Tag Archives: black and white

Pacific Sky

Pacific Sky
Pacific Ocean sky, California Coast.

Pacific Sky. © Copyright 2019 G Dan Mitchell – all rights reserved.

Pacific Ocean sky, California Coast.

One of the things I miss most during this time of travel restrictions is the chance to be in the grand landscape, the landscape of deserts, mountains, ocean, and valleys that extends into the far distance. I do get outside daily, for neighborhood walks and to work in our garden, but all of these are landscapes on a much smaller scale.

I made this photograph last year on a foray down the California coast, where I can never get enough of the grand westward views out over the ocean and toward the distant horizon. On this day the scene was softened by big clouds and atmospheric haze over the ocean that glowed in the sunlight.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Sand and Shadows

Sand and Shadows
Sand dunes and shadows from early morning sun.

Sand and Shadows. © Copyright 2019 G Dan Mitchell – all rights reserved.

Sand dunes and shadows from early morning sun.

Sand dunes are the photographer’s playground, with a seemingly infinite range of shapes and lines and ever-changing light. They can be photographed on any scale, from the largest landscape down to tiny elements like flowers or the tracks of animals. No matter how often you have visited a particular set of dunes — and I’ve been to these scores of times — there is always something new to see.

Because of the relatively early hour of the day, when shadows are everywhere but changing quickly, it is likely that I made this photograph quickly. During the first and last few minutes of the day, the light changes so quickly that one often must work fast and complete a photograph before the light changes and the shadows move.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Between The Curves

Between The Curves
“Between The Curves” — Two large freeway overpasses cut through downtown San Francisco.

San Francisco is not far from where I live — less than an hour’s drive in good traffic (and three times that in really bad!) or a one-hour express train ride. When I have a day free I like to head up there on the train early in the morning and then explore, photographing as I go. San Francisco is a very walkable city, and I have a great choice of routes when I get off the train — I can head south to the an area with tons of new development, walk along the waterfront, go west toward an older (still somewhat) industrial area, or go north and head straight into the center of the downtown district.

I took the latter path on this day back in 2019, cross-crossing on east-west routes from time to time. Frequently when I come into The City by car I travel along the freeway route that mostly flies overhead, leaving only longer views. From underneath the City looks a lot different! I chose this view partly because I like the concept of the dark forms cutting off the view, but also because I was intrigued by the curving shape of the opening between the two overpasses.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Dune Waves

Dune Waves
Waves of sand dunes retreat toward distance desert mountains, Death Valley National Park

Dune Waves. © Copyright 2019 G Dan Mitchell – all rights reserved.

Waves of sand dunes retreat toward distance desert mountains, Death Valley National Park.

As photographers, we often take a great deal of photographic license in our creative interpretations of subjects. It is a myth, quite frankly, that some kind of objectively “pure” version of a photograph even exists. And if such a thing did exist, it seems like it would usually be a pretty boring thing for everyone except those using photographs as evidence of a thing. Most of us prefer photographs as a mode of expression, a sharing of the photographer’s way of seeing the world. I like to think that a good photograph or group of photographs tells us more about the person making the images than it tells us about the putative subject.

Sand dune landscapes lend themselves especially well to this way to this approach. While they do have a real geological appeal, when you look at them from an aesthetic perspective they are perhaps less about the fact of sand and more about light, line, weight, form, and color. They are never the same — the light changes, the conditions alter them, and each of us sees them differently. In this interpretation I decided to work in high-key and monochrome, hopefully creating a photograph that reflects the quiet stillness of the static wave forms of the dunes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.