Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Winter Geese, Morning

January 22, 2016 G Dan Mitchell Leave a comment

Thousands of migratory geese take to the air at dawn above San Joaquin Valley wetlands

Before dawn on New Year’s Day, when a group of friends, artists, and photographers arrived for our annual celebration of the literal dawn of a new year, this wildlife refuge area, a favorite of ours, was oddly quiet. More typically we exit our vehicles to the raucous sound of thousands of birds — geese, cranes, and more. But we heard almost no birds in the morning twilight. We split up and went off to find out where the birds were and several of us eventually ended up outside the refuge along the passing roadway, where there are some large ponds. At least there were some geese here.

We never know what we’ll find. It might be the most astonishing day of tens or thousands of birds in the air, in the fields, on the water, in and among trees. Or it might be quiet. Either will work — when the birds are more scarce we tend to turn to the landscape. These thoughts were going through my mind as we tried to photograph the small flock of geese on the pond outside the fence. But soon, and somewhat unexpectedly, large groups of Ross’s and/or snow geese began to arrive from the south, coming in above a row of winter-bare trees, circling a bit, and then landing on the pond, and at times filling the sky above the wetland landscape.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Lower Manhattan, Bridge Cables

January 21, 2016 G Dan Mitchell Leave a comment

Lower Manhattan as seen from the Brooklyn Bridge

In late December 2015 we spent a week in New York, staying in Brooklyn very close to the Bridge. For most of the week we mostly didn’t pay a lot of attention to this landmark, but near the end of our visit we had some time to kill one morning before meeting our sons in Manhattan, so we decided to take the famous walk out onto the bridge. It was a fairly cold morning, threatening rain, so the scene had a wintry appearance. That didn’t stop the crowds though, and we shared the bridge with lots of other walkers.

Photographing from the bridge I made a conscious decision to not make “that photograph” of the cables leading up to the towers. Instead I looked to subjects that included the cables and other elements of the bridge structure either as the primary subject or as part of the setting for other subjects. I decided to “play” a bit in post with this photograph. One way to stretch post-processing skills is to think about how to replicate effects that we see in the work of other photographers. This isn’t about imitating them — it is about trying to broaden one’s skills as a photographer. In this case, I went towards (but not all the way to) a kind of processing that I see in some currently popular urban and architectural photography… and I learned a few things by doing so.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: People, Photographs: Photographers, Photographs: Urban/Street

Photographer Louis Mendes

January 20, 2016 G Dan Mitchell Leave a comment

The timing of our December 2015 visit to New York City coincided with a special event on the New York Subway system — a day when historic subway trains run along one Manhattan route. Our sons had told us about this before, and we all met up at the south end of the line to catch the first train. It is made up of a variety of cars — some from just before the vintage of the current trains and others from much further in the past. It is a big event, and by the time the second run began there were big crowds. (One fun thing was watching the looks of the faces of folks at stations who didn’t know about this… as ancient subway trains rolled in and stopped to take on passengers.)

As I walked through one of the cars there was a big group of photographers, many holding vintage film cameras, some rigged up to work with modern electronic flash units. This fellow immediately caught my eye, and for a bunch of reasons. Many years ago my father had a camera almost exactly like his, and I thought it was the coolest thing back then. I also was taken by the contrast between his rig, with his giant camera and multiple flash units, and what I use to photograph in circumstance these days… a very small mirrorless system that works so well in low light than I never use flash. And I was pretty sure I recognized him, and thought that I had read about him somewhere. It was too crowded and noisy to talk, but I later figured out that he is street photographer Louis Mendes, who is well-known for photographing with this eclectic equipment in Manhattan. (I later ran into him again in front of the B&H store, and I recently read an interview in which he said that is his “third favorite” location for photographing.)

There is an article in The New Yorker about Mendex” New York City’s Most Classic Street Photographer. (2016)

Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Snowy Egret

January 19, 2016 G Dan Mitchell Leave a comment

Snowy egret stands at rest

I recently posted a photograph of a great egret, probably the most striking are recognizable of the egrets found in the parts of California where I photograph. That bird is found in field, creek beds, along lakes and rivers, and even in Pacific Ocean kelp beds. But it isn’t the only kind of egret found in the state. Two others are the snowy egret (seen here) and the small cattle egret. All of them often are found alone, though occasionally in small groups, and all may fly off with the least provocation if you get too close.

This snowy egret seemed to be in a rather inactive mood as I came upon it while driving around the perimeter of a wildlife refuge. Those who aren’t familiar with the California refuges and their regulations might wonder why one would drive rather than walk, but it turns out that this is the rule in most areas of the refuges. One is supposed to stay mostly inside a vehicle and make photographs from the “mobile blind” of the vehicle, supposedly since this is less stressful for the birds. So I stopped the vehicle and then very slowly moved forward a bit at a time, first to get close enough for an initial photograph and then to work my way closer for an even better image. Much to my surprise, this specimen didn’t budge at all, and I was able to stop quite close and make frame-filling photographs.

G Dan Mitchell Photography

Winter Geese, Morning

Lower Manhattan, Bridge Cables

Photographer Louis Mendes

Snowy Egret

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.