DUMBO Afternoon

DUMBO Afternoon
DUMBO Afternoon

DUMBO Afternoon. Brooklyn, New York. August 8, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

People along the waterfront, DUMBO, Brooklyn Bridge Park

I think I was vaguely aware at the time when I made this photograph that I was being affected by a painting that I had seen a few days earlier in Chicago. We traveled from California to New York City by train on this visit, and we stopped for a couple of days in Chicago — since we had to switch trains we figured that this gave us an excuse to visit that city a bit. Among other attractions, the Art Institute of Chicago is there, located in Millennium Park, which was just a short walk from where we were staying. There was a lot to see there, but one of the more famous pieces is Georges Seurat’s “A Sunday on La Grande Jatte,” so we had to go see it. I was already familiar with other paintings by Seurat and with this one by means of reproductions, but it is a very different experience to see such a thing in person. I have a habit (perhaps annoying to friends and family members!) of taking a lot of time with original work like this — I can never know when or if I’ll see it again, so I spend enough time going over it, somewhat methodically, that I can begin to see features that aren’t visible with a quicker look and I can also fix many elements of the thing in my mind so that I can recall them later.

As we walked along the Brooklyn waterfront a few days later and paused near the river taxi terminal, I began to look at the people who were busy walking, standing, and making photographs of themselves along the water from a sort of personal Seurat perspective. I waited for a group with an interesting set of clothing colors to arrange themselves in an interesting composition and perhaps create a sense that each of them, individually or in groups, might have a story: a woman stands alone, another looks toward other people, a man squats to make a photograph, a couple in purple and orange converse near the fence, two young women are exercising their dogs, a couple at the right (both of whom wear green) look out of the frame.

  • For those who many not know, “DUMBO” is the name of an area in Brooklyn — it is located Directly Under the Manhattan Bridge Overpass.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Walking Man With Child

Walking Man With Child
Walking Man With Child

Walking Man With Child. New York City. August 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A man carrying a child walks along a Manhattan street

Beyond the most general location — “Manhattan” — I’m not certain at the moment where I made this photograph, though there is a good chance that it was in Manhattan between roughly NYU and Grand Central Station. It seems, to me, to be emblematic of New York City in many ways, and the incongruity of an individual man carrying a child while walking through the area caught my attention. To be honest, the two of them were a lucky stroke. I”m pretty certain that I had first noticed that scene and thought to photograph it as a sort of urban landscape, but that as I was framing my shots the man and child happened to walk into the scene.

In retrospect, there now seems to me to be something almost poignant in the image of the man cradling the small child in his arms as he walks past and through what appears to be a very run down urban landscape. (The truth is probably a bit less dramatic, as you can find bits and pieces of real estate that look like this in many parts of the city, from what I’ve seen.) I think that it also helps that we is caught in a bit of soft but directed light reflected into the scene from surrounding buildings. I find the details of the graffiti and related stuff on the walls to be interesting, too. Of course, to the extent that I “saw” these things at the time, it had to be largely an instinctive matter, since there is rarely enough time to carefully consider all of these things when on the street and when the subject is walking into and out of the frame!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

The Selfie

The Selfie
The Selfie

The Selfie. New York City. August 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

On a Manhattan sidewalk, three girls dressed in black pose for a selfie as two men walk past.

Here comes another sequence of New York City street photographs, this time with several presented in a wide panoramic format. My most common format uses a 4:3 width:height ratio, but sometimes a photograph seems to work better with something else, and the 2:1 wide panoramic format can create a sense of horizontal space that I like in some photographs. When I made this one I was working very quickly — as you can imagine, this was not exactly a shot that provided me with much time for careful and cautious thought. At the time of exposure I think I might have leaned toward a black and white rendition, in traditional street photography format, but in the end I liked the blue colors of the men’s shirts and of the shaded concrete sidewalk.

I had spotted this group of three young women — girls, really — walking down the street together and having a great time and all wearing roughly similar black outfits. (One imagines them discussing this before meeting up — “I’m thinking of wearing black. How about you?”) There is usually a lot happening on the street, so my attention likely switched away from something else to consider them for only a brief moment, and when I looked back and saw them setting up for that most contemporary ritual, the selfie, I quickly made a few exposures. In an example of lucky timing, the two guys in blue shirts walked into the scene from behind me at just the right moment.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Favorite Time in the Range of Light (Morning Musings 8/31/14)

Thoughts about seasonal light in the Range of Light…

Sunset, Lower McCabe Lake, Shepherds Crest, and Virginia Canyon - Afternoon storm clouds clear from the sunset sky above Lower McCabe Lake, Shepherds Crest, and Virginia Canyon, Yosemite National Park.
Sunset, Lower McCabe Lake

It is no secret that I can find something to love about every season in the Sierra Nevada — the storms and snow of winter, the wildly flowing water and new growth of spring, and the lazy days of summer that bring easy access to the high country. But if I had to pick one perfect day in the Sierra high country it would be in fall.

This ideal day would come some time between the middle of September and the middle of October, when it becomes increasingly clear that summer really is ending and that winter really is on its way. This is not a wild season — no giant winter storms, no raging rivers and waterfalls, no spectacular growth and colorful fields of wildflowers. It is a quieter time. The crowds are almost all gone, and the people you do meet there are more likely to be those with a deeper relationship with this range.

The light is beautiful — perhaps as beautiful as it gets — and perhaps even more precious because it doesn’t last as long on these shortening days of the late season. The sun is lower in the sky and less intense, and there is often a muted, golden quality to the light, amplified by the golden colors of dry meadows, the beginning of fall colors, and softened by seasonal haze. And it is all the more sweet because we know that winter is just around the corner and that these days will end very soon.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.