Tag Archives: building

Photographs: New York City, Photographs: Urban/Street

Manhattan Sidewalk Scene

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Manhattan Sidewalk Scene
Pedestrians on a Manhattan sidewalk on a cloudy winter morning.

Manhattan Sidewalk Scene. New York City. December 24, 2015. © Copyright 2016 G Dan Mitchell – all rights reserved.

Pedestrians on a Manhattan sidewalk on a cloudy winter morning.

This is one of those street photographs that I probably can’t fully explain to viewers. I’ll try, but it simply may or may not work for you — and it certainly is, at least superficially, not much like my landscape photography. Or is it? When I’m out and about in an urban area, sometimes I start to look beyond the general hubbub of the scene and I began to spot elements that I find fascinating: a particular person, a relationship of colors, light in unexpected places, juxtapositions of people doing things that may be related or unrelated, and transitory moments that are gone as quickly as they appear.

When I’m in this mode of seeing I often stop and watch the scene, waiting for something to happen. I don’t know in advance quite what it will be, but I know that the potential is there. (This, in fact, is one similarity to photographing the natural world, where more things than you might imagine are the result of simply being there at the right time and watching.) Here something about the front of this building caught my attention, and there was a steady stream of people passing by. (Of course there was — this is Manhattan!) At the moment of this exposure a bunch of things happened — somehow there are two strollers in the scene. Several people are engrossed by their smartphones. The woman at the far right is in a surprising and somewhat contorted position, and everything seems to have stopped in some sort of tableau.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: New York City, Photographs: Structures and Objects

Construction Site, Hudson Yards

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Construction Site, Hudson Yards
Construction work on the foundation of a new building at Hudson Yards

Construction Site, Hudson Yards. New York City. December 28, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Construction work on the foundation of a new building at Hudson Yards

Along a section of the west shoreline of New York City there is a monumental construction project, mostly above the Hudson Yards, where there is a huge train yard. As I understand it, because the train yard cannot be moved, the gigantic towers being constructed here must be built on top of the rail yard, which seems like an almost unimaginable construction challenge. When finished, the train yard will still be there, but beneath the absolutely huge collection of towers housing businesses and residences. The project has already been going on for years, and I understand that it will not be complete until something after 2020.

Since the new upper end of the High Line Park wraps around the site, there are plenty of opportunities to photograph the work from good vantage points. Most of my photographs were looking across the site or up at the towers, but in this case I simply leaned out over the edge of the High Line and pointed the camera almost straight down, where a small crew was working on the foundation of some new structure amidst a scene of great complexity.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Night, Photographs: Structures and Objects

Staircase, Window, and Shadows

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Staircase, Window, and Shadows
Shadows from artificial light amplify the forms of a staircase at Mare Island.

Staircase, Window, and Shadows. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Shadows from artificial light amplify the forms of a staircase at Mare Island.

I made this photograph in an area that was actually so dark that I could barely see the subject — a long exposure and a higher ISO made the photograph possible and allow the camera to see what I cannot. I could see well enough to know that there were some unusual and interesting shadow patterns, including the organic shaped shadows of nearby trees and the angular shadows duplicating the lines of the stairway railings.

With a dark subject like this the first challenge is to make a composition out of things I can barely see. The broad outlines are visible, but it was not easy to see details… and focusing can be a major issue. (I have a bag of tricks for this. One technique is to simply shine a brighter light into the scene and focus on the lit area. An alternative if the subject is further way is to place the light inside the frame, focus on it, and then remove it for the exposure.) This whole area was just a bit spooky. I got to it by ascending a dark stairway and then walking across what seemed like it may have been an abandoned parking terrace that was littered with construction (or destruction?) debris.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Urban/Street

Woman at Crosswalk

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Woman at Crosswalk
A women waits alone at a cross walk for the light to change, San Francisco.

Woman at Crosswalk. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A women waits alone at a crosswalk for the light to change, San Francisco.

One thing that might surprise some folks about my street photograph is that I do not think that it is unrelated to my nature and landscape photography. I think that it all connects together as “photography,” whether the subject is a mountain or a building, a bird or a person. I also believe that photographing more than one type of subject — which some might regard as a dilution of vision — actually makes me better at seeing all kinds of subjects as photographs. Shooting street, where things often happen quite quickly and in the midst of a lot of visual stimuli, forces me to be “on” all the time, to see potential subjects quickly, to recognize things that work instinctively, and to look for juxtapositions. And photographing natural landscape subjects informs the way I see the urban landscape.

One obvious potential thread in urban photograph is the juxtaposition of individual figures against a constructed and sometimes massive and impersonal urban landscape. I often look for these “stages” and then watch for people to appear and populate them. This location can actually be a fairly busy street corner, but here I first found the massive stone building, then waited for the scene to clear with the exception of the solitary woman waiting for the light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.