Photographs: Still Life, Photographs: Structures and Objects

Kitchen Tools #1

Image December 21, 2022 G Dan Mitchell Leave a comment

Indeed, I made more than one photograph in the kitchen this week. Will this be a new stylistic direction in my photography? Stay tuned and find out! Like yesterday’s photograph, this subject was on the kitchen counter. I needed something to test out a new camera with a macro lenses, no tiny bugs were handy, so here we are.

As I pondered these two kitchen photographs it stuck me that the patterns, especially with all of the soft blur in the images, reminded me of some close-up photograph s I have made of grasses and similar plants.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Still Life, Photographs: Structures and Objects, Photographs: Textures

Kitchen Tools #2

Image December 20, 2022 G Dan Mitchell Leave a comment

Close up photograph of kitchen implements.

When looking for subjects to test (otherwise know as “get to know”) a new camera or lens, it is amazing what things one can find to photograph! This week I’m trying to get up to speed on a new camera — more about that below — and how it works with some lenses I already have. On this evening I slapped a macro lens on the thing and headed to the kitchen to photograph… a whisk, blender blades, coffee cups, and others stuff that was lying around.

It is important to me to both understand objectively how my camera equipment functions and to develop an intuitive familiarity with it. The former helps me make smart decisions, and the latter is very important in the field, where I don’t want to get stuck wondering how the gear works. In this case, the new equipment is a Fujifilm X-T5 that I got to upgrade from the XPro2 that I’ve been using for my “small camera” photography for the past few years. For this photograph and a few others like it I put the Fujifilm 80mm macro on the camera.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Urban/Street

Pizza Jack’s No. 2

Image December 19, 2022 G Dan Mitchell Leave a comment

Perhaps there was once pizza at Pizza Jack’s No. 2, but it looks like those days are gone. Though the string of holiday lights along the roof seems sort of festive — perhaps left over from a previous year? The building is in an “interesting” area of town, one that exists between better neighborhoods in one direction and lots of urban redevelopment in the other. This area is one with a lot of potential, but also a lot of abandoned and run-down stuff that probably won’t be here much longer.

This may end up being an unusual example of a photograph that I’ll release in both color and monochrome versions. For obvious reasons, I was thinking “color!” when I made the photograph, but in post it became clear that it also works in monochrome, though with a rather different effect. There’s an old adage about going to black and white in photographs where the color doesn’t tell the story. Here, color does tell at least one important story, but darned if it doesn’t work without the color, too.

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Photographs: Nature, Photographs: Sierra Nevada

Eastern Escarpment

Image December 18, 2022 G Dan Mitchell Leave a comment

A section of the eastern escarpment of the Sierra Nevada.

This is another in a short series of photographs I made of a section of the eastern escarpment of the Sierra Nevada this fall. I had spent several day photographing aspen color — with a side trip up to the White Mountains to visit the bristlecone pine forest — and as I started home I noticed somewhat unusual conditions for midday that seemed like they might just work for photography. Specifically, there were high, thin clouds muting the harsh sun just a bit. So I wandered off the main route a bit and poked around looking for interesting views pack up toward the peaks.

This scene encompasses a range from the lowest hills right above the valley all the way to the peaks at the summit of the range. This particular cross section is a bit unusual, as it really includes hills and mountains from bottom to top — desert hills in the foreground and the alpine zone far above.