Chinatown Street

Chinatown Street
Chinatown Street

Chinatown Street. New York City. August 10, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A narrow, empty street curves past small shops in New York City’s Chinatown

First off, I’m obviously not a “real” New Yorker — I love the place, but I’m most certainly a visitor and a west coast guy at heart. However, that means that for me many things that might seem familiar and perhaps even ordinary to long time New Yorkers are still special and new. My first visit to New York’s Chinatown area was only a few years ago. We came into the city on Christmas Eve and pretty much the only restaurants open nearby (we were staying on Canal Street) were in Chinatown, so we plunged into the throngs that typically seem to crowd the sidewalks here, eventually wandered down some narrow streets, and arrived at a restaurant where we met up with friends and family members for a wonderful dinner.

This time we got there a bit later during our trip, on an evening when we were all perhaps becoming just a bit travel-tired and when we wanted a dinner that wasn’t quite so expensive as some others we had recently enjoyed. One or both of our sons suggested that we meet up at a place in Chinatown again, and since we arrived a bit early I took advantage of the situation and made a few photographs on this wonderful little street, with its beautiful curve, small shops, and wildly colorful store fronts and signs. Most of the time this street was busy with passing pedestrians, but I waited a bit and managed to make this photograph of the empty street in the evening light. The details of such photographs are often fun and intriguing — the picture on the hair salon sign at the left, the bicycle sitting on its rear wheel at the far right, the colorful flags on one store front, and more.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Print Review (Morning Musings for 8/19/14)

We are very fortunate to be part of a small group of photographers and friends who gather every six weeks or so in one of our homes for an informal print review. Each of the photographers is talented and expressive, and while our stylistic and subject preferences overlap, each has a unique style and photographic “voice.”

Print reviews, especially when the participants comprise a group of very talented and perceptive photographers who are also friends, are very, very useful. They tend to force me to switch out of the regular ongoing “flow” of making a lot of photographs, and towards a more directed task of choosing work worthy of showing and then making decent prints of the work. This switch is another element of the “discipline” component of photography. Even more important, I hear diverse responses to the work, which range from the purely emotional (very important) to technical observations (also important).

It is interesting to see the range of responses — sometimes they are pretty much what I expected based on my own relationship to the images, but at other times I’m surprised. I had two of those surprises last night, and each of them came in the case of sets of related prints that I shared. One was a small group of three street photographs from my recent visit to New York City, photographs of dense and busy spaces that feature intense and wild color palettes. I had originally preferred one of the images to the others, but was beginning to gravitate to a second one in the set that included many more people. To my surprise, the group responded most strongly to the third, and their reactions to it made me reconsider my own feelings about the images in several ways.

The second group of photographs included five high-key black and white photographs, all of which belong to minimalist thread in my work that is about luminous atmosphere, usually from fog, that is so brightly lit by sun that it almost hurts to look into the scene. In order to get prints to somehow suggest that quality, I push the luminosity levels up about as far as possible, and the resulting images are somewhat minimal and often contain large areas of gentle tonal gradation. Among the five I shared were four that I made in California’s Central Valley. One of these is truly minimal, with a nearly invisible and diffuse horizon dividing an extremely luminous foggy sky from its reflection in still water below, and the only clear details are a few scattered birds in the water. I had almost chosen to not include this print, thinking that it might just be too minimal for other viewers. Much to my surprise, and without any prodding from me, the group preferred this image over the others. Live and learn!

Finally, it is a wonderful and useful discipline to hear my work critiqued and mostly adopt a learner’s attitude about what I hear. It is in my nature to try to persuade others of my point of view, but that is usually (but not quite always) the least useful way to deal with critique. The best and most useful thing is to hear and understand what others are seeing in the work, and to a consider it even if it doesn’t mesh with my own perspective. In the end, I can choose to accept or not what I hear, but hearing it is incredibly useful and important.

