What’s With All the Street Photography? (Morning Musings for 8/26/14)

August 26, 2014 G Dan Mitchell Leave a comment

Since many of you may be more familiar with my landscape photography, it wouldn’t surprise me if a few of you are wondering what has happened? Where did it go? What’s up with all the street photography? How does this all connect? Does it connect at all?

First, the landscape photography hasn’t disappeared and more of it will return here soon. In fact, some upcoming landscape photography projects should generate quite a bit of that sort of work once again before very long.

Second, let me share a bit more about the recent (and upcoming) focus on urban, street, and travel photography.

One reason is practical. During the first part of this summer, scheduling and other issues conspired in ways that I ended up spending much less time in wild places than usual. To some extent, I regret having been unable to make it to the Sierra in the past couple of months, but on the other hand my favorite Sierra season is just beginning and I’ll be there quite a bit very soon.
While I did not travel to those places, I did travel to other places with interesting urban subjects. Most notably I spent two weeks traveling to Chicago and New York City, and I was able to photograph a lot in the latter location for over a week. Yes, you can expect to see a lot more New York City photographs!
While I obviously have a deep and long-standing connection to the natural world, especially that of the western United States, I also love cities. While it is unlikely that I’ll never live in a place like Manhattan, such urban areas fascinate and energize me, and my instinct is to photograph them.
Photography is photography — it isn’t just landscape photography, or wildlife photography, or portraits, or street photography, or sports photography, and it certainly isn’t limited to certain locations or subjects. I see almost all subjects as potential photographs, and I see many of the same underlying elements and concepts and structures in a wide range of subjects. In my view, there is a clear connection between how I see natural landscape and urban landscapes, between nature photography and street photography, and much more.
Shooting (and viewing) photography outside of my personal photographic comfort zone helps me see and understand all photographic subjects more clearly and more intensely. I’m convinced that my landscape photography experience informs my street photography, and that shooting street can make me see the landscape in new and interesting ways.

Whether you agree or not, I hope that you’ll find something interesting in this “different” work that is likely to appear quite a bit over the next few weeks. And if not… autumn is coming, I’m heading into the field to shoot landscapes again very soon, and you can look forward to new work of the more familiar sort again before long!

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Big Wong Restaurant

August 26, 2014 G Dan Mitchell Leave a comment

New York City street scene, as people pass in front of the Big Wong Restaurant in Chinatown

To an outsider, there are many things that seem to characterize New York City — the noise, the energy, the density of people, the constant motion, the often gritty character of many areas, the unique neighborhoods that bump into one another, the huge number of people out walking, the food, and much more. I’m more familiar with the famous San Francisco Chinatown (which is at least as crowded), and New York’s Chinatown feels vaguely familiar but also quite different. It certainly seems, for the most part, a lot less geared to tourists.

We went there for dinner one evening. After a week of too many expensive dinners we were looking for something both good and less expensive, so we ended up at a place near here that one of our group knew about. After dinner we went out on the streets, where it was now close to twilight. We decided to wander up towards Little Italy, and on the way we quickly passed though more of Chinatown’s narrow streets, and I managed to slow up our progress by stopping to photograph people and storefronts, including this wonderfully named restaurant with a few people and piles of trash outside on the sidewalk.

Commentary, Events, Locations, Morning Musings

Sierra Nevada Fall Color (Morning Musings 8/25/14)

August 25, 2014 G Dan Mitchell 4 Comments

For various reasons — projects I’m working on, clear signs of the changing seasons, photographs I’ve recently seen — I have been getting into that autumn frame of mind that comes at about this time every year. With that in mind, today’s “morning musings” post is about finding and photographing fall color in the Sierra Nevada. Rather than re-writing the whole thing, I’ll start by pointing you to an extensive guide that I wrote a few years ago and have updated every year since that time — if you are thinking of chasing aspen color this fall you may want to take a look: “Sierra Nevada Fall Color — Coming Sooner Than You Think”

If things evolve on a relatively typical schedule, eastern Sierra aspen color is perhaps about six weeks away. I have been photographing this subject for a while now, and it is one of my favorites. I intend to be out there again this fall.

One popular game at this time of year is to predict/guess when the colors will arrive and how good they will be. I’m fully aware that I’ve been wrong quite a few times, and my increasing knowledge of this subject has perhaps only made me more aware of how unpredictable this can be. However, this year I have to wonder about the effects on the trees from our three-year California drought, which has reached an extreme level all across the state this year. I don’t know what the results will be, but I’m considering some possibilities:

During the last two years it seemed to me that I was seeing the onset of color move a bit earlier in the season. I have to wonder if we may see stressed trees go into fall mode a bit on the early side this year.
Some people say that they are seeing a few aspen groves turning brownish-yellow already and looking like they are drying out.
Also during the last few dry years we have seen some anomalous early season storms, and I wonder if that pattern will continue. This can affect the season in various ways if it happens. On the negative side, leaves can blow down early. On the positive side, snow and aspens can make a beautiful pair.

As always, to the extent possible, I like to remain flexible about when and where I’ll photograph the aspens, and I watch the evolving conditions to see what this season may bring. How about you? What are your fall color plans?

Photographs: New York City, Photographs: Urban/Street

New York Street, Child with Toy Car

August 25, 2014 G Dan Mitchell Leave a comment

A child playing with a toy car on the sidewalk of a busy Manhattan street

I made this photograph on my first real day of shooting in Manhattan. We had arrived the night before, late enough that we only had time to take a cab to where we were staying, have a bite to eat (thanks, Timothy and Margaret!), and fall asleep. The next morning we went over to NYU, where Patty was participating in a music conference for the next five days, and after she got registered I was on my own in Manhattan, and on the prowl with a camera for a good part of the next few days. I often started out with very general plans, but then mostly sort of followed my intuitions as I wandered up and down the island. On this first morning I simply headed uptown toward Grand Central Station with my camera at my side, and began to get in the flow of photographing this busy, dense, and compelling place.

When shooting street I often think a bit like the landscape photographer than I am. This means that I find what I think is a visually interesting place, consider how to compose a shot, and then wait until something or someone interesting enters the frame. However, this shot worked more or less the opposite way. I saw this child, incongruously pushing his combination play car and stroller on a section of this very busy urban sidewalk. Fearing that it might be more than a little creepy to walk up and point my camera at this interesting child, I moved closer to the building wall so that I could instead include him near the edge of a shot of the overall street scene. Placing him so close to the lower left corner obviously made for an unusual composition, though I think it is somehow interesting to see him in a position that seems so peripheral to the rest of the scene. I watched to see if he would do anything interesting, and I made the exposure when he leaned over and looked in my direction. Initially I thought that the photograph might be in color, and as I worked with it the bright colors of taxis seemed to complement the cooler tones of the shaded sidewalk area. But there were problems — that interesting yellow also distracted from the child, and his little “car” was a dark shade of blue. In the end, I had a lot more control over the relative tonality of different parts of the scene with this black and white conversion.

G Dan Mitchell Photography

What’s With All the Street Photography? (Morning Musings for 8/26/14)

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Big Wong Restaurant

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Sierra Nevada Fall Color (Morning Musings 8/25/14)

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New York Street, Child with Toy Car

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.