It is quite an experience to get up close and personal with huge storm surf like this — though having a very long lens and finding the right shooting location helps makes it safe. We headed to the coast south of San Francisco during California’s bout of giant waves between Christmas and New Year’s Day. At this location a peninsula juts out into the ocean between a beach and a bay. At the tip of this peninsula one is very close to the waves as they break and roll into that bay.
In a way, photographing these waves is more or less like photographing moving landscapes. They have slopes, peaks, and cliffs, and the effects of wind and light are part of the scene. The main difference is that everything is ephemeral. The landscape stands still, but when photographing waves the landscape photographer has to think more like someone photographing active wildlife or sports, making instantaneous, intuitive decisions about timing and composition.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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