If you are fortunate enough to have perceptive, knowledgable, sympathetic photographer friends, I urge you to try to get together and try this, and to stick with it long enough to allow the process and the relationships to grow. (And thanks to any of you in the group who are reading this!)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Manhattan Traffic

Manhattan Traffic
Manhattan Traffic

Manhattan Traffic. New York, New York. August 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Motion blur abstract of Manhattan traffic

OK, here we go! I’m about to share a string of urban photographs, many of which are from New York City, where I spent slightly more than a week in early August. We were there for several reasons. My wife was attending a music conference at NYU. (A conference of oboe and bassoon players, if you wondered.) Her brother and sister-in-law live in Brooklyn and graciously agreed to host us during our stay, and our two sons also live in Brooklyn. For me this meant that I had the better part of a week to simply head out into Manhattan and Brooklyn, going wherever my intuition took me, and make photographs of the city.

A lot of the photographs fit into the street photography genre — which may seem a bit perplexing to those who know my landscape and nature photography — but this first one is more of an abstraction, created my means of a slow shutter speed and camera motion, most likely as I was crossing some busy street in midtown Manhattan.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

“AutumnIsAroundTheCorner” Day (Morning Musings for 8/18/14)

Oaks and Grass, Late Summer
Oaks and Grass, Late Summer

Oaks and Grass, Late Summer. Santa Clara County, California. August 17 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Late summer morning fog clears about oak and grass-covered California hills. (And yes, it is the same image I shared earlier as today’s daily photograph.)

I first encountered “AutumnIsAroundTheCorner” day — which is my own invention, so don’t try to look it up! — many years ago on a Sierra Nevada backpacking trip. I recall the day specifically, even though it was decades ago. At the time I didn’t know quite what it was even though I clearly sensed the symptoms. As we hiked, we passed an expansive, remote meadow in which a large group of deer were feeding. It was a summer day by the calendar, but it felt different from all of the previous days of that summer. The day was windy and we felt compelled to wear warmer clothes than on other days on this trip. After that I began to notice it more regularly and pay attention to it, and I am now aware of its arrival every year.

It comes unannounced and not on any specific day. For me it typically shows up on a day in the middle of August, at a point when we are just a bit closer to the end of summer than to its beginning. I suspect that its arrival is a rather subjective thing, and that it varies by location and each person’s exposure and sensitivity to natural patterns — though this week when I pointed out  its arrival to my wife while we were walking, she agreed that she felt it, too.

I cannot quite put my finger on what it is that I sense, even though I’m certain that it is here when I do sense it. I think that the quality of light has something to do with it, and yesterday we both agreed that it made sense to speak of this light as being somehow “softer.” I know it when I see it, and when I then pay attention to the light I detect a certain loss of clarity in the atmosphere, almost as if there is a bit more of a luminous haze.

But it isn’t just the light. One August I was backpacking across a meadow in the Yosemite Sierra and suddenly becoming aware of it. Again, although I recognized what I was feeling, I wasn’t completely clear about the specific cause, though I had a very clear sense that it had to do with a change in the sound quality of the wind and the way it carried across space. More recently I experienced it while hiking though a place much like that in the photograph accompanying this post, and as I hiked I tried to understand as many aspects of it as I could. The morning breeze had a crisp edge, even though the sunlight was warm. There was a glowing haze as morning fog cleared. I walked past piles of fallen oak leaves and noticed a faint sweet, musty autumn fragrance, and as I walked on them I felt and heard their crunch. I wondered whether it might be that, at some subconscious level, I was aware that the sun was now a bit lower in the sky, or if I was more aware that seasonal plants had stopped growing and were now in decline.

On this day, whenever it arrives and without any doubt, I have a certain awareness of the inevitable approach of autumn and the fading away of summer. Until this day I live in the patterns of summer, taking the warm weather for granted, complaining about the heat, and making summer plans and perhaps putting them off, comfortable in the knowledge that there is plenty of summer left. I watch my vegetable garden grow and anticipate the ripening of vegetables and fruit. But then, on “AutumnIsAroundTheCorner” day, my perspective switches — now summer is no longer coming nor here, but instead coming to an end. Summer things must be done soon. It is time to plant a fall garden. And out there on the horizon of my thinking now are autumn and then winter… my favorite seasons of the year.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.© Copyright 2014 G Dan Mitchell – all rights reserved.

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