Tag Archives: cliff

Cliff, Trees, Snow

Cliff, Trees, Snow
A band of trees at the snowy base of the face of Half Dome

Cliff, Trees, Snow. Yosemite National Park, California. February 25, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A band of trees at the snowy base of the face of Half Dome

Very early on two late February mornings, I was up and out the door well before sunrise, walking though shallow snow and sub-twenty-degree air to a nearby meadow to photograph that start of the Yosemite Valley day. On both occasions, my main strategy was to look upwards toward the cliffs and use a long lens to pick out small scenes that might otherwise be missed in the immensity of the scene.

Eventually the sun came up and light broke over the upper rim of the Valley, gradually working its way down the steep walls, first on the north side and eventually on the south side where I was focusing my attention. But it would be a long time — probably noon at least — until the direct light made it to this spot at the base of Half Dome. The low contrast and blue tone of the light along with the banks of snow reinforces the frigid feeling of this scene, with a row of straight and tall trees managing to make a living on this ledge at the bottom of the giant face of the mountain.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Trees, Snowy Ledge

Trees, Snowy Ledge, Yosemite Valley
“Trees, Snowy Ledge” — Trees grow on a snowy ledge below Glacier Point

The cliffs and spires of Yosemite Valley — and not always the most iconic among them — fascinate me. While there is only one Half Dome, there are uncounted intimate vignettes of ridge, ledge, spire, light, texture, color, and atmosphere everywhere — where the cliffs meet the canyon floor, up these giant walls, and along the rim of the Valley. The variety is astonishing — something that is uninteresting in one kind of light may glow in another, what appears as a featureless face in summer may acquire relief when there is snow, changing light color brings colors out of what might otherwise seem entirely gray.

In February a spent a couple of very early (and very cold!) mornings contemplating one specific area of the Valley, staring upwards as the bluish pre-dawn glow was transformed as light came to the sky and then as beams of sunlight slanted across the granite faces and ledges. On both mornings I photographed this subject — a pair of taller trees flanked by smaller trees and brush and a dead snag, and set against a particularly varied bit of cliff texture and color.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Sunset Tree, Granite Cliff

Sunset Tree, Granite Cliff
A solitary tree caught in a beam of sunset light beneath El Capitan

Sunset Tree, Granite Cliff. Yosemite Valley, California. February 25. 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A solitary tree caught in a beam of sunset light beneath El Capitan

As a friend recently wrote, lots of photography stories begin with a recounting of how bad the light was and end with an unexpected miracle of light. I’m not sure that this event qualifies as a miracle, but it certainly was unexpected. After a day of photographing in Yosemite Valley I was more or less ready to take a break and clouds were closing in, so I decided I might as well head to Tunnel View and just take a look. I had no plan to photograph. I arrived and parked, got out of my vehicle, and walked to the overlook unburdened by any photographic equipment at all. Clouds were thickening above the Valley and it looked like a predicted weather front was probably approaching from the west, meaning that more clouds would be blocking the light from the west. I decided to go back to my car to get my smart phone so that I could walk back and make a “Hi, I’m here!” photo to send to my family.

As I returned, I saw a beam of light start to illuminate the opposite valley wall to the west-northwest, and I quickly figured out that it was gradually angling toward the base of El Capitan. There are no guarantees of how such an event will unfold, but it is better to be prepared and end up disappointed than to not be ready and miss photographing something glorious. So I dashed back to the car again, grabbed camera gear, rushed back, and set up. By now the narrow beam of light was traversing the valley wall almost all the way to the base of El Capitan, and for a brief moment it caught this solitary tree in its spotlight as another band of golden hour light washed across the upper face and lit the edge of the monolith.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cliff Detail

Cliff Detail
A section of a Yosemite Valley cliff

Cliff Detail. Yosemite National Park, California. February 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A section of a Yosemite Valley cliff

I was in Yosemite Valley for the weekend, initially for the opening reception for the Yosemite Renaissance 32 exhibit in the Yosemite Museum Gallery next to the Visitor Center. Friday was all about the exhibit — the wonderful reception and then afterwards with my many friends among the artists in the show and others artists who have a connection to the event. This was also the seasonal peak of the annual Horsetail Fall excitement, a phenomenon that brings hordes of people to a couple of small areas… but consequently brings a degree of solitude and quiet to many other parts of the Valley.

In any case, my visit was also an excuse for photography. On my last morning there I was up an out in the 17 degree chill before sunrise. I headed to a nearby clear area from which I had an unobstructed view of some of the mighty cliffs. As I photographed I alternated between subjects that were typical landscape material — trees on ledges, morning light slanting across granite, snow and ice — and more abstract images focusing a sort of disembodied landscape and isolation striking bits of pattern and color high on the cliff walls.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.