Tag Archives: bare

Bare Aspen Grove

Bare Aspen Grove
A dense grove of slender white aspen trees after most leaves have fallen

Bare Aspen Grove. © Copyright 2018 G Dan Mitchell – all rights reserved.

A dense grove of slender white aspen trees after most leaves have fallen

Quite naturally, in autumn our attention turns to the fall color transition, which in the Eastern Sierra Nevada and nearby areas mostly means aspen trees. And this transition can be quite spectacular if you are in the right place on the right day and in the right conditions. The colors — ranging from yellow through orange to red — are often intense, and the biggest groves cover whole hillsides, snake up and down the mountains, and may be reflected in subalpine lakes. But this show is brief, and it ends before the month of October is over.

Fortunately, this isn’t the only condition in which aspens are a worthy photographic subject! In fact, as the last colorful leaves drop my feelings are often mixed — I hate to see the show end, but I also can start to look at the trees in other interesting ways. Bare aspen trees are an interesting subject on their own, suggesting both winter and the end of the warm season… and the prospect of the spring rebirth a few months from now. I know this particular little grove quite well, and I make it a point to visit every season, sometimes more than once. This year I passed by when almost all of the leaves had fallen, revealing the start, nearly white trunks and their fascinating combination of order and complexity.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Trees, Sunlight, Waterfall Spray

Trees, Sunlight, Waterfall Spray
Forms of bare trees silhouetted against the sunlit spray of a Yosemite waterfall.

Trees, Sunlight, Waterfall Spray. © Copyright 2018 G Dan Mitchell – all rights reserved.

Bare trees silhouetted against the sunlit spray of a Yosemite waterfall.

For decades I have had an informal tradition of stopping at a waterfall during my first spring visit to Yosemite Valley, and getting as close — and as wet! — as possible as my way of saying goodbye to the cold winter season and hello to the upcoming warmer times of the year. Most often the location has been Bridal Veil Fall, one of the most accessible in The Valley and one that reliably produces clothing-soaking mist early in the season. Although I have photographed this “event,” the point of the visit has rarely been photographic — it is more about a reconnection with a favorite time of year in the Sierra and a personal celebration of the wild flow of melting snow at this time of the year.

But, of course, I can’t entirely avoid photographing the thing. That said, photographing the drenching torrent up close presents some problems. Cameras don’t like mist-filled air, especially when the mist is sometimes thick enough to act more like rain. Even if your camera is protected against water, you lens is going to get soaked quickly, and water-covered lenses and most landscape photography don’t mix. So my approach is to work quickly with a handheld camera. I know these lovely trees from previous visits, and I was hoping I could get close enough to photograph them against the clouds of spray coming from the waterfall, silhouetted against the brilliant backlit mist. I pre-selected a lens, stuck the camera in a waterproof bag, and headed up the short trail, quickly getting to the location of these trees. Standing behind a larger tree, I unzipped the bag and took out the camera. I stepped out of the shelter of the tree, pointed the camera up towards these slender trees, composed the image I had in mind, and made perhaps a half-dozen exposures before things got to wet and I had to retreat.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Trees

Winter Trees
Bare winter trees alongside the Merced River

Winter Trees. © Copyright 2018 G Dan Mitchell – all rights reserved.

Bare winter trees alongside the Merced River

There is a, obviously, a lot to see in Yosemite Valley and the rest of this famous national park. Many of the iconic sights are well-known and there is little question why. (As someone said, “They are icons for a reason!”) We all love those familiar domes and cliffs and waterfalls, and we all photograph them. But eventually, after spending quite a bit of time in this place, it is easy to see that there are plenty of other things worth looking for in the Valley and beyond.

Most people are familiar with these scenes in spring and summer, and the ideal includes lots of greenery, perhaps some colorful wildflowers, flowing rivers and waterfalls. But those conditions account for only a small portion of the year here, and especially in late fall and winter you are more likely to find dormant meadows, leafless deciduous trees, rain or snow, and very different light. These trees grow in a location that in spring and summer is noted for green meadows, a flowing river, and sun and warmth When I photographed it this time it was very cold, at the end of a winter day, and thin light was coming through high clouds and softly lighting the bare trunks and branches of these trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Riverbank Trees, Winter Light

Riverbank Trees, Winter Light
Bare winter trees along the Merced River, Yosemite Valley

Riverbank Trees, Winter Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

Bare winter trees along the Merced River, Yosemite Valley

There are many interesting things in Yosemite Valley. (“Duh!,” right?) The big, iconic features are well-known, but wander away from those a bit and you are bound to find more things worth exploring — trails, bends in the river, groves of trees, meadows, boulders, views of less-known cliffs, hidden seasonal waterfalls, and even historical human structures. Wander in the right directions at the right times and you may even find something approaching solitude in this busy place. (You’ll increase the odds if you do your wandering at times other than the summer tourist season.)

This photograph only required a small bit of wandering, since the walk to this spot is quite short. One of may photography habits in the Valley is to seek out “edges” — where shadow and light meet. These places produce all kinds of wonderful effects, including the possibility of somewhat subdued light and the opportunity to place brightly lit subjects against darker backgrounds. These trees provided such an opportunity, as the long shadows of cliffs along the north side of the Valley were growing across the Valley floor, leaving the riverside trees in low, late-afternoon sun while the background subjects had already fallen into shadows. The stark winter light, nearly devoid of color, produced an almost monochromatic scene with only subtle hints of color.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.