cymbals
Cymbals

Cymbals. San Jose, California. May 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Cymbals on a rack, ready for use at a Symphony Silicon Valley rehearsal

The percussion section of a classical symphony orchestra, especially when somewhat modern music is performed, can be a rich source of photographable objects, shapes, colors, texture, and reflections. Between pieces, or during breaks, I get to stalk the stage and have free rein to wander around that find and photograph these interesting objects.

The subject here is pretty straightforward. When not being played, cymbals are kept safely (and quietly!) stashed on covered tables or in holders. Here a line-up of multiple cymbals was in racks, waiting to be picked up and played.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cellist Louella Hasbun

Cellist Louella Hasbun
Cellist Louella Hasbun

Cellist Louella Hasbun. San Jose, California. May 17, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Cellist Louella Hasbun practices backstage during intermission at a performance of the Symphony Silicon Valley

I’m going to make this partial a story about photography and partially a story about musicians—but first some quick background. I have been an “embedded photographer” with two classical music performing groups since the fall of 2012 while working on a project that will continue through the fall of 2014. The nature of the project is a bit of a long story, so I won’t go into the details here, except to say that I am fortunate to have what must be nearly unprecedented access to the world of these wonderful artists. I like to think that the lengthy time I have had to work with them has let me develop a special affinity for them and what they do, and I think that it has also allowed them to come to trust me and what I’m going as I photograph them. There are few endeavors that regularly exhibit the same level of physical, mental, and aesthetic focus and energy as music. There is a raw power in watching this when scores of performers work together in an orchestral performance, but there is also a very special power in the intense inward focus on individual performers, too.

As I have worked with the orchestras I have learned a lot of practical things about how to photograph them. Some are simple and mundane—such as what equipment works well for my approach. Others are a bit more complicated to explain—such as how to anticipate and capture momentary expressions that come and go so fast that they are perhaps not seen by those who don’t know to look for them, or how to photograph musicians in moments of peak engagement, or how to use stage and backstage lighting to best advantage, or how to see a short-lived moment and quickly make a photograph in poor light and without intruding on that moment. This photograph perhaps illustrates the last two of those points. Over time I have learned to look for what I think of as “pools of light” in the backstage environment. Much of this environment is quite badly lit, both in terms of the levels and the quality of the light. But there are a few spots that I have found where a small area may fall under a work light or similar. I watch these areas intently, and any time someone “lands” in one of them I watch to see if a photograph develops. For a moment, this cellist sat in one of those “pools of light” and, focusing inwardly, practiced intently for a few moments. It is almost like photographing wildlife, and I had just an instant to find a composition and make a few exposures before the moment was over.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

White Faced Ibises, Clouds and Sky

White Faced Ibises, Clouds and Sky
White Faced Ibises, Clouds and Sky

White Faced Ibises, Clouds and Sky. San Joaquin Valley, California. April 3, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A flock of white-faced ibises is silhouetted against early spring evening sky above the San Joaquin Valley

I have what almost amounts to a tradition of making a weeklong visit to Death Valley near the end of March and beginning of April, that time of year when this desert landscape oscillates between winter and summer conditions and when the flowers bloom.. After a week or so in that austere landscape I am usually quite ready to see green and a greater density of living things. I’m also ready to get home! On a typical final day of the trip I do a bit of photography in the morning and then leave the park well before noon and start the long drive home. During the last few years I have made it my practice to leave early enough that I can just make it to one of my favorite San Joaquin Valley bird locations before the sun sets.

It has been a series of drought years in California and this was the worst one so far. When I drove do Death Valley things were still just as dry as we would expect in such a year. But while I was in the park a series of winter storms swept across the state—finally! I saw some rain and snow in DEVA, but by the time I got to the Central Valley is was clear from the puddles and ponds that a real storm had come through. I drove on up highway 99 and turned west toward my destination and found fields that were actually green. And on arriving at the wildlife refuge I was greeted by the smell of damp air and plants and the sounds of birds. What a contrast to Death Valley! Close to dusk we found a large flock of dark-colored birds in the shallow water nearby, and a closer inspection showed them to be white-faced ibises, settling in where the now departed geese would have distracted us from such quiet birds a few weeks or months earlier. As the evening wore on, large groups flew in, circled, and then descended to join the flock… including this group that passed in front of delicate dusk clouds and blue hour sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